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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CD356 it is the complementary color #C32CA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CD356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3CD356: #41D351, #52E564, #63F777, #74FF8A and #85FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CD356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3CD356: #3CD356, #2BC143, #1AAF30, #099D1D and #008B0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

Complementary color

CMYK 0 / 77 / 13 / 24

HEX #C32CA9

RGB 195 44 169

HSL 310.33, 0.63%, 0.47%

LAB 47.32, 69.62, -32.94

 

CMYK 69 / 0 / 62 / 17

HEX #41D351

RGB 65 211 81

HSL 126.58, 0.62%, 0.54%

LAB 75.02, -63.8, 52.08

 

CMYK 64 / 0 / 56 / 10

HEX #52E564

RGB 82 229 100

HSL 127.35, 0.74%, 0.61%

LAB 81.16, -64.54, 50.84

 

CMYK 60 / 0 / 52 / 3

HEX #63F777

RGB 99 247 119

HSL 128.11, 0.9%, 0.68%

LAB 87.24, -64.98, 49.53

 

CMYK 55 / 0 / 46 / 0

HEX #74FF8A

RGB 116 255 138

HSL 129.5, 1%, 0.73%

LAB 90.35, -61.49, 44.54

 

CMYK 48 / 0 / 38 / 0

HEX #85FF9D

RGB 133 255 157

HSL 131.8, 1%, 0.76%

LAB 91.21, -54.43, 36.51

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 78 / 0 / 65 / 24

HEX #2BC143

RGB 43 193 67

HSL 129.6, 0.64%, 0.46%

LAB 68.79, -62.84, 51.01

 

CMYK 85 / 0 / 73 / 31

HEX #1AAF30

RGB 26 175 48

HSL 128.86, 0.74%, 0.39%

LAB 62.59, -61, 51.94

 

CMYK 94 / 0 / 82 / 38

HEX #099D1D

RGB 9 157 29

HSL 128.11, 0.89%, 0.33%

LAB 56.35, -58.31, 52.21

 

CMYK 100 / 0 / 93 / 45

HEX #008B0A

RGB 0 139 10

HSL 124.32, 1%, 0.27%

LAB 50.08, -54.54, 51.16

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 72 / 0 / 48 / 18

HEX #3BD26D

RGB 59 210 109

HSL 139.87, 0.63%, 0.53%

LAB 74.91, -60.69, 38.84

 

CMYK 72 / 0 / 36 / 18

HEX #3BD287

RGB 59 210 135

HSL 150.2, 0.63%, 0.53%

LAB 75.31, -56.11, 26.15

 

CMYK 72 / 0 / 24 / 18

HEX #3BD2A0

RGB 59 210 160

HSL 160.13, 0.63%, 0.53%

LAB 75.8, -50.79, 13.64

 

CMYK 72 / 0 / 12 / 18

HEX #3BD2B9

RGB 59 210 185

HSL 170.07, 0.63%, 0.53%

LAB 76.39, -44.67, 1.1

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 71 / 0 / 57 / 97

HEX #020703

RGB 2 7 3

HSL 132, 0.56%, 0.02%

LAB 1.55, -1.86, 1.05

 

CMYK 72 / 0 / 59 / 77

HEX #103A18

RGB 16 58 24

HSL 131.43, 0.57%, 0.15%

LAB 20.84, -23.28, 16.85

 

CMYK 72 / 0 / 60 / 57

HEX #1F6D2C

RGB 31 109 44

HSL 130, 0.56%, 0.27%

LAB 40.26, -38.17, 29.2

 

CMYK 72 / 0 / 59 / 37

HEX #2DA041

RGB 45 160 65

HSL 130.43, 0.56%, 0.4%

LAB 58.11, -51.64, 39.81

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 72 / 26 / 0 / 18

HEX #3B9BD2

RGB 59 155 210

HSL 201.85, 0.63%, 0.53%

LAB 60.8, -10.02, -36.2

 

CMYK 0 / 72 / 55 / 18

HEX #D23B5E

RGB 210 59 94

HSL 346.09, 0.63%, 0.53%

LAB 49.05, 60.64, 15.21

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 60 / 72 / 0 / 18

HEX #543BD2

RGB 84 59 210

HSL 249.93, 0.63%, 0.53%

LAB 37.24, 51.43, -73.94

 

CMYK 0 / 60 / 72 / 18

HEX #D2543B

RGB 210 84 59

HSL 9.93, 0.63%, 0.53%

LAB 52.24, 48.32, 39.66

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 72 / 26 / 0 / 18

HEX #3B9BD2

RGB 59 155 210

HSL 201.85, 0.63%, 0.53%

LAB 60.8, -10.02, -36.2

 

CMYK 0 / 72 / 12 / 18

HEX #D23BB9

RGB 210 59 185

HSL 309.93, 0.63%, 0.53%

LAB 52.21, 70.74, -34.48

 

CMYK 0 / 45 / 72 / 18

HEX #D2733B

RGB 210 115 59

HSL 22.25, 0.63%, 0.53%

LAB 58.3, 32.92, 46.32

 

CMYK 72 / 0 / 59 / 17

HEX #3CD356

RGB 60 211 86

HSL 130.33, 0.63%, 0.53%

LAB 74.96, -64.06, 49.78

 

CMYK 72 / 48 / 0 / 18

HEX #3B6DD2

RGB 59 109 210

HSL 220.13, 0.63%, 0.53%

LAB 47.65, 17.51, -57.06

 

CMYK 0 / 72 / 12 / 18

HEX #D23BB9

RGB 210 59 185

HSL 309.93, 0.63%, 0.53%

LAB 52.21, 70.74, -34.48

 

CMYK 0 / 24 / 72 / 18

HEX #D2A03B

RGB 210 160 59

HSL 40.13, 0.63%, 0.53%

LAB 68.87, 8.7, 57.33

 

Description

Color code: HEX #3CD356 | qconv.com Color code: HEX #3CD356 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 211 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 211 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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