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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9B67 it is the complementary color #C26498. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9B67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3D9B67: #429B62, #53AD75, #64BF88, #75D19B and #86E3AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9B67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3D9B67: #3D9B67, #2C8954, #1B7741, #0A652E and #00531B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

Complementary color

CMYK 0 / 48 / 22 / 24

HEX #C26498

RGB 194 100 152

HSL 326.81, 0.44%, 0.58%

LAB 54.92, 43.86, -11.26

 

CMYK 57 / 0 / 37 / 39

HEX #429B62

RGB 66 155 98

HSL 141.57, 0.4%, 0.43%

LAB 57.54, -39.93, 22.1

 

CMYK 52 / 0 / 32 / 32

HEX #53AD75

RGB 83 173 117

HSL 142.67, 0.35%, 0.5%

LAB 64.17, -39.86, 20.76

 

CMYK 48 / 0 / 29 / 25

HEX #64BF88

RGB 100 191 136

HSL 143.74, 0.42%, 0.57%

LAB 70.7, -39.7, 19.54

 

CMYK 44 / 0 / 26 / 18

HEX #75D19B

RGB 117 209 155

HSL 144.78, 0.5%, 0.64%

LAB 77.13, -39.48, 18.41

 

CMYK 41 / 0 / 23 / 11

HEX #86E3AE

RGB 134 227 174

HSL 145.81, 0.62%, 0.71%

LAB 83.48, -39.25, 17.37

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 68 / 0 / 39 / 46

HEX #2C8954

RGB 44 137 84

HSL 145.81, 0.51%, 0.35%

LAB 50.77, -39.88, 20.69

 

CMYK 77 / 0 / 45 / 53

HEX #1B7741

RGB 27 119 65

HSL 144.78, 0.63%, 0.29%

LAB 43.96, -39.28, 22.33

 

CMYK 90 / 0 / 54 / 60

HEX #0A652E

RGB 10 101 46

HSL 143.74, 0.82%, 0.22%

LAB 37.06, -38.01, 24.15

 

CMYK 100 / 0 / 67 / 67

HEX #00531B

RGB 0 83 27

HSL 139.52, 1%, 0.16%

LAB 30.07, -35.62, 26.03

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 62 / 0 / 25 / 40

HEX #3B9A74

RGB 59 154 116

HSL 156, 0.45%, 0.42%

LAB 57.37, -37.25, 11.8

 

CMYK 62 / 0 / 14 / 40

HEX #3B9A84

RGB 59 154 132

HSL 166.11, 0.45%, 0.42%

LAB 57.76, -33.34, 3.3

 

CMYK 62 / 0 / 5 / 40

HEX #3B9A93

RGB 59 154 147

HSL 175.58, 0.45%, 0.42%

LAB 58.18, -29.31, -4.62

 

CMYK 62 / 6 / 0 / 40

HEX #3B909A

RGB 59 144 154

HSL 186.32, 0.45%, 0.42%

LAB 55.29, -22.23, -12.94

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 61 / 0 / 33 / 19

HEX #51CE89

RGB 81 206 137

HSL 146.88, 0.56%, 0.56%

LAB 74.63, -50.31, 24.28

 

CMYK 50 / 0 / 50 / 99

HEX #010201

RGB 1 2 1

HSL 120, 0.33%, 0.01%

LAB 0.47, -0.4, 0.29

 

CMYK 60 / 0 / 34 / 79

HEX #153523

RGB 21 53 35

HSL 146.25, 0.43%, 0.15%

LAB 19.34, -16.96, 7.84

 

CMYK 61 / 0 / 34 / 59

HEX #296845

RGB 41 104 69

HSL 146.67, 0.43%, 0.28%

LAB 39.24, -29.15, 13.82

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 62 / 39 / 0 / 40

HEX #3B5E9A

RGB 59 94 154

HSL 217.89, 0.45%, 0.42%

LAB 40.03, 6.79, -36.56

 

CMYK 0 / 59 / 62 / 40

HEX #9A3F3B

RGB 154 63 59

HSL 2.53, 0.45%, 0.42%

LAB 39.14, 37.79, 21.71

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 35 / 62 / 0 / 40

HEX #643B9A

RGB 100 59 154

HSL 265.89, 0.45%, 0.42%

LAB 34.34, 38.34, -45.47

 

CMYK 0 / 35 / 62 / 40

HEX #9A643B

RGB 154 100 59

HSL 25.89, 0.45%, 0.42%

LAB 47.37, 17.54, 31.9

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 62 / 39 / 0 / 40

HEX #3B5E9A

RGB 59 94 154

HSL 217.89, 0.45%, 0.42%

LAB 40.03, 6.79, -36.56

 

CMYK 0 / 62 / 27 / 40

HEX #9A3B71

RGB 154 59 113

HSL 325.89, 0.45%, 0.42%

LAB 39.9, 45.5, -10.98

 

CMYK 0 / 23 / 62 / 40

HEX #9A773B

RGB 154 119 59

HSL 37.89, 0.45%, 0.42%

LAB 52.26, 6.65, 37.65

 

CMYK 61 / 0 / 34 / 39

HEX #3D9B67

RGB 61 155 103

HSL 146.81, 0.44%, 0.42%

LAB 57.48, -40.09, 19.22

 

CMYK 62 / 57 / 0 / 40

HEX #3B429A

RGB 59 66 154

HSL 235.58, 0.45%, 0.42%

LAB 32.17, 25.11, -49.16

 

CMYK 0 / 62 / 27 / 40

HEX #9A3B71

RGB 154 59 113

HSL 325.89, 0.45%, 0.42%

LAB 39.9, 45.5, -10.98

 

CMYK 0 / 5 / 62 / 40

HEX #9A933B

RGB 154 147 59

HSL 55.58, 0.45%, 0.42%

LAB 59.94, -8.89, 46.27

 

Description

Color code: HEX #3D9B67 | qconv.com Color code: HEX #3D9B67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 155 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 155 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 34 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 34% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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