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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37502F it is the complementary color #C8AFD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37502F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37502F shade: #3C502A, #4D623D, #5E7450, #6F8663 and #809876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37502F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37502F shade: #37502F, #263E1C, #152C09, #041A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37502F shade: #37502F, #40502F, #49502F, #504F2F and #50462F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37502F shade: #37502F, #2F5030, #2F5039, #2F5042 and #2F504B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37502F shade matches the following richer shades: #37502F, #325B25, #2D651B, #276F10 and #227A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37502F shade: #37502F, #3D4639, #423C44, #47314E and #4C2758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37502F shade: #49502F, #40502F, #37502F, #2F5030 and #2F5039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37502F shade: #131C11, #253620, #37502F, #496A3E and #5B844E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37502F shade: #37502F, #2F504F and #502F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37502F shade: #37502F, #2F3750 and #502F37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37502F shade: #37502F, #2F504F, #482F50 and #502F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37502F shade: #37502F, #2F4850, #482F50 and #50372F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

Complementary color

CMYK 4 / 16 / 0 / 18

HEX #C8AFD0

RGB 200 175 208

HSL 285.45, 0.26%, 0.75%

LAB 74.5, 14.96, -13.37

 

CMYK 25 / 0 / 48 / 69

HEX #3C502A

RGB 60 80 42

HSL 91.58, 0.31%, 0.24%

LAB 31.5, -15.53, 19.89

 

CMYK 21 / 0 / 38 / 62

HEX #4D623D

RGB 77 98 61

HSL 94.05, 0.23%, 0.31%

LAB 38.98, -15.44, 18.55

 

CMYK 19 / 0 / 31 / 55

HEX #5E7450

RGB 94 116 80

HSL 96.67, 0.18%, 0.38%

LAB 46.24, -15.32, 17.31

 

CMYK 17 / 0 / 26 / 47

HEX #6F8663

RGB 111 134 99

HSL 99.43, 0.15%, 0.46%

LAB 53.31, -15.21, 16.19

 

CMYK 16 / 0 / 22 / 40

HEX #809876

RGB 128 152 118

HSL 102.35, 0.14%, 0.53%

LAB 60.21, -15.1, 15.15

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 39 / 0 / 55 / 76

HEX #263E1C

RGB 38 62 28

HSL 102.35, 0.38%, 0.18%

LAB 23.48, -17, 17.92

 

CMYK 52 / 0 / 80 / 83

HEX #152C09

RGB 21 44 9

HSL 99.43, 0.66%, 0.1%

LAB 15.38, -16.97, 18.31

 

CMYK 85 / 0 / 100 / 90

HEX #041A00

RGB 4 26 0

HSL 110.77, 1%, 0.05%

LAB 6.91, -12.59, 10.11

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 20 / 0 / 41 / 69

HEX #40502F

RGB 64 80 47

HSL 89.09, 0.26%, 0.25%

LAB 31.88, -13.03, 17.44

 

CMYK 9 / 0 / 41 / 69

HEX #49502F

RGB 73 80 47

HSL 72.73, 0.26%, 0.25%

LAB 32.61, -9.02, 18.53

 

CMYK 0 / 1 / 41 / 69

HEX #504F2F

RGB 80 79 47

HSL 58.18, 0.26%, 0.25%

LAB 32.92, -5.19, 19.06

 

CMYK 0 / 13 / 41 / 69

HEX #50462F

RGB 80 70 47

HSL 41.82, 0.26%, 0.25%

LAB 30.14, 0.36, 15.43

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 0 / 40 / 69

HEX #2F5030

RGB 47 80 48

HSL 121.82, 0.26%, 0.25%

LAB 30.77, -19.73, 15.16

 

CMYK 41 / 0 / 29 / 69

HEX #2F5039

RGB 47 80 57

HSL 138.18, 0.26%, 0.25%

LAB 30.97, -17.89, 9.84

 

CMYK 41 / 0 / 18 / 69

HEX #2F5042

RGB 47 80 66

HSL 154.55, 0.26%, 0.25%

LAB 31.2, -15.78, 4.47

 

CMYK 41 / 0 / 6 / 69

HEX #2F504B

RGB 47 80 75

HSL 170.91, 0.26%, 0.25%

LAB 31.46, -13.43, -0.87

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 45 / 0 / 59 / 64

HEX #325B25

RGB 50 91 37

HSL 105.56, 0.42%, 0.25%

LAB 34.59, -25.95, 26.37

 

CMYK 55 / 0 / 73 / 60

HEX #2D651B

RGB 45 101 27

HSL 105.41, 0.58%, 0.25%

LAB 37.74, -33.3, 34.75

 

