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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D1BAE it is the complementary color #C2E451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D1BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D1BAE shade: #421BA9, #532DBC, #643FCF, #7551E2 and #8663F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D1BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D1BAE shade: #3D1BAE, #2C099B, #1B0088, #0A0075 and #000062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D1BAE shade: #3C1BAC, #641BAC, #8B1BAC, #AC1BA6 and #AC1B7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D1BAE shade: #3C1BAC and #1B1BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D1BAE shade matches the following richer shades: #3C1BAC and #340BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D1BAE shade: #3C1BAC, #452B9C, #4E3B8C, #564B7C and #5F5B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D1BAE shade: #1B49AC, #1B22AC, #3A1BAC, #611BAC and #881BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D1BAE shade: #231065, #301588, #3C1BAC, #4920D0 and #6039E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D1BAE shade: #3D1BAE, #AC1B70 and #35AC1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D1BAE shade: #3D1BAE, #AC3A1B and #1BAC3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D1BAE shade: #3D1BAE, #AC1B70, #8DAC1B and #1BAC57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D1BAE shade: #3D1BAE, #AC1B44, #8DAC1B and #1BAC83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

Complementary color

CMYK 15 / 0 / 64 / 11

HEX #C2E451

RGB 194 228 81

HSL 73.88, 0.73%, 0.61%

LAB 85.78, -31.15, 65.5

 

CMYK 61 / 84 / 0 / 34

HEX #421BA9

RGB 66 27 169

HSL 256.48, 0.72%, 0.38%

LAB 26.18, 52.66, -68.03

 

CMYK 56 / 76 / 0 / 26

HEX #532DBC

RGB 83 45 188

HSL 255.94, 0.61%, 0.46%

LAB 32.58, 52, -68.74

 

CMYK 52 / 70 / 0 / 19

HEX #643FCF

RGB 100 63 207

HSL 255.42, 0.6%, 0.53%

LAB 39.19, 50.81, -68.95

 

CMYK 48 / 64 / 0 / 11

HEX #7551E2

RGB 117 81 226

HSL 254.9, 0.71%, 0.6%

LAB 45.85, 49.46, -68.9

 

CMYK 45 / 60 / 0 / 4

HEX #8663F5

RGB 134 99 245

HSL 254.38, 0.88%, 0.67%

LAB 52.49, 48.11, -68.73

 

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

CMYK 72 / 94 / 0 / 39

HEX #2C099B

RGB 44 9 155

HSL 254.38, 0.89%, 0.32%

LAB 20.43, 53.08, -69.1

 

CMYK 80 / 100 / 0 / 47

HEX #1B0088

RGB 27 0 136

HSL 251.91, 1%, 0.27%

LAB 15.54, 50.08, -65.45

 

CMYK 91 / 100 / 0 / 54

HEX #0A0075

RGB 10 0 117

HSL 245.13, 1%, 0.23%

LAB 11.61, 44.69, -59.9

 

CMYK 100 / 100 / 0 / 62

HEX #000062

RGB 0 0 98

HSL 240, 1%, 0.19%

LAB 7.97, 39.29, -53.52

 

CMYK 65 / 84 / 0 / 33

HEX #3C1BAC

RGB 60 27 172

HSL 253.66, 0.73%, 0.39%

LAB 25.93, 52.94, -70.26

 

CMYK 42 / 84 / 0 / 33

HEX #641BAC

RGB 100 27 172

HSL 270.21, 0.73%, 0.39%

LAB 30.57, 57.49, -62.45

 

CMYK 19 / 84 / 0 / 33

HEX #8B1BAC

RGB 139 27 172

HSL 286.34, 0.73%, 0.39%

LAB 36.46, 63.55, -52.59

 

CMYK 0 / 84 / 3 / 33

HEX #AC1BA6

RGB 172 27 166

HSL 302.48, 0.73%, 0.39%

LAB 41.7, 68.58, -40.3

 

CMYK 0 / 84 / 26 / 33

HEX #AC1B7F

RGB 172 27 127

HSL 318.62, 0.73%, 0.39%

LAB 39.73, 63.2, -19.66

 

CMYK 65 / 84 / 0 / 33

HEX #3C1BAC

RGB 60 27 172

HSL 253.66, 0.73%, 0.39%

LAB 25.93, 52.94, -70.26

 

CMYK 84 / 84 / 0 / 33

HEX #1B1BAC

RGB 27 27 172

HSL 240, 0.73%, 0.39%

LAB 23.66, 50.81, -74.1

 

CMYK 65 / 84 / 0 / 33

HEX #3C1BAC

RGB 60 27 172

HSL 253.66, 0.73%, 0.39%

LAB 25.93, 52.94, -70.26

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 65 / 84 / 0 / 33

HEX #3C1BAC

RGB 60 27 172

HSL 253.66, 0.73%, 0.39%

LAB 25.93, 52.94, -70.26

 

CMYK 56 / 72 / 0 / 39

HEX #452B9C

RGB 69 43 156

HSL 253.81, 0.57%, 0.39%

LAB 27.83, 41.65, -57.41

 

