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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DC8C0 it is the complementary color #C2373F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DC8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DC8C0 shade: #42C8BB, #53DACE, #64ECE1, #75FEF4 and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DC8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DC8C0 shade: #3DC8C0, #2CB6AD, #1BA49A, #0A9287 and #008074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DC8C0 shade: #3CC8BF, #3CC89A, #3CC874, #3CC84E and #4FC83C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DC8C0 shade: #3CC8BF, #3CAAC8, #3C84C8, #3C5EC8 and #3C3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DC8C0 shade matches the following richer shades: #3CC8BF, #27DCD1 and #13F0E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DC8C0 shade: #3CC8BF, #50B3AE, #649F9C, #788B8A and #8C7778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DC8C0 shade: #3CC874, #3CC899, #3CC8BE, #3CACC8 and #3C86C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DC8C0 shade: #278A84, #30AAA3, #3CC8BF, #5CD1CA and #7CDAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DC8C0 shade: #3DC8C0, #4E3CC8 and #C8863C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DC8C0 shade: #3DC8C0, #BE3CC8 and #C8BE3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DC8C0 shade: #3DC8C0, #4E3CC8, #C83C45 and #B5C83C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DC8C0 shade: #3DC8C0, #783CC8, #C83C45 and #8BC83C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

Complementary color

CMYK 0 / 72 / 68 / 24

HEX #C2373F

RGB 194 55 63

HSL 356.55, 0.56%, 0.49%

LAB 45.03, 55.21, 28.19

 

CMYK 67 / 0 / 7 / 22

HEX #42C8BB

RGB 66 200 187

HSL 174.18, 0.55%, 0.52%

LAB 73.58, -38.76, -4.08

 

CMYK 62 / 0 / 6 / 15

HEX #53DACE

RGB 83 218 206

HSL 174.67, 0.65%, 0.59%

LAB 79.86, -39.2, -4.99

 

CMYK 58 / 0 / 5 / 7

HEX #64ECE1

RGB 100 236 225

HSL 175.15, 0.78%, 0.66%

LAB 86.07, -39.49, -5.83

 

CMYK 54 / 0 / 4 / 0

HEX #75FEF4

RGB 117 254 244

HSL 175.62, 0.99%, 0.73%

LAB 92.22, -39.68, -6.61

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

CMYK 76 / 0 / 5 / 29

HEX #2CB6AD

RGB 44 182 173

HSL 176.09, 0.61%, 0.44%

LAB 67.28, -37.3, -5.76

 

CMYK 84 / 0 / 6 / 36

HEX #1BA49A

RGB 27 164 154

HSL 175.62, 0.72%, 0.37%

LAB 60.88, -36.2, -4.65

 

CMYK 93 / 0 / 8 / 43

HEX #0A9287

RGB 10 146 135

HSL 175.15, 0.87%, 0.31%

LAB 54.42, -34.67, -3.4

 

CMYK 100 / 0 / 9 / 50

HEX #008074

RGB 0 128 116

HSL 174.38, 1%, 0.25%

LAB 47.88, -32.63, -1.96

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 70 / 0 / 23 / 22

HEX #3CC89A

RGB 60 200 154

HSL 160.29, 0.56%, 0.51%

LAB 72.63, -47.95, 12.39

 

CMYK 70 / 0 / 42 / 22

HEX #3CC874

RGB 60 200 116

HSL 144, 0.56%, 0.51%

LAB 71.91, -55.74, 31.48

 

CMYK 70 / 0 / 61 / 22

HEX #3CC84E

RGB 60 200 78

HSL 127.71, 0.56%, 0.51%

LAB 71.43, -61.3, 49.29

 

CMYK 61 / 0 / 70 / 22

HEX #4FC83C

RGB 79 200 60

HSL 111.86, 0.56%, 0.51%

LAB 71.76, -59.21, 57.23

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 70 / 15 / 0 / 22

HEX #3CAAC8

RGB 60 170 200

HSL 192.86, 0.56%, 0.51%

LAB 64.87, -21.25, -24.34

 

CMYK 70 / 34 / 0 / 22

HEX #3C84C8

RGB 60 132 200

HSL 209.14, 0.56%, 0.51%

LAB 53.64, -0.11, -41.82

 

CMYK 70 / 53 / 0 / 22

HEX #3C5EC8

RGB 60 94 200

HSL 225.43, 0.56%, 0.51%

LAB 42.97, 23.57, -58.88

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 82 / 0 / 5 / 14

HEX #27DCD1

RGB 39 220 209

HSL 176.35, 0.72%, 0.51%

LAB 79.74, -44.53, -6.86

 

