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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2F3F it is the complementary color #C1D0C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2F3F shade: #432F3A, #54414D, #655360, #766573 and #877786

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2F3F shade: #3E2F3F, #2D1D2C, #1C0B19, #0B0006 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2F3F shade: #3F3041, #41303D, #413038, #413034 and #413030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2F3F shade: #3F3041, #3B3041, #363041, #323041 and #303041

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2F3F shade matches the following richer shades: #3F3041, #47274A, #4F1E53, #57145C and #5F0B65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2F3F shade: #3F3041, #383937, #30422E, #284B25 and #20541C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2F3F shade: #363041, #3B3041, #3F3041, #41303D and #413039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2F3F shade: #110D11, #281E29, #3F3041, #574158 and #6E5370

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2F3F shade: #3E2F3F, #413230 and #304139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2F3F shade: #3E2F3F, #413F30 and #30413F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2F3F shade: #3E2F3F, #413230, #314130 and #303E41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2F3F shade: #3E2F3F, #413730, #314130 and #303941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

Complementary color

CMYK 7 / 0 / 8 / 18

HEX #C1D0C0

RGB 193 208 192

HSL 116.25, 0.15%, 0.78%

LAB 81.98, -8.04, 6.2

 

CMYK 0 / 30 / 13 / 74

HEX #432F3A

RGB 67 47 58

HSL 327, 0.18%, 0.22%

LAB 22.06, 11.24, -3.37

 

CMYK 0 / 23 / 8 / 67

HEX #54414D

RGB 84 65 77

HSL 322.11, 0.13%, 0.29%

LAB 29.91, 10.53, -4.1

 

CMYK 0 / 18 / 5 / 60

HEX #655360

RGB 101 83 96

HSL 316.67, 0.1%, 0.36%

LAB 37.48, 9.95, -4.74

 

CMYK 0 / 14 / 3 / 54

HEX #766573

RGB 118 101 115

HSL 310.59, 0.08%, 0.43%

LAB 44.8, 9.46, -5.34

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

CMYK 0 / 36 / 2 / 82

HEX #2D1D2C

RGB 45 29 44

HSL 303.75, 0.22%, 0.15%

LAB 13.34, 11.01, -6.94

 

CMYK 0 / 61 / 11 / 89

HEX #1C0B19

RGB 28 11 25

HSL 310.59, 0.44%, 0.08%

LAB 5.03, 10.04, -5.44

 

CMYK 0 / 100 / 45 / 96

HEX #0B0006

RGB 11 0 6

HSL 327.27, 1%, 0.02%

LAB 0.76, 3.72, -1.26

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 0 / 26 / 6 / 75

HEX #41303D

RGB 65 48 61

HSL 314.12, 0.15%, 0.22%

LAB 22.21, 10.35, -5.21

 

CMYK 0 / 26 / 14 / 75

HEX #413038

RGB 65 48 56

HSL 331.76, 0.15%, 0.22%

LAB 22.03, 9.29, -2.08

 

CMYK 0 / 26 / 20 / 75

HEX #413034

RGB 65 48 52

HSL 345.88, 0.15%, 0.22%

LAB 21.89, 8.49, 0.44

 

CMYK 0 / 26 / 26 / 75

HEX #413030

RGB 65 48 48

HSL 0, 0.15%, 0.22%

LAB 21.77, 7.74, 2.99

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 9 / 26 / 0 / 75

HEX #3B3041

RGB 59 48 65

HSL 278.82, 0.15%, 0.22%

LAB 21.67, 8.81, -8.8

 

CMYK 17 / 26 / 0 / 75

HEX #363041

RGB 54 48 65

HSL 261.18, 0.15%, 0.22%

LAB 21.13, 6.81, -9.68

 

CMYK 23 / 26 / 0 / 75

HEX #323041

RGB 50 48 65

HSL 247.06, 0.15%, 0.22%

LAB 20.73, 5.25, -10.33

 

CMYK 26 / 26 / 0 / 75

HEX #303041

RGB 48 48 65

HSL 240, 0.15%, 0.22%

LAB 20.53, 4.48, -10.64

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 4 / 47 / 0 / 71

HEX #47274A

RGB 71 39 74

HSL 294.86, 0.31%, 0.22%

LAB 21.15, 21.55, -15.58

 

CMYK 5 / 64 / 0 / 67

HEX #4F1E53

RGB 79 30 83

HSL 295.47, 0.47%, 0.22%

LAB 20.89, 31.43, -21.97

 

CMYK 5 / 78 / 0 / 64

HEX #57145C

RGB 87 20 92

HSL 295.83, 0.64%, 0.22%

LAB 21.2, 39.96, -27.39

 

