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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DCB82 it is the complementary color #C2347D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DCB82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3DCB82: #42CB7D, #53DD90, #64EFA3, #75FFB6 and #86FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DCB82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3DCB82: #3DCB82, #2CB96F, #1BA75C, #0A9549 and #008336

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

Complementary color

CMYK 0 / 73 / 36 / 24

HEX #C2347D

RGB 194 52 125

HSL 329.15, 0.58%, 0.48%

LAB 46.19, 61.36, -8.23

 

CMYK 67 / 0 / 38 / 20

HEX #42CB7D

RGB 66 203 125

HSL 145.84, 0.57%, 0.53%

LAB 73.12, -54.23, 28.45

 

CMYK 62 / 0 / 35 / 13

HEX #53DD90

RGB 83 221 144

HSL 146.52, 0.67%, 0.6%

LAB 79.37, -54.54, 27.04

 

CMYK 58 / 0 / 32 / 6

HEX #64EFA3

RGB 100 239 163

HSL 147.19, 0.81%, 0.66%

LAB 85.55, -54.67, 25.72

 

CMYK 54 / 0 / 29 / 0

HEX #75FFB6

RGB 117 255 182

HSL 148.26, 1%, 0.73%

LAB 91.09, -53.86, 23.71

 

CMYK 47 / 0 / 21 / 0

HEX #86FFC9

RGB 134 255 201

HSL 153.22, 1%, 0.76%

LAB 92.05, -46.21, 15.42

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 76 / 0 / 40 / 27

HEX #2CB96F

RGB 44 185 111

HSL 148.51, 0.62%, 0.45%

LAB 66.81, -53.44, 27.33

 

CMYK 84 / 0 / 45 / 35

HEX #1BA75C

RGB 27 167 92

HSL 147.86, 0.72%, 0.38%

LAB 60.47, -52.36, 29

 

CMYK 93 / 0 / 51 / 42

HEX #0A9549

RGB 10 149 73

HSL 147.19, 0.87%, 0.31%

LAB 54.07, -50.67, 30.81

 

CMYK 100 / 0 / 59 / 49

HEX #008336

RGB 0 131 54

HSL 144.73, 1%, 0.26%

LAB 47.62, -48.19, 32.7

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 70 / 0 / 25 / 20

HEX #3DCB99

RGB 61 203 153

HSL 158.87, 0.58%, 0.52%

LAB 73.55, -49.26, 14.22

 

CMYK 70 / 0 / 13 / 20

HEX #3DCBB1

RGB 61 203 177

HSL 169.01, 0.58%, 0.52%

LAB 74.11, -43.44, 2.1

 

CMYK 70 / 0 / 1 / 20

HEX #3DCBC9

RGB 61 203 201

HSL 179.15, 0.58%, 0.52%

LAB 74.78, -36.95, -9.91

 

CMYK 70 / 10 / 0 / 20

HEX #3DB6CB

RGB 61 182 203

HSL 188.87, 0.58%, 0.52%

LAB 68.58, -26.29, -20.33

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 70 / 0 / 36 / 0

HEX #4CFEA3

RGB 76 254 163

HSL 149.33, 0.99%, 0.65%

LAB 89.42, -64.62, 30.87

 

CMYK 70 / 0 / 36 / 80

HEX #0F3220

RGB 15 50 32

HSL 149.14, 0.54%, 0.13%

LAB 17.86, -17.85, 7.79

 

CMYK 70 / 0 / 36 / 60

HEX #1E6541

RGB 30 101 65

HSL 149.58, 0.54%, 0.26%

LAB 37.78, -31.15, 14.16

 

CMYK 70 / 0 / 36 / 40

HEX #2E9861

RGB 46 152 97

HSL 148.87, 0.54%, 0.39%

LAB 55.99, -43.05, 20.46

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 70 / 48 / 0 / 20

HEX #3D6ACB

RGB 61 106 203

HSL 220.99, 0.58%, 0.52%

LAB 46.46, 17.15, -54.97

 

CMYK 0 / 64 / 70 / 20

HEX #CB493D

RGB 203 73 61

HSL 5.07, 0.58%, 0.52%

LAB 49.25, 50.86, 34.81

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 36 / 70 / 0 / 20

HEX #823DCB

RGB 130 61 203

HSL 269.15, 0.58%, 0.52%

LAB 41.84, 56.08, -62.17

 

CMYK 0 / 36 / 70 / 20

HEX #CB823D

RGB 203 130 61

HSL 29.15, 0.58%, 0.52%

LAB 60.78, 22.07, 47.75

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 70 / 48 / 0 / 20

HEX #3D6ACB

RGB 61 106 203

HSL 220.99, 0.58%, 0.52%

LAB 46.46, 17.15, -54.97

 

CMYK 0 / 70 / 34 / 20

HEX #CB3D86

RGB 203 61 134

HSL 329.15, 0.58%, 0.52%

LAB 49.2, 61.66, -9.02

 

CMYK 0 / 22 / 70 / 20

HEX #CB9E3D

RGB 203 158 61

HSL 40.99, 0.58%, 0.52%

LAB 67.64, 6.84, 55

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 70 / 69 / 0 / 20

HEX #3D3FCB

RGB 61 63 203

HSL 239.15, 0.58%, 0.52%

LAB 35.71, 44.16, -72.45

 

CMYK 0 / 70 / 34 / 20

HEX #CB3D86

RGB 203 61 134

HSL 329.15, 0.58%, 0.52%

LAB 49.2, 61.66, -9.02

 

CMYK 0 / 1 / 70 / 20

HEX #CBC93D

RGB 203 201 61

HSL 59.15, 0.58%, 0.52%

LAB 78.93, -15.6, 66.34

 

Description

Color code: HEX #3DCB82 | qconv.com Color code: HEX #3DCB82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 203 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 203 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 36 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 36% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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