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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCDF1 it is the complementary color #C3320E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCDF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCDF1 shade: #41CDEC, #52DFFF, #63F1FF, #74FFFF and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCDF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCDF1 shade: #3CCDF1, #2BBBDE, #1AA9CB, #0997B8 and #0085A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCDF1 shade: #3BCDF1, #3B9CF1, #3B6BF1, #3D3BF1 and #6E3BF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCDF1 shade: #3BCDF1, #3B9CF1, #3B6BF1 and #3B3BF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCDF1 shade matches the following richer shades: #3BCDF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCDF1 shade: #3BCDF1, #4CC3E0, #5DB9D0, #6EAFBF and #7FA4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCDF1 shade: #3BF1B2, #3BF1E2, #3BD0F1, #3BA0F1 and #3B6FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCDF1 shade: #0EA6CC, #15C3EF, #3BCDF1, #62D7F4 and #89E1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCDF1 shade: #3CCDF1, #813BF1 and #F1CA3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCDF1 shade: #3CCDF1, #F13BD0 and #D0F13B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCDF1 shade: #3CCDF1, #813BF1, #F15D3B and #ACF13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCDF1 shade: #3CCDF1, #B83BF1, #F15D3B and #75F13B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

Complementary color

CMYK 0 / 74 / 93 / 24

HEX #C3320E

RGB 195 50 14

HSL 11.93, 0.87%, 0.41%

LAB 44.11, 55.72, 52.22

 

CMYK 72 / 13 / 0 / 7

HEX #41CDEC

RGB 65 205 236

HSL 190.88, 0.82%, 0.59%

LAB 76.58, -27.04, -26.04

 

CMYK 68 / 13 / 0 / 0

HEX #52DFFF

RGB 82 223 255

HSL 191.1, 1%, 0.66%

LAB 82.8, -27.92, -26.62

 

CMYK 61 / 5 / 0 / 0

HEX #63F1FF

RGB 99 241 255

HSL 185.38, 1%, 0.69%

LAB 88.34, -33.99, -18.18

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

CMYK 81 / 16 / 0 / 13

HEX #2BBBDE

RGB 43 187 222

HSL 191.73