CMYK 6 / 89 / 0 / 60

HEX #5F0B65

RGB 95 11 101

HSL 296, 0.8%, 0.22%

LAB 22.34, 46.17, -31.43

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 2 / 0 / 4 / 78

HEX #383937

RGB 56 57 55

HSL 90, 0.02%, 0.22%

LAB 23.81, -0.88, 1.09

 

CMYK 27 / 0 / 30 / 74

HEX #30422E

RGB 48 66 46

HSL 114, 0.18%, 0.22%

LAB 25.93, -11.88, 9.91

 

CMYK 47 / 0 / 51 / 71

HEX #284B25

RGB 40 75 37

HSL 115.26, 0.34%, 0.22%

LAB 28.42, -21.65, 18.72

 

CMYK 62 / 0 / 67 / 67

HEX #20541C

RGB 32 84 28

HSL 115.71, 0.5%, 0.22%

LAB 31.19, -29.83, 26.98

 

CMYK 17 / 26 / 0 / 75

HEX #363041

RGB 54 48 65

HSL 261.18, 0.15%, 0.22%

LAB 21.13, 6.81, -9.68

 

CMYK 9 / 26 / 0 / 75

HEX #3B3041

RGB 59 48 65

HSL 278.82, 0.15%, 0.22%

LAB 21.67, 8.81, -8.8

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 0 / 26 / 6 / 75

HEX #41303D

RGB 65 48 61

HSL 314.12, 0.15%, 0.22%

LAB 22.21, 10.35, -5.21

 

CMYK 0 / 26 / 12 / 75

HEX #413039

RGB 65 48 57

HSL 328.24, 0.15%, 0.22%

LAB 22.06, 9.49, -2.71

 

CMYK 0 / 24 / 0 / 93

HEX #110D11

RGB 17 13 17

HSL 300, 0.13%, 0.06%

LAB 4.04, 2.09, -1.49

 

CMYK 2 / 27 / 0 / 84

HEX #281E29

RGB 40 30 41

HSL 294.55, 0.15%, 0.14%

LAB 12.86, 7.38, -5.56

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 1 / 26 / 0 / 65

HEX #574158

RGB 87 65 88

HSL 297.39, 0.15%, 0.3%

LAB 30.67, 14.09, -10.04

 

CMYK 2 / 26 / 0 / 56

HEX #6E5370

RGB 110 83 112

HSL 295.86, 0.15%, 0.38%

LAB 39.02, 16.76, -12.26

 

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

CMYK 0 / 23 / 26 / 75

HEX #413230

RGB 65 50 48

HSL 7.06, 0.15%, 0.22%

LAB 22.37, 6.4, 3.85

 

CMYK 26 / 0 / 12 / 75

HEX #304139

RGB 48 65 57

HSL 151.76, 0.15%, 0.22%

LAB 25.88, -8.81, 2.66

 

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

CMYK 0 / 3 / 26 / 75

HEX #413F30

RGB 65 63 48

HSL 52.94, 0.15%, 0.22%

LAB 26.43, -2.11, 9.53

 

CMYK 26 / 0 / 3 / 75

HEX #30413F

RGB 48 65 63

HSL 172.94, 0.15%, 0.22%

LAB 26.06, -7.29, -1.01

 

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

CMYK 0 / 23 / 26 / 75

HEX #413230

RGB 65 50 48

HSL 7.06, 0.15%, 0.22%

LAB 22.37, 6.4, 3.85

 

CMYK 25 / 0 / 26 / 75

HEX #314130

RGB 49 65 48

HSL 116.47, 0.15%, 0.22%

LAB 25.7, -10.45, 8.32

 

CMYK 26 / 5 / 0 / 75

HEX #303E41

RGB 48 62 65

HSL 190.59, 0.15%, 0.22%

LAB 25.12, -4.86, -3.72

 

CMYK 2 / 25 / 0 / 75

HEX #3E2F3F

RGB 62 47 63

HSL 296.25, 0.15%, 0.22%

LAB 21.64, 10.23, -7.47

 

CMYK 0 / 15 / 26 / 75

HEX #413730

RGB 65 55 48

HSL 24.71, 0.15%, 0.22%

LAB 23.9, 3.08, 6.02

 

CMYK 25 / 0 / 26 / 75

HEX #314130

RGB 49 65 48

HSL 116.47, 0.15%, 0.22%

LAB 25.7, -10.45, 8.32

 

CMYK 26 / 12 / 0 / 75

HEX #303941

RGB 48 57 65

HSL 208.24, 0.15%, 0.22%

LAB 23.46, -1.61, -6.21

 

Description

Color code: HEX #3E2F3F | qconv.com Color code: HEX #3E2F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 47 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 47 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 25 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 25% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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