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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #340BBC it is the complementary color #CBF443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #340BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #340BBC shade: #390BB7, #4A1DCA, #5B2FDD, #6C41F0 and #7D53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #340BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #340BBC shade: #340BBC, #2300A9, #120096, #010083 and #000070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #340BBC shade: #340BBC, #640BBC, #930BBC, #BC0BB5 and #BC0B85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #340BBC shade: #340BBC and #0B0BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #340BBC shade matches the following richer shades: #340BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #340BBC shade: #340BBC, #3D1BAC, #452B9C, #4E3B8C and #564B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #340BBC shade: #0B43BC, #0B14BC, #310BBC, #600BBC and #900BBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #340BBC shade: #1E066E, #290995, #340BBC, #3F0DE3 and #5627F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #340BBC shade: #340BBC, #BC0B72 and #2BBC0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #340BBC shade: #340BBC, #BC310B and #0BBC31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #340BBC shade: #340BBC, #BC0B72, #96BC0B and #0BBC55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #340BBC shade: #340BBC, #BC0B3D, #96BC0B and #0BBC8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

Complementary color

CMYK 17 / 0 / 73 / 4

HEX #CBF443

RGB 203 244 67

HSL 73.9, 0.89%, 0.61%

LAB 90.69, -35.79, 75.68

 

CMYK 69 / 94 / 0 / 28

HEX #390BB7

RGB 57 11 183

HSL 256.05, 0.89%, 0.38%

LAB 25.35, 60.58, -77.83

 

CMYK 63 / 86 / 0 / 21

HEX #4A1DCA

RGB 74 29 202

HSL 255.61, 0.75%, 0.45%

LAB 30.88, 61.53, -79.82

 

CMYK 59 / 79 / 0 / 13

HEX #5B2FDD

RGB 91 47 221

HSL 255.17, 0.72%, 0.53%

LAB 36.89, 61.18, -80.82

 

CMYK 55 / 73 / 0 / 6

HEX #6C41F0

RGB 108 65 240

HSL 254.74, 0.85%, 0.6%

LAB 43.15, 60.19, -81.26

 

CMYK 51 / 67 / 0 / 0

HEX #7D53FF

RGB 125 83 255

HSL 254.65, 1%, 0.66%

LAB 49.21, 57.83, -79.66

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 79 / 100 / 0 / 34

HEX #2300A9

RGB 35 0 169

HSL 252.43, 1%, 0.33%

LAB 20.91, 58.69, -76.85

 

CMYK 88 / 100 / 0 / 41

HEX #120096

RGB 18 0 150

HSL 247.2, 1%, 0.29%

LAB 17.13, 53.51, -71.55

 

CMYK 99 / 100 / 0 / 49

HEX #010083

RGB 1 0 131

HSL 240.46, 1%, 0.26%

LAB 13.5, 48.32, -65.73

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 47 / 94 / 0 / 26

HEX #640BBC

RGB 100 11 188

HSL 270.17, 0.89%, 0.39%

LAB 30.83, 65.02, -71.56

 

CMYK 22 / 94 / 0 / 26

HEX #930BBC

RGB 147 11 188

HSL 286.1, 0.89%, 0.39%

LAB 37.97, 70.72, -59.58

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB5

RGB 188 11 181

HSL 302.37, 0.89%, 0.39%

LAB 44.61, 76.11, -44.39

 

CMYK 0 / 94 / 29 / 26

HEX #BC0B85

RGB 188 11 133

HSL 318.64, 0.89%, 0.39%

LAB 42.19, 69.93, -19.3

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 94 / 94 / 0 / 26

HEX #0B0BBC

RGB 11 11 188

HSL 240, 0.89%, 0.39%

LAB 23.48, 60.53, -83.99

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 65 / 84 / 0 / 33

HEX #3D1BAC

RGB 61 27 172

HSL 254.07, 0.73%, 0.39%

LAB 26.02, 53.03, -70.1

 

CMYK 56 / 72 / 0 / 39

HEX #452B9C

RGB 69 43 156

HSL 253.81, 0.57%, 0.39%

LAB 27.83, 41.65, -57.41

 

CMYK 44 / 58 / 0 / 45

HEX #4E3B8C

RGB 78 59 140

HSL 254.07, 0.41%, 0.39%

LAB 30.98, 29.07, -42.44

 

