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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 10 / 65 it is the complementary color CMYK 5 / 2 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 10 / 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 10 / 65: CMYK 0 / 11 / 20 / 63, CMYK 0 / 8 / 15 / 56, CMYK 0 / 6 / 12 / 50, CMYK 0 / 5 / 9 / 43 and CMYK 0 / 4 / 7 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 10 / 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 10 / 65: CMYK 0 / 6 / 10 / 65, CMYK 0 / 8 / 15 / 72, CMYK 0 / 13 / 24 / 78, CMYK 0 / 21 / 39 / 85 and CMYK 0 / 43 / 81 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

Complementary color

CMYK 5 / 2 / 0 / 31

HEX #A6ABAF

RGB 166 171 175

HSL 206.67, 0.05%, 0.67%

LAB 69.7, -0.98, -2.67

 

CMYK 0 / 11 / 20 / 63

HEX #5E544B

RGB 94 84 75

HSL 28.42, 0.11%, 0.33%

LAB 36.42, 2.42, 6.75

 

CMYK 0 / 8 / 15 / 56

HEX #6F665E

RGB 111 102 94

HSL 28.24, 0.08%, 0.4%

LAB 43.79, 2.06, 5.8

 

CMYK 0 / 6 / 12 / 50

HEX #807871

RGB 128 120 113

HSL 28, 0.06%, 0.47%

LAB 50.94, 1.76, 4.93

 

CMYK 0 / 5 / 9 / 43

HEX #918A84

RGB 145 138 132

HSL 27.69, 0.06%, 0.54%

LAB 57.91, 1.5, 4.13

 

CMYK 0 / 4 / 7 / 36

HEX #A29C97

RGB 162 156 151

HSL 27.27, 0.06%, 0.61%

LAB 64.72, 1.27, 3.38

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 0 / 8 / 15 / 72

HEX #48423D

RGB 72 66 61

HSL 27.27, 0.08%, 0.26%

LAB 28.41, 1.54, 3.96

 

CMYK 0 / 13 / 24 / 78

HEX #37302A

RGB 55 48 42

HSL 27.69, 0.13%, 0.19%

LAB 20.41, 1.94, 4.99

 

CMYK 0 / 21 / 39 / 85

HEX #261E17

RGB 38 30 23

HSL 28, 0.25%, 0.12%

LAB 11.97, 2.52, 6.26

 

CMYK 0 / 43 / 81 / 92

HEX #150C04

RGB 21 12 4

HSL 28.24, 0.68%, 0.05%

LAB 3.89, 2.17, 4.23

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 0 / 5 / 10 / 65

HEX #58544F

RGB 88 84 79

HSL 33.33, 0.05%, 0.33%

LAB 35.95, 0.62, 3.5

 

CMYK 0 / 2 / 10 / 65

HEX #58564F

RGB 88 86 79

HSL 46.67, 0.05%, 0.33%

LAB 36.55, -0.61, 4.36

 

CMYK 0 / 1 / 10 / 65

HEX #58574F

RGB 88 87 79

HSL 53.33, 0.05%, 0.33%

LAB 36.85, -1.22, 4.79

 

CMYK 1 / 0 / 10 / 65

HEX #57584F

RGB 87 88 79

HSL 66.67, 0.05%, 0.33%

LAB 37.06, -2.24, 5.08

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 0 / 6 / 10 / 45

HEX #8C847E

RGB 140 132 126

HSL 25.71, 0.06%, 0.52%

LAB 55.67, 1.9, 4.31

 

CMYK 0 / 6 / 10 / 25

HEX #BFB4AC

RGB 191 180 172

HSL 25.26, 0.13%, 0.71%

LAB 74, 2.52, 5.47

 

CMYK 0 / 6 / 10 / 5

HEX #F2E4DA

RGB 242 228 218

HSL 25, 0.48%, 0.9%

LAB 91.43, 3.1, 6.57

 

CMYK 0 / 5 / 11 / 85

HEX #262422

RGB 38 36 34

HSL 30, 0.06%, 0.14%

LAB 14.34, 0.47, 1.66

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 6 / 0 / 10 / 65

HEX #53584F

RGB 83 88 79

HSL 93.33, 0.05%, 0.33%

LAB 36.71, -3.89, 4.54

 

CMYK 9 / 10 / 0 / 65

HEX #504F58

RGB 80 79 88

HSL 246.67, 0.05%, 0.33%

LAB 33.99, 2.43, -5.13

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 10 / 0 / 6 / 65

HEX #4F5853

RGB 79 88 83

HSL 146.67, 0.05%, 0.33%

LAB 36.49, -4.65, 1.69

 

CMYK 6 / 10 / 0 / 65

HEX #534F58

RGB 83 79 88

HSL 266.67, 0.05%, 0.33%

LAB 34.26, 3.6, -4.69

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 6 / 0 / 10 / 65

HEX #53584F

RGB 83 88 79

HSL 93.33, 0.05%, 0.33%

LAB 36.71, -3.89, 4.54

 

CMYK 10 / 5 / 0 / 65

HEX #4F5458

RGB 79 84 88

HSL 206.67, 0.05%, 0.33%

LAB 35.41, -1.08, -3.02

 

CMYK 3 / 10 / 0 / 65

HEX #554F58

RGB 85 79 88

HSL 280, 0.05%, 0.33%

LAB 34.45, 4.39, -4.39

 

CMYK 0 / 6 / 10 / 65

HEX #595450

RGB 89 84 80

HSL 26.67, 0.05%, 0.33%

LAB 36.07, 1.23, 3.06

 

CMYK 9 / 0 / 10 / 65

HEX #50584F

RGB 80 88 79

HSL 113.33, 0.05%, 0.33%

LAB 36.46, -5.1, 4.14

 

CMYK 10 / 5 / 0 / 65

HEX #4F5458

RGB 79 84 88

HSL 206.67, 0.05%, 0.33%

LAB 35.41, -1.08, -3.02

 

CMYK 1 / 10 / 0 / 65

HEX #574F58

RGB 87 79 88

HSL 293.33, 0.05%, 0.33%

LAB 34.65, 5.19, -4.08

 

Description

Color code: CMYK 0 / 6 / 10 / 65 | qconv.com Color code: CMYK 0 / 6 / 10 / 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 84 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 84 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 10 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 10% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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