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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D556B it is the complementary color #C2AA94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D556B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D556B shade: #425566, #536779, #64798C, #758B9F and #869DB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D556B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D556B shade: #3D556B, #2C4358, #1B3145, #0A1F32 and #000D1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D556B shade: #3D556B, #3D496B, #3E3D6B, #4A3D6B and #573D6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D556B shade: #3D556B, #3D496B and #3D3D6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D556B shade matches the following richer shades: #3D556B, #305678, #225686, #155794 and #0757A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D556B shade: #3D556B, #4B555D, #595450, #665342 and #745334

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D556B shade: #3D6B68, #3D626B, #3D566B, #3D4A6B and #3D3D6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D556B shade: #1F2B36, #2E4051, #3D556B, #4C6A85 and #5C7F9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D556B shade: #3D556B, #5C3D6B and #686B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D556B shade: #3D556B, #6B3D56 and #566B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D556B shade: #3D556B, #5C3D6B, #6B533D and #4D6B3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D556B shade: #3D556B, #693D6B, #6B533D and #3F6B3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

Complementary color

CMYK 0 / 12 / 24 / 24

HEX #C2AA94

RGB 194 170 148

HSL 28.7, 0.27%, 0.67%

LAB 71.12, 5.24, 14.54

 

CMYK 35 / 17 / 0 / 60

HEX #425566

RGB 66 85 102

HSL 208.33, 0.21%, 0.33%

LAB 35.23, -2.68, -12.17

 

CMYK 31 / 15 / 0 / 53

HEX #536779

RGB 83 103 121

HSL 208.42, 0.19%, 0.4%

LAB 42.64, -2.85, -12.5

 

CMYK 29 / 14 / 0 / 45

HEX #64798C

RGB 100 121 140

HSL 208.5, 0.17%, 0.47%

LAB 49.83, -3, -12.85

 

CMYK 26 / 13 / 0 / 38

HEX #758B9F

RGB 117 139 159

HSL 208.57, 0.18%, 0.54%

LAB 56.83, -3.13, -13.2

 

CMYK 25 / 12 / 0 / 30

HEX #869DB2

RGB 134 157 178

HSL 208.64, 0.22%, 0.61%

LAB 63.67, -3.26, -13.57

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 50 / 24 / 0 / 65

HEX #2C4358

RGB 44 67 88

HSL 208.64, 0.33%, 0.26%

LAB 27.45, -2.36, -15.31

 

CMYK 61 / 29 / 0 / 73

HEX #1B3145

RGB 27 49 69

HSL 208.57, 0.44%, 0.19%

LAB 19.47, -1.77, -15.13

 

CMYK 80 / 38 / 0 / 80

HEX #0A1F32

RGB 10 31 50

HSL 208.5, 0.67%, 0.12%

LAB 11.1, -0.67, -15.01

 

CMYK 100 / 58 / 0 / 88

HEX #000D1F

RGB 0 13 31

HSL 214.84, 1%, 0.06%

LAB 3.49, 0.97, -12.68

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 43 / 32 / 0 / 58

HEX #3D496B

RGB 61 73 107

HSL 224.35, 0.27%, 0.33%

LAB 31.39, 4.92, -21.26

 

CMYK 42 / 43 / 0 / 58

HEX #3E3D6B

RGB 62 61 107

HSL 241.3, 0.27%, 0.33%

LAB 27.91, 13.19, -26.72

 

CMYK 31 / 43 / 0 / 58

HEX #4A3D6B

RGB 74 61 107

HSL 256.96, 0.27%, 0.33%

LAB 29.04, 16.88, -24.85

 

CMYK 19 / 43 / 0 / 58

HEX #573D6B

RGB 87 61 107

HSL 273.91, 0.27%, 0.33%

LAB 30.46, 21.15, -22.53

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 43 / 32 / 0 / 58

HEX #3D496B

RGB 61 73 107

HSL 224.35, 0.27%, 0.33%

LAB 31.39, 4.92, -21.26

 

CMYK 43 / 43 / 0 / 58

HEX #3D3D6B

RGB 61 61 107

HSL 240, 0.27%, 0.33%

LAB 27.82, 12.9, -26.86

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 60 / 28 / 0 / 53

HEX #305678

RGB 48 86 120

HSL 208.33, 0.43%, 0.33%

LAB 35.28, -2.5, -23.38

 

CMYK 75 / 36 / 0 / 47

HEX #225686

RGB 34 86 134

HSL 208.8, 0.6%, 0.33%

LAB 35.43, 0.05, -31.8

 

CMYK 86 / 41 / 0 / 42

HEX #155794

RGB 21 87 148

HSL 208.82, 0.75%, 0.33%

LAB 36.2, 3.41, -39.11

 

