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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9FCE it is the complementary color #C26031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3D9FCE: #429FC9, #53B1DC, #64C3EF, #75D5FF and #86E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3D9FCE: #3D9FCE, #2C8DBB, #1B7BA8, #0A6995 and #005782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

Complementary color

CMYK 0 / 51 / 75 / 24

HEX #C26031

RGB 194 96 49

HSL 19.45, 0.6%, 0.48%

LAB 51.9, 35.95, 43.8

 

CMYK 67 / 21 / 0 / 21

HEX #429FC9

RGB 66 159 201

HSL 198.67, 0.56%, 0.52%

LAB 61.8, -14.2, -29.6

 

CMYK 62 / 20 / 0 / 14

HEX #53B1DC

RGB 83 177 220

HSL 198.83, 0.66%, 0.59%

LAB 68.35, -15, -29.96

 

CMYK 58 / 18 / 0 / 6

HEX #64C3EF

RGB 100 195 239

HSL 198.99, 0.81%, 0.66%

LAB 74.81, -15.62, -30.29

 

CMYK 54 / 16 / 0 / 0

HEX #75D5FF

RGB 117 213 255

HSL 198.26, 1%, 0.73%

LAB 81.07, -16.98, -29.18

 

CMYK 47 / 9 / 0 / 0

HEX #86E7FF

RGB 134 231 255

HSL 191.9, 1%, 0.76%

LAB 86.72, -22.46, -20.51

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 76 / 25 / 0 / 27

HEX #2C8DBB

RGB 44 141 187

HSL 199.3, 0.62%, 0.45%

LAB 55.25, -12.05, -31.92

 

CMYK 84 / 27 / 0 / 34

HEX #1B7BA8

RGB 27 123 168

HSL 199.15, 0.72%, 0.38%

LAB 48.54, -10.41, -31.48

 

CMYK 93 / 30 / 0 / 42

HEX #0A6995

RGB 10 105 149

HSL 198.99, 0.87%, 0.31%

LAB 41.75, -8.23, -30.95

 

CMYK 100 / 33 / 0 / 49

HEX #005782

RGB 0 87 130

HSL 199.85, 1%, 0.25%

LAB 34.86, -5.36, -30.3

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 71 / 34 / 0 / 19

HEX #3B87CE

RGB 59 135 206

HSL 208.98, 0.6%, 0.52%

LAB 54.78, 0.09, -43.42

 

CMYK 71 / 47 / 0 / 19

HEX #3B6ECE

RGB 59 110 206

HSL 219.18, 0.6%, 0.52%

LAB 47.67, 15.42, -54.74

 

CMYK 71 / 58 / 0 / 19

HEX #3B56CE

RGB 59 86 206

HSL 228.98, 0.6%, 0.52%

LAB 41.28, 30.73, -65.08

 

CMYK 71 / 70 / 0 / 19

HEX #3B3DCE

RGB 59 61 206

HSL 239.18, 0.6%, 0.52%

LAB 35.45, 46.11, -74.63

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 70 / 23 / 0 / 79

HEX #102935

RGB 16 41 53

HSL 199.46, 0.54%, 0.14%

LAB 15.24, -5.21, -10.68

 

CMYK 70 / 23 / 0 / 59

HEX #1F5068

RGB 31 80 104

HSL 199.73, 0.54%, 0.26%

LAB 31.87, -8, -18.75

 

CMYK 70 / 23 / 0 / 39

HEX #2E789B

RGB 46 120 155

HSL 199.27, 0.54%, 0.39%

LAB 47.47, -11.04, -25.52

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 34 / 71 / 0 / 19

HEX #873BCE

RGB 135 59 206

HSL 271.02, 0.6%, 0.52%

LAB 42.36, 58.64, -63.03

 

CMYK 0 / 6 / 71 / 19

HEX #CEC13B

RGB 206 193 59

HSL 54.69, 0.6%, 0.52%

LAB 77.03, -10.38, 65.3

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 0 / 71 / 23 / 19

HEX #CE3B9F

RGB 206 59 159

HSL 319.18, 0.6%, 0.52%

LAB 50.4, 66.2, -22.09

 

CMYK 23 / 0 / 71 / 19

HEX #9FCE3B

RGB 159 206 59

HSL 79.18, 0.6%, 0.52%

LAB 77.18, -36.03, 64.28

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 34 / 71 / 0 / 19

HEX #873BCE

RGB 135 59 206

HSL 271.02, 0.6%, 0.52%

LAB 42.36, 58.64, -63.03

 

CMYK 0 / 49 / 71 / 19

HEX #CE693B

RGB 206 105 59

HSL 18.78, 0.6%, 0.52%

LAB 55.62, 36.53, 43.25

 

CMYK 37 / 0 / 71 / 19

HEX #82CE3B

RGB 130 206 59

HSL 91.02, 0.6%, 0.52%

LAB 75.58, -46.66, 62.15

 

CMYK 70 / 23 / 0 / 19

HEX #3D9FCE

RGB 61 159 206

HSL 199.45, 0.6%, 0.52%

LAB 61.86, -13.3, -32.31

 

CMYK 13 / 71 / 0 / 19

HEX #B33BCE

RGB 179 59 206

HSL 288.98, 0.6%, 0.52%

LAB 48.47, 67.37, -52.86

 

CMYK 0 / 49 / 71 / 19

HEX #CE693B

RGB 206 105 59

HSL 18.78, 0.6%, 0.52%

LAB 55.62, 36.53, 43.25

 

CMYK 58 / 0 / 71 / 19

HEX #56CE3B

RGB 86 206 59

HSL 108.98, 0.6%, 0.52%

LAB 73.83, -59.73, 59.81

 

Description

Color code: HEX #3D9FCE | qconv.com Color code: HEX #3D9FCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 159 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 159 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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