CMYK 44 / 58 / 0 / 45

HEX #4E3B8C

RGB 78 59 140

HSL 254.07, 0.41%, 0.39%

LAB 30.98, 29.07, -42.44

 

CMYK 31 / 40 / 0 / 51

HEX #564B7C

RGB 86 75 124

HSL 253.47, 0.25%, 0.39%

LAB 34.93, 16.43, -26.2

 

CMYK 12 / 16 / 0 / 58

HEX #5F5B6C

RGB 95 91 108

HSL 254.12, 0.09%, 0.39%

LAB 39.58, 5.34, -9.1

 

CMYK 84 / 58 / 0 / 33

HEX #1B49AC

RGB 27 73 172

HSL 220.97, 0.73%, 0.39%

LAB 33.93, 23, -57.18

 

CMYK 84 / 80 / 0 / 33

HEX #1B22AC

RGB 27 34 172

HSL 237.1, 0.73%, 0.39%

LAB 24.81, 47.41, -72.18

 

CMYK 66 / 84 / 0 / 33

HEX #3A1BAC

RGB 58 27 172

HSL 252.83, 0.73%, 0.39%

LAB 25.75, 52.76, -70.57

 

CMYK 44 / 84 / 0 / 33

HEX #611BAC

RGB 97 27 172

HSL 268.97, 0.73%, 0.39%

LAB 30.17, 57.08, -63.13

 

CMYK 21 / 84 / 0 / 33

HEX #881BAC

RGB 136 27 172

HSL 285.1, 0.73%, 0.39%

LAB 35.98, 63.05, -53.41

 

CMYK 65 / 84 / 0 / 60

HEX #231065

RGB 35 16 101

HSL 253.41, 0.73%, 0.23%

LAB 13.64, 34.17, -46.01

 

CMYK 65 / 85 / 0 / 47

HEX #301588

RGB 48 21 136

HSL 254.09, 0.73%, 0.31%

LAB 19.81, 43.96, -58.31

 

CMYK 65 / 84 / 0 / 33

HEX #3C1BAC

RGB 60 27 172

HSL 253.66, 0.73%, 0.39%

LAB 25.93, 52.94, -70.26

 

CMYK 65 / 85 / 0 / 18

HEX #4920D0

RGB 73 32 208

HSL 253.98, 0.73%, 0.47%

LAB 31.82, 61.98, -81.76

 

CMYK 57 / 75 / 0 / 12

HEX #6039E0

RGB 96 57 224

HSL 254.01, 0.73%, 0.55%

LAB 39.23, 58.04, -78.66

 

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

CMYK 0 / 84 / 35 / 33

HEX #AC1B70

RGB 172 27 112

HSL 324.83, 0.73%, 0.39%

LAB 39.11, 61.47, -11.23

 

CMYK 69 / 0 / 84 / 33

HEX #35AC1B

RGB 53 172 27

HSL 109.24, 0.73%, 0.39%

LAB 61.95, -57.52, 58.17

 

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

CMYK 0 / 66 / 84 / 33

HEX #AC3A1B

RGB 172 58 27

HSL 12.83, 0.73%, 0.39%

LAB 41.02, 45.16, 42.68

 

CMYK 84 / 0 / 66 / 33

HEX #1BAC3A

RGB 27 172 58

HSL 132.83, 0.73%, 0.39%

LAB 61.69, -58.98, 46.96

 

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

CMYK 0 / 84 / 35 / 33

HEX #AC1B70

RGB 172 27 112

HSL 324.83, 0.73%, 0.39%

LAB 39.11, 61.47, -11.23

 

CMYK 18 / 0 / 84 / 33

HEX #8DAC1B

RGB 141 172 27

HSL 72.83, 0.73%, 0.39%

LAB 65.94, -28.89, 63.22

 

CMYK 84 / 0 / 49 / 33

HEX #1BAC57

RGB 27 172 87

HSL 144.83, 0.73%, 0.39%

LAB 62.02, -55, 33.58

 

CMYK 65 / 84 / 0 / 32

HEX #3D1BAE

RGB 61 27 174

HSL 253.88, 0.73%, 0.39%

LAB 26.25, 53.58, -70.93

 

CMYK 0 / 84 / 60 / 33

HEX #AC1B44

RGB 172 27 68

HSL 343.03, 0.73%, 0.39%

LAB 37.79, 57.64, 14.9

 

CMYK 18 / 0 / 84 / 33

HEX #8DAC1B

RGB 141 172 27

HSL 72.83, 0.73%, 0.39%

LAB 65.94, -28.89, 63.22

 

CMYK 84 / 0 / 24 / 33

HEX #1BAC83

RGB 27 172 131

HSL 163.03, 0.73%, 0.39%

LAB 62.82, -45.87, 11.02

 

Description

Color code: HEX #3D1BAE | qconv.com Color code: HEX #3D1BAE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 27 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 27 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 84 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 84% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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