CMYK 96 / 46 / 0 / 37

HEX #0757A1

RGB 7 87 161

HSL 208.83, 0.92%, 0.33%

LAB 36.81, 7.86, -45.98

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 19 / 9 / 0 / 64

HEX #4B555D

RGB 75 85 93

HSL 206.67, 0.11%, 0.33%

LAB 35.56, -1.99, -5.97

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 0 / 28 / 55 / 55

HEX #745334

RGB 116 83 52

HSL 29.06, 0.38%, 0.33%

LAB 38.11, 9.82, 23.47

 

CMYK 43 / 0 / 3 / 58

HEX #3D6B68

RGB 61 107 104

HSL 176.09, 0.27%, 0.33%

LAB 42.01, -16.54, -3.28

 

CMYK 43 / 8 / 0 / 58

HEX #3D626B

RGB 61 98 107

HSL 191.74, 0.27%, 0.33%

LAB 39.22, -10.59, -9.26

 

CMYK 43 / 20 / 0 / 58

HEX #3D566B

RGB 61 86 107

HSL 207.39, 0.27%, 0.33%

LAB 35.42, -3.37, -15.04

 

CMYK 43 / 31 / 0 / 58

HEX #3D4A6B

RGB 61 74 107

HSL 223.04, 0.27%, 0.33%

LAB 31.7, 4.27, -20.79

 

CMYK 43 / 43 / 0 / 58

HEX #3D3D6B

RGB 61 61 107

HSL 240, 0.27%, 0.33%

LAB 27.82, 12.9, -26.86

 

CMYK 43 / 20 / 0 / 79

HEX #1F2B36

RGB 31 43 54

HSL 208.7, 0.27%, 0.17%

LAB 16.92, -1.71, -8.72

 

CMYK 43 / 21 / 0 / 68

HEX #2E4051

RGB 46 64 81

HSL 209.14, 0.28%, 0.25%

LAB 26.28, -2.09, -12.53

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 43 / 20 / 0 / 48

HEX #4C6A85

RGB 76 106 133

HSL 208.42, 0.27%, 0.41%

LAB 43.56, -3.36, -18.37

 

CMYK 42 / 20 / 0 / 38

HEX #5C7F9F

RGB 92 127 159

HSL 208.66, 0.27%, 0.49%

LAB 51.79, -3.68, -21.02

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 14 / 43 / 0 / 58

HEX #5C3D6B

RGB 92 61 107

HSL 280.43, 0.27%, 0.33%

LAB 31.05, 22.83, -21.56

 

CMYK 3 / 0 / 43 / 58

HEX #686B3D

RGB 104 107 61

HSL 63.91, 0.27%, 0.33%

LAB 43.94, -8.86, 25.36

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 0 / 43 / 20 / 58

HEX #6B3D56

RGB 107 61 86

HSL 327.39, 0.27%, 0.33%

LAB 32.11, 23.94, -6.33

 

CMYK 20 / 0 / 43 / 58

HEX #566B3D

RGB 86 107 61

HSL 87.39, 0.27%, 0.33%

LAB 42.51, -16.63, 23.24

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 14 / 43 / 0 / 58

HEX #5C3D6B

RGB 92 61 107

HSL 280.43, 0.27%, 0.33%

LAB 31.05, 22.83, -21.56

 

CMYK 0 / 22 / 43 / 58

HEX #6B533D

RGB 107 83 61

HSL 28.7, 0.27%, 0.33%

LAB 37.21, 6.7, 16.7

 

CMYK 28 / 0 / 43 / 58

HEX #4D6B3D

RGB 77 107 61

HSL 99.13, 0.27%, 0.33%

LAB 41.89, -20.29, 22.33

 

CMYK 43 / 21 / 0 / 58

HEX #3D556B

RGB 61 85 107

HSL 208.7, 0.27%, 0.33%

LAB 35.1, -2.75, -15.52

 

CMYK 2 / 43 / 0 / 58

HEX #693D6B

RGB 105 61 107

HSL 297.39, 0.27%, 0.33%

LAB 32.71, 27.27, -18.87

 

CMYK 0 / 22 / 43 / 58

HEX #6B533D

RGB 107 83 61

HSL 28.7, 0.27%, 0.33%

LAB 37.21, 6.7, 16.7

 

CMYK 41 / 0 / 43 / 58

HEX #3F6B3D

RGB 63 107 61

HSL 117.39, 0.27%, 0.33%

LAB 41.07, -25.51, 21.11

 

Description

Color code: HEX #3D556B | qconv.com Color code: HEX #3D556B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 85 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 85 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 21 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 21% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Noordwest12.nl | Mer...
Link: http://www.noordwest12.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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