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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 0 / 5 / 22 it is the complementary color CMYK 0 / 71 / 66 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 0 / 5 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 0 / 5 / 22: CMYK 67 / 0 / 8 / 22, CMYK 62 / 0 / 6 / 15, CMYK 58 / 0 / 6 / 8, CMYK 54 / 0 / 5 / 1 and CMYK 48 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 0 / 5 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 0 / 5 / 22: CMYK 70 / 0 / 5 / 22, CMYK 76 / 0 / 6 / 29, CMYK 84 / 0 / 7 / 36, CMYK 94 / 0 / 9 / 43 and CMYK 100 / 0 / 11 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

Complementary color

CMYK 0 / 71 / 66 / 24

HEX #C33842

RGB 195 56 66

HSL 355.68, 0.55%, 0.49%

LAB 45.39, 55.32, 26.88

 

CMYK 67 / 0 / 8 / 22

HEX #41C7B8

RGB 65 199 184

HSL 173.28, 0.54%, 0.52%

LAB 73.18, -39.26, -3.05

 

CMYK 62 / 0 / 6 / 15

HEX #52D9CB

RGB 82 217 203

HSL 173.78, 0.64%, 0.59%

LAB 79.46, -39.69, -3.99

 

CMYK 58 / 0 / 6 / 8

HEX #63EBDE

RGB 99 235 222

HSL 174.26, 0.77%, 0.65%

LAB 85.68, -39.98, -4.84

 

CMYK 54 / 0 / 5 / 1

HEX #74FDF1

RGB 116 253 241

HSL 174.74, 0.97%, 0.72%

LAB 91.83, -40.17, -5.64

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 76 / 0 / 6 / 29

HEX #2BB5AA

RGB 43 181 170

HSL 175.22, 0.62%, 0.44%

LAB 66.87, -37.81, -4.71

 

CMYK 84 / 0 / 7 / 36

HEX #1AA397

RGB 26 163 151

HSL 174.74, 0.72%, 0.37%

LAB 60.47, -36.7, -3.58

 

CMYK 94 / 0 / 9 / 43

HEX #099184

RGB 9 145 132

HSL 174.26, 0.88%, 0.3%

LAB 54, -35.16, -2.29

 

CMYK 100 / 0 / 11 / 50

HEX #007F71

RGB 0 127 113

HSL 173.39, 1%, 0.25%

LAB 47.46, -33.08, -0.81

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 69 / 6 / 0 / 22

HEX #3DBBC6

RGB 61 187 198

HSL 184.82, 0.55%, 0.51%

LAB 69.9, -30.26, -15.58

 

CMYK 69 / 17 / 0 / 22

HEX #3DA4C6

RGB 61 164 198

HSL 194.89, 0.55%, 0.51%

LAB 63.03, -18.61, -26.05

 

CMYK 69 / 29 / 0 / 22

HEX #3D8DC6

RGB 61 141 198

HSL 204.96, 0.55%, 0.51%

LAB 56.21, -5.91, -36.64

 

CMYK 69 / 40 / 0 / 22

HEX #3D76C6

RGB 61 118 198

HSL 215.04, 0.55%, 0.51%

LAB 49.53, 7.82, -47.19

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 70 / 0 / 5 / 2

HEX #4BFAED

RGB 75 250 237

HSL 175.54, 0.95%, 0.64%

LAB 89.85, -46.34, -6.59

 

CMYK 70 / 0 / 4 / 82

HEX #0E2E2C

RGB 14 46 44

HSL 176.25, 0.53%, 0.12%

LAB 16.65, -12.24, -2.24

 

CMYK 70 / 0 / 5 / 62

HEX #1D615C

RGB 29 97 92

HSL 175.59, 0.54%, 0.25%

LAB 37.08, -22.13, -3.35

 

CMYK 70 / 0 / 5 / 42

HEX #2D948D

RGB 45 148 141

HSL 175.92, 0.53%, 0.38%

LAB 55.75, -30.44, -4.83

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 61 / 69 / 0 / 22

HEX #4D3DC6

RGB 77 61 198

HSL 247.01, 0.55%, 0.51%

LAB 35.97, 45.73, -69.07

 

CMYK 0 / 33 / 69 / 22

HEX #C6843D

RGB 198 132 61

HSL 31.09, 0.55%, 0.51%

LAB 60.64, 18.85, 47.43

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 6 / 69 / 0 / 22

HEX #BB3DC6

RGB 187 61 198

HSL 295.18, 0.55%, 0.51%

LAB 49.47, 66.91, -46.58

 

CMYK 0 / 6 / 69 / 22

HEX #C6BB3D

RGB 198 187 61

HSL 55.18, 0.55%, 0.51%

LAB 74.75, -10.63, 62.07

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 61 / 69 / 0 / 22

HEX #4D3DC6

RGB 77 61 198

HSL 247.01, 0.55%, 0.51%

LAB 35.97, 45.73, -69.07

 

CMYK 0 / 69 / 64 / 22

HEX #C63D48

RGB 198 61 72

HSL 355.18, 0.55%, 0.51%

LAB 46.73, 54.73, 25.06

 

CMYK 8 / 0 / 69 / 22

HEX #B6C63D

RGB 182 198 61

HSL 67.01, 0.55%, 0.51%

LAB 76.48, -22.9, 63.37

 

CMYK 70 / 0 / 5 / 22

HEX #3CC7BD

RGB 60 199 189

HSL 175.68, 0.55%, 0.51%

LAB 73.21, -38.6, -5.73

 

CMYK 40 / 69 / 0 / 22

HEX #763DC6

RGB 118 61 198

HSL 264.96, 0.55%, 0.51%

LAB 40.03, 52.56, -62.28

 

CMYK 0 / 69 / 64 / 22

HEX #C63D48

RGB 198 61 72

HSL 355.18, 0.55%, 0.51%

LAB 46.73, 54.73, 25.06

 

CMYK 29 / 0 / 69 / 22

HEX #8DC63D

RGB 141 198 61

HSL 84.96, 0.55%, 0.51%

LAB 73.8, -39.14, 59.79

 

Description

Color code: CMYK 70 / 0 / 5 / 22 | qconv.com Color code: CMYK 70 / 0 / 5 / 22 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 199 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 199 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 5 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 5% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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