CMYK 92 / 0 / 5 / 6

HEX #13F0E3

RGB 19 240 227

HSL 176.47, 0.88%, 0.51%

LAB 86.01, -49.15, -7.12

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 55 / 0 / 3 / 30

HEX #50B3AE

RGB 80 179 174

HSL 176.97, 0.39%, 0.51%

LAB 67.28, -30, -6.23

 

CMYK 37 / 0 / 2 / 38

HEX #649F9C

RGB 100 159 156

HSL 176.95, 0.24%, 0.51%

LAB 61.57, -19.86, -4.52

 

CMYK 14 / 0 / 1 / 45

HEX #788B8A

RGB 120 139 138

HSL 176.84, 0.08%, 0.51%

LAB 56.38, -7.02, -1.78

 

CMYK 0 / 15 / 14 / 45

HEX #8C7778

RGB 140 119 120

HSL 357.14, 0.08%, 0.51%

LAB 51.98, 8.31, 2.47

 

CMYK 70 / 0 / 42 / 22

HEX #3CC874

RGB 60 200 116

HSL 144, 0.56%, 0.51%

LAB 71.91, -55.74, 31.48

 

CMYK 70 / 0 / 24 / 22

HEX #3CC899

RGB 60 200 153

HSL 159.86, 0.56%, 0.51%

LAB 72.61, -48.18, 12.89

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BE

RGB 60 200 190

HSL 175.71, 0.56%, 0.51%

LAB 73.54, -38.78, -5.79

 

CMYK 70 / 14 / 0 / 22

HEX #3CACC8

RGB 60 172 200

HSL 192, 0.56%, 0.51%

LAB 65.46, -22.29, -23.43

 

CMYK 70 / 33 / 0 / 22

HEX #3C86C8

RGB 60 134 200

HSL 208.29, 0.56%, 0.51%

LAB 54.22, -1.29, -40.9

 

CMYK 72 / 0 / 4 / 46

HEX #278A84

RGB 39 138 132

HSL 176.36, 0.56%, 0.35%

LAB 52.15, -29.11, -4.98

 

CMYK 72 / 0 / 4 / 33

HEX #30AAA3

RGB 48 170 163

HSL 176.56, 0.56%, 0.43%

LAB 63.36, -34.13, -6

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 56 / 0 / 3 / 18

HEX #5CD1CA

RGB 92 209 202

HSL 176.41, 0.56%, 0.59%

LAB 77.36, -34.5, -6.51

 

CMYK 43 / 0 / 3 / 15

HEX #7CDAD4

RGB 124 218 212

HSL 176.17, 0.56%, 0.67%

LAB 81.39, -29.32, -5.78

 

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

CMYK 61 / 70 / 0 / 22

HEX #4E3CC8

RGB 78 60 200

HSL 247.71, 0.56%, 0.51%

LAB 36.03, 47.05, -70.14

 

CMYK 0 / 33 / 70 / 22

HEX #C8863C

RGB 200 134 60

HSL 31.71, 0.56%, 0.51%

LAB 61.36, 18.56, 48.74

 

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

CMYK 5 / 70 / 0 / 22

HEX #BE3CC8

RGB 190 60 200

HSL 295.71, 0.56%, 0.51%

LAB 49.92, 68.28, -47

 

CMYK 0 / 5 / 70 / 22

HEX #C8BE3C

RGB 200 190 60

HSL 55.71, 0.56%, 0.51%

LAB 75.72, -11.36, 63.47

 

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

CMYK 61 / 70 / 0 / 22

HEX #4E3CC8

RGB 78 60 200

HSL 247.71, 0.56%, 0.51%

LAB 36.03, 47.05, -70.14

 

CMYK 0 / 70 / 66 / 22

HEX #C83C45

RGB 200 60 69

HSL 356.14, 0.56%, 0.51%

LAB 46.9, 55.57, 27.16

 

CMYK 10 / 0 / 70 / 22

HEX #B5C83C

RGB 181 200 60

HSL 68.14, 0.56%, 0.51%

LAB 76.96, -24.34, 64.19

 

CMYK 70 / 0 / 4 / 22

HEX #3DC8C0

RGB 61 200 192

HSL 176.55, 0.56%, 0.51%

LAB 73.61, -38.1, -6.75

 

CMYK 40 / 70 / 0 / 22

HEX #783CC8

RGB 120 60 200

HSL 265.71, 0.56%, 0.51%

LAB 40.24, 53.93, -63.09

 

CMYK 0 / 70 / 66 / 22

HEX #C83C45

RGB 200 60 69

HSL 356.14, 0.56%, 0.51%

LAB 46.9, 55.57, 27.16

 

CMYK 31 / 0 / 70 / 22

HEX #8BC83C

RGB 139 200 60

HSL 86.14, 0.56%, 0.51%

LAB 74.27, -40.83, 60.61

 

Description

Color code: HEX #3DC8C0 | qconv.com Color code: HEX #3DC8C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 200 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 200 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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