CMYK 31 / 40 / 0 / 51

HEX #564B7C

RGB 86 75 124

HSL 253.47, 0.25%, 0.39%

LAB 34.93, 16.43, -26.2

 

CMYK 94 / 64 / 0 / 26

HEX #0B43BC

RGB 11 67 188

HSL 221.02, 0.89%, 0.39%

LAB 33.38, 32.43, -67.57

 

CMYK 94 / 89 / 0 / 26

HEX #0B14BC

RGB 11 20 188

HSL 236.95, 0.89%, 0.39%

LAB 24.33, 57.93, -82.56

 

CMYK 74 / 94 / 0 / 26

HEX #310BBC

RGB 49 11 188

HSL 252.88, 0.89%, 0.39%

LAB 25.33, 61.48, -80.85

 

CMYK 49 / 94 / 0 / 26

HEX #600BBC

RGB 96 11 188

HSL 268.81, 0.89%, 0.39%

LAB 30.3, 64.64, -72.46

 

CMYK 23 / 94 / 0 / 26

HEX #900BBC

RGB 144 11 188

HSL 285.08, 0.89%, 0.39%

LAB 37.48, 70.3, -60.41

 

CMYK 73 / 95 / 0 / 57

HEX #1E066E

RGB 30 6 110

HSL 253.85, 0.9%, 0.23%

LAB 12.81, 40.81, -53.32

 

CMYK 72 / 94 / 0 / 42

HEX #290995

RGB 41 9 149

HSL 253.71, 0.89%, 0.31%

LAB 19.38, 51.32, -67.15

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 72 / 94 / 0 / 11

HEX #3F0DE3

RGB 63 13 227

HSL 254.02, 0.89%, 0.47%

LAB 31.56, 71.43, -93.18

 

CMYK 64 / 84 / 0 / 5

HEX #5627F2

RGB 86 39 242

HSL 253.89, 0.89%, 0.55%

LAB 37.55, 69.46, -91.69

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 0 / 94 / 39 / 26

HEX #BC0B72

RGB 188 11 114

HSL 325.08, 0.89%, 0.39%

LAB 41.45, 67.96, -8.66

 

CMYK 77 / 0 / 94 / 26

HEX #2BBC0B

RGB 43 188 11

HSL 109.15, 0.89%, 0.39%

LAB 66.9, -64.78, 65.34

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 0 / 74 / 94 / 26

HEX #BC310B

RGB 188 49 11

HSL 12.88, 0.89%, 0.39%

LAB 42.63, 53.8, 51.55

 

CMYK 94 / 0 / 74 / 26

HEX #0BBC31

RGB 11 188 49

HSL 132.88, 0.89%, 0.39%

LAB 66.72, -65.86, 55.75

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 0 / 94 / 39 / 26

HEX #BC0B72

RGB 188 11 114

HSL 325.08, 0.89%, 0.39%

LAB 41.45, 67.96, -8.66

 

CMYK 20 / 0 / 94 / 26

HEX #96BC0B

RGB 150 188 11

HSL 72.88, 0.89%, 0.39%

LAB 71.2, -33.08, 70.6

 

CMYK 94 / 0 / 55 / 26

HEX #0BBC55

RGB 11 188 85

HSL 145.08, 0.89%, 0.39%

LAB 67.05, -61.75, 40.73

 

CMYK 72 / 94 / 0 / 26

HEX #340BBC

RGB 52 11 188

HSL 253.9, 0.89%, 0.39%

LAB 25.56, 61.61, -80.45

 

CMYK 0 / 94 / 68 / 26

HEX #BC0B3D

RGB 188 11 61

HSL 343.05, 0.89%, 0.39%

LAB 40.03, 64.1, 22.91

 

CMYK 20 / 0 / 94 / 26

HEX #96BC0B

RGB 150 188 11

HSL 72.88, 0.89%, 0.39%

LAB 71.2, -33.08, 70.6

 

CMYK 94 / 0 / 27 / 26

HEX #0BBC8A

RGB 11 188 138

HSL 163.05, 0.89%, 0.39%

LAB 67.93, -51.5, 14.33

 

Description

Color code: HEX #340BBC | qconv.com Color code: HEX #340BBC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 11 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 11 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 94 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 94% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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