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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DDE6F it is the complementary color #C22190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DDE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3DDE6F: #42DE6A, #53F07D, #64FF90, #75FFA3 and #86FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DDE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3DDE6F: #3DDE6F, #2CCC5C, #1BBA49, #0AA836 and #009623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

Complementary color

CMYK 0 / 83 / 26 / 24

HEX #C22190

RGB 194 33 144

HSL 318.63, 0.71%, 0.45%

LAB 45.04, 68.9, -21.53

 

CMYK 70 / 0 / 52 / 13

HEX #42DE6A

RGB 66 222 106

HSL 135.38, 0.7%, 0.56%

LAB 78.72, -64.21, 45.05

 

CMYK 65 / 0 / 48 / 6

HEX #53F07D

RGB 83 240 125

HSL 136.05, 0.84%, 0.63%

LAB 84.81, -64.81, 43.61

 

CMYK 61 / 0 / 44 / 0

HEX #64FF90

RGB 100 255 144

HSL 137.03, 1%, 0.7%

LAB 89.97, -64.07, 41.07

 

CMYK 54 / 0 / 36 / 0

HEX #75FFA3

RGB 117 255 163

HSL 140, 1%, 0.73%

LAB 90.76, -57.32, 32.83

 

CMYK 47 / 0 / 29 / 0

HEX #86FFB6

RGB 134 255 182

HSL 143.8, 1%, 0.76%

LAB 91.67, -49.89, 24.6

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 78 / 0 / 55 / 20

HEX #2CCC5C

RGB 44 204 92

HSL 138, 0.65%, 0.49%

LAB 72.56, -63.23, 44.11

 

CMYK 85 / 0 / 61 / 27

HEX #1BBA49

RGB 27 186 73

HSL 137.36, 0.75%, 0.42%

LAB 66.39, -61.69, 45.62

 

CMYK 94 / 0 / 68 / 34

HEX #0AA836

RGB 10 168 54

HSL 136.71, 0.89%, 0.35%

LAB 60.19, -59.45, 46.97

 

CMYK 100 / 0 / 77 / 41

HEX #009623

RGB 0 150 35

HSL 134, 1%, 0.29%

LAB 53.96, -56.34, 47.9

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 74 / 0 / 39 / 13

HEX #3ADD86

RGB 58 221 134

HSL 147.98, 0.71%, 0.55%

LAB 78.66, -60.51, 31.12

 

CMYK 74 / 0 / 27 / 13

HEX #3ADDA1

RGB 58 221 161

HSL 157.91, 0.71%, 0.55%

LAB 79.15, -55.07, 17.8

 

CMYK 74 / 0 / 14 / 13

HEX #3ADDBD

RGB 58 221 189

HSL 168.22, 0.71%, 0.55%

LAB 79.78, -48.45, 3.88

 

CMYK 74 / 0 / 2 / 13

HEX #3ADDD8

RGB 58 221 216

HSL 178.16, 0.71%, 0.55%

LAB 80.5, -41.26, -9.44

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 72 / 0 / 50 / 93

HEX #051209

RGB 5 18 9

HSL 138.46, 0.57%, 0.05%

LAB 4.38, -5.42, 2.76

 

CMYK 72 / 0 / 49 / 73

HEX #134523

RGB 19 69 35

HSL 139.2, 0.57%, 0.17%

LAB 25.31, -25.49, 15.78

 

CMYK 73 / 0 / 50 / 53

HEX #21783C

RGB 33 120 60

HSL 138.62, 0.57%, 0.3%

LAB 44.35, -39.57, 25.64

 

CMYK 73 / 0 / 50 / 33

HEX #2FAB56

RGB 47 171 86

HSL 138.87, 0.57%, 0.43%

LAB 62, -52.22, 34.13

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 74 / 37 / 0 / 13

HEX #3A8CDD

RGB 58 140 221

HSL 209.82, 0.71%, 0.55%

LAB 56.95, 2.33, -48.41

 

CMYK 0 / 74 / 66 / 13

HEX #DD3A4B

RGB 221 58 75

HSL 353.74, 0.71%, 0.55%

LAB 50.58, 63.03, 29.02

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 52 / 74 / 0 / 13

HEX #6B3ADD

RGB 107 58 221

HSL 258.04, 0.71%, 0.55%

LAB 40.2, 58.23, -75.32

 

CMYK 0 / 52 / 74 / 13

HEX #DD6B3A

RGB 221 107 58

HSL 18.04, 0.71%, 0.55%

LAB 58.22, 41.31, 47.2

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 74 / 37 / 0 / 13

HEX #3A8CDD

RGB 58 140 221

HSL 209.82, 0.71%, 0.55%

LAB 56.95, 2.33, -48.41

 

CMYK 0 / 74 / 22 / 13

HEX #DD3AAC

RGB 221 58 172

HSL 318.04, 0.71%, 0.55%

LAB 53.36, 71.88, -24.97

 

CMYK 0 / 37 / 74 / 13

HEX #DD8C3A

RGB 221 140 58

HSL 30.18, 0.71%, 0.55%

LAB 65.31, 24.12, 54.56

 

CMYK 73 / 0 / 50 / 13

HEX #3DDE6F

RGB 61 222 111

HSL 138.63, 0.71%, 0.55%

LAB 78.68, -64.26, 42.59

 

CMYK 74 / 59 / 0 / 13

HEX #3A5BDD

RGB 58 91 221

HSL 227.85, 0.71%, 0.55%

LAB 43.66, 32.82, -69.8

 

CMYK 0 / 74 / 22 / 13

HEX #DD3AAC

RGB 221 58 172

HSL 318.04, 0.71%, 0.55%

LAB 53.36, 71.88, -24.97

 

CMYK 0 / 14 / 74 / 13

HEX #DDBD3A

RGB 221 189 58

HSL 48.22, 0.71%, 0.55%

LAB 77.32, -1.94, 66.41

 

Description

Color code: HEX #3DDE6F | qconv.com Color code: HEX #3DDE6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 222 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 222 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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