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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4F2E it is the complementary color #C1B0D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4F2E shade: #434F29, #54613C, #65734F, #768562 and #879775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4F2E shade: #3E4F2E, #2D3D1B, #1C2B08, #0B1900 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4F2E shade: #3F502F, #48502F, #50502F, #50472F and #503E2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4F2E shade: #3F502F, #36502F, #2F5031, #2F503A and #2F5043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4F2E shade matches the following richer shades: #3F502F, #3F5B25, #3F651B, #3E6F10 and #3E7A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4F2E shade: #3F502F, #404639, #403C44, #40314E and #402758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4F2E shade: #504F2F, #49502F, #40502F, #37502F and #2F5030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4F2E shade: #161C11, #2B3620, #3F502F, #546A3E and #68844E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4F2E shade: #3E4F2E, #2F5046 and #502F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4F2E shade: #3E4F2E, #2F4050 and #502F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4F2E shade: #3E4F2E, #2F5046, #402F50 and #502F39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4F2E shade: #3E4F2E, #2F5050, #402F50 and #502F2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

Complementary color

CMYK 8 / 16 / 0 / 18

HEX #C1B0D1

RGB 193 176 209

HSL 270.91, 0.26%, 0.75%

LAB 74.18, 12.26, -14.46

 

CMYK 15 / 0 / 48 / 69

HEX #434F29

RGB 67 79 41

HSL 78.95, 0.32%, 0.24%

LAB 31.68, -12, 20.83

 

CMYK 13 / 0 / 38 / 62

HEX #54613C

RGB 84 97 60

HSL 81.08, 0.24%, 0.31%

LAB 39.17, -12.08, 19.48

 

CMYK 12 / 0 / 31 / 55

HEX #65734F

RGB 101 115 79

HSL 83.33, 0.19%, 0.38%

LAB 46.44, -12.11, 18.24

 

CMYK 11 / 0 / 26 / 48

HEX #768562

RGB 118 133 98

HSL 85.71, 0.15%, 0.45%

LAB 53.5, -12.11, 17.1

 

CMYK 11 / 0 / 23 / 41

HEX #879775

RGB 135 151 117

HSL 88.24, 0.14%, 0.53%

LAB 60.4, -12.1, 16.05

 

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

CMYK 26 / 0 / 56 / 76

HEX #2D3D1B

RGB 45 61 27

HSL 88.24, 0.39%, 0.17%

LAB 23.59, -13.52, 18.77

 

CMYK 35 / 0 / 81 / 83

HEX #1C2B08

RGB 28 43 8

HSL 85.71, 0.69%, 0.1%

LAB 15.45, -13.37, 18.89

 

CMYK 56 / 0 / 100 / 90

HEX #0B1900

RGB 11 25 0

HSL 93.6, 1%, 0.05%

LAB 6.92, -9.95, 10.19

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 21 / 0 / 41 / 69

HEX #3F502F

RGB 63 80 47

HSL 90.91, 0.26%, 0.25%

LAB 31.81, -13.47, 17.33

 

CMYK 10 / 0 / 41 / 69

HEX #48502F

RGB 72 80 47

HSL 74.55, 0.26%, 0.25%

LAB 32.53, -9.48, 18.4

 

CMYK 0 / 0 / 41 / 69

HEX #50502F

RGB 80 80 47

HSL 60, 0.26%, 0.25%

LAB 33.24, -5.79, 19.46

 

CMYK 0 / 11 / 41 / 69

HEX #50472F

RGB 80 71 47

HSL 43.64, 0.26%, 0.25%

LAB 30.44, -0.27, 15.83

 

CMYK 0 / 23 / 41 / 69

HEX #503E2F

RGB 80 62 47

HSL 27.27, 0.26%, 0.25%

LAB 27.73, 5.44, 12.22

 

CMYK 21 / 0 / 41 / 69

HEX #3F502F

RGB 63 80 47

HSL 90.91, 0.26%, 0.25%

LAB 31.81, -13.47, 17.33

 

CMYK 33 / 0 / 41 / 69

HEX #36502F

RGB 54 80 47

HSL 107.27, 0.26%, 0.25%

LAB 31.18, -17.22, 16.39

 

CMYK 41 / 0 / 39 / 69

HEX #2F5031

RGB 47 80 49

HSL 123.64, 0.26%, 0.25%

LAB 30.79, -19.54, 14.58

 

CMYK 41 / 0 / 28 / 69

HEX #2F503A

RGB 47 80 58

HSL 140, 0.26%, 0.25%

LAB 30.99, -17.67, 9.24

 

CMYK 41 / 0 / 16 / 69

HEX #2F5043

RGB 47 80 67

HSL 156.36, 0.26%, 0.25%

LAB 31.22, -15.53, 3.88

 

CMYK 21 / 0 / 41 / 69

HEX #3F502F

RGB 63 80 47

HSL 90.91, 0.26%, 0.25%

LAB 31.81, -13.47, 17.33

 

CMYK 31 / 0 / 59 / 64

HEX #3F5B25

RGB 63 91 37

HSL 91.11, 0.42%, 0.25%

LAB 35.35, -20.86, 27.45

 

CMYK 38 / 0 / 73 / 60

HEX #3F651B

RGB 63 101 27

HSL 90.81, 0.58%, 0.25%

LAB 38.63, -26.86, 35.94

 

CMYK 44 / 0 / 86 / 56

HEX #3E6F10

RGB 62 111 16

HSL 90.95, 0.75%, 0.25%

LAB 41.89, -32.58, 43.12

 

CMYK 49 / 0 / 95 / 52

HEX #3E7A06

RGB 62 122 6

HSL 91.03, 0.91%, 0.25%

LAB 45.57, -37.69, 48.67

 

CMYK 21 / 0 / 41 / 69

HEX #3F502F

RGB 63 80 47

HSL 90.91, 0.26%, 0.25%

LAB 31.81, -13.47, 17.33

 

CMYK 9 / 0 / 19 / 73

HEX #404639

RGB 64 70 57

HSL 87.69, 0.1%, 0.25%

LAB 28.81, -5.28, 7.02

 

CMYK 6 / 12 / 0 / 73

HEX #403C44

RGB 64 60 68

HSL 270, 0.06%, 0.25%

LAB 25.98, 3.54, -4.29

 

CMYK 18 / 37 / 0 / 69

HEX #40314E

RGB 64 49 78

HSL 271.03, 0.23%, 0.25%

LAB 23.12, 13.41, -15.27

 

CMYK 27 / 56 / 0 / 65

HEX #402758

RGB 64 39 88

HSL 270.61, 0.39%, 0.25%

LAB 21, 22.74, -25.27

 

CMYK 0 / 1 / 41 / 69

HEX #504F2F

RGB 80 79 47

HSL 58.18, 0.26%, 0.25%

LAB 32.92, -5.19, 19.06

 

CMYK 9 / 0 / 41 / 69

HEX #49502F

RGB 73 80 47

HSL 72.73, 0.26%, 0.25%

LAB 32.61, -9.02, 18.53

 

CMYK 20 / 0 / 41 / 69

HEX #40502F

RGB 64 80 47

HSL 89.09, 0.26%, 0.25%

LAB 31.88, -13.03, 17.44

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 0 / 40 / 69

HEX #2F5030

RGB 47 80 48

HSL 121.82, 0.26%, 0.25%

LAB 30.77, -19.73, 15.16

 

CMYK 21 / 0 / 39 / 89

HEX #161C11

RGB 22 28 17

HSL 92.73, 0.24%, 0.09%

LAB 9.33, -5.52, 6.27

 

CMYK 20 / 0 / 41 / 79

HEX #2B3620

RGB 43 54 32

HSL 90, 0.26%, 0.17%

LAB 21.04, -9.47, 12.36

 

CMYK 21 / 0 / 41 / 69

HEX #3F502F

RGB 63 80 47

HSL 90.91, 0.26%, 0.25%

LAB 31.81, -13.47, 17.33

 

CMYK 21 / 0 / 42 / 58

HEX #546A3E

RGB 84 106 62

HSL 90, 0.26%, 0.33%

LAB 42.06, -16.78, 22.07

 

CMYK 21 / 0 / 41 / 48

HEX #68844E

RGB 104 132 78

HSL 91.11, 0.26%, 0.41%

LAB 51.83, -20.18, 25.94

 

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

CMYK 41 / 0 / 13 / 69

HEX #2F5046

RGB 47 80 70

HSL 161.82, 0.26%, 0.25%

LAB 31.31, -14.76, 2.09

 

CMYK 0 / 41 / 4 / 69

HEX #502F4D

RGB 80 47 77

HSL 305.45, 0.26%, 0.25%

LAB 24.56, 20.48, -12.23

 

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

CMYK 41 / 20 / 0 / 69

HEX #2F4050

RGB 47 64 80

HSL 209.09, 0.26%, 0.25%

LAB 26.3, -2.09, -11.83

 

CMYK 0 / 41 / 20 / 69

HEX #502F40

RGB 80 47 64

HSL 329.09, 0.26%, 0.25%

LAB 24.03, 17.89, -4.32

 

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

CMYK 41 / 0 / 13 / 69

HEX #2F5046

RGB 47 80 70

HSL 161.82, 0.26%, 0.25%

LAB 31.31, -14.76, 2.09

 

CMYK 20 / 41 / 0 / 69

HEX #402F50

RGB 64 47 80

HSL 270.91, 0.26%, 0.25%

LAB 22.66, 15.29, -17.33

 

CMYK 0 / 41 / 29 / 69

HEX #502F39

RGB 80 47 57

HSL 341.82, 0.26%, 0.25%

LAB 23.78, 16.66, 0.05

 

CMYK 22 / 0 / 42 / 69

HEX #3E4F2E

RGB 62 79 46

HSL 90.91, 0.26%, 0.25%

LAB 31.38, -13.49, 17.37

 

CMYK 41 / 0 / 0 / 69

HEX #2F5050

RGB 47 80 80

HSL 180, 0.26%, 0.25%

LAB 31.63, -12.02, -3.82

 

CMYK 20 / 41 / 0 / 69

HEX #402F50

RGB 64 47 80

HSL 270.91, 0.26%, 0.25%

LAB 22.66, 15.29, -17.33

 

CMYK 0 / 41 / 41 / 69

HEX #502F2F

RGB 80 47 47

HSL 0, 0.26%, 0.25%

LAB 23.48, 15.11, 6.39

 

Description

Color code: HEX #3E4F2E | qconv.com Color code: HEX #3E4F2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 79 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 79 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 42 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 42% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Dolphin Charters
Link: http://dolphincharters.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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