CMYK 65 / 0 / 86 / 56

HEX #276F10

RGB 39 111 16

HSL 105.47, 0.75%, 0.25%

LAB 40.96, -39.84, 41.92

 

CMYK 72 / 0 / 95 / 52

HEX #227A06

RGB 34 122 6

HSL 105.52, 0.91%, 0.25%

LAB 44.62, -45.4, 47.49

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 13 / 0 / 19 / 73

HEX #3D4639

RGB 61 70 57

HSL 101.54, 0.1%, 0.25%

LAB 28.56, -6.57, 6.62

 

CMYK 3 / 12 / 0 / 73

HEX #423C44

RGB 66 60 68

HSL 285, 0.06%, 0.25%

LAB 26.18, 4.36, -3.97

 

CMYK 9 / 37 / 0 / 69

HEX #47314E

RGB 71 49 78

HSL 285.52, 0.23%, 0.25%

LAB 23.95, 16.02, -13.92

 

CMYK 14 / 56 / 0 / 65

HEX #4C2758

RGB 76 39 88

HSL 285.31, 0.39%, 0.25%

LAB 22.63, 26.52, -22.59

 

CMYK 9 / 0 / 41 / 69

HEX #49502F

RGB 73 80 47

HSL 72.73, 0.26%, 0.25%

LAB 32.61, -9.02, 18.53

 

CMYK 20 / 0 / 41 / 69

HEX #40502F

RGB 64 80 47

HSL 89.09, 0.26%, 0.25%

LAB 31.88, -13.03, 17.44

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 0 / 40 / 69

HEX #2F5030

RGB 47 80 48

HSL 121.82, 0.26%, 0.25%

LAB 30.77, -19.73, 15.16

 

CMYK 41 / 0 / 29 / 69

HEX #2F5039

RGB 47 80 57

HSL 138.18, 0.26%, 0.25%

LAB 30.97, -17.89, 9.84

 

CMYK 32 / 0 / 39 / 89

HEX #131C11

RGB 19 28 17

HSL 109.09, 0.24%, 0.09%

LAB 9.07, -6.94, 5.86

 

CMYK 31 / 0 / 41 / 79

HEX #253620

RGB 37 54 32

HSL 106.36, 0.26%, 0.17%

LAB 20.58, -12.16, 11.67

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 31 / 0 / 42 / 58

HEX #496A3E

RGB 73 106 62

HSL 105, 0.26%, 0.33%

LAB 41.33, -21.17, 20.98

 

CMYK 31 / 0 / 41 / 48

HEX #5B844E

RGB 91 132 78

HSL 105.56, 0.26%, 0.41%

LAB 51.01, -25.15, 24.72

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 0 / 1 / 69

HEX #2F504F

RGB 47 80 79

HSL 178.18, 0.26%, 0.25%

LAB 31.59, -12.31, -3.23

 

CMYK 0 / 41 / 14 / 69

HEX #502F45

RGB 80 47 69

HSL 320, 0.26%, 0.25%

LAB 24.22, 18.84, -7.39

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 31 / 0 / 69

HEX #2F3750

RGB 47 55 80

HSL 225.45, 0.26%, 0.25%

LAB 23.39, 3.93, -16.32

 

CMYK 0 / 41 / 31 / 69

HEX #502F37

RGB 80 47 55

HSL 345.45, 0.26%, 0.25%

LAB 23.72, 16.32, 1.31

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 0 / 1 / 69

HEX #2F504F

RGB 47 80 79

HSL 178.18, 0.26%, 0.25%

LAB 31.59, -12.31, -3.23

 

CMYK 10 / 41 / 0 / 69

HEX #482F50

RGB 72 47 80

HSL 285.45, 0.26%, 0.25%

LAB 23.64, 18.19, -15.73

 

CMYK 0 / 41 / 39 / 69

HEX #502F31

RGB 80 47 49

HSL 356.36, 0.26%, 0.25%

LAB 23.54, 15.4, 5.11

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 10 / 0 / 69

HEX #2F4850

RGB 47 72 80

HSL 194.55, 0.26%, 0.25%

LAB 28.95, -7.18, -7.82

 

CMYK 10 / 41 / 0 / 69

HEX #482F50

RGB 72 47 80

HSL 285.45, 0.26%, 0.25%

LAB 23.64, 18.19, -15.73

 

CMYK 0 / 31 / 41 / 69

HEX #50372F

RGB 80 55 47

HSL 14.55, 0.26%, 0.25%

LAB 25.69, 9.95, 9.45

 

Description

Color code: HEX #37502F | qconv.com Color code: HEX #37502F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 80 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 80 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 41 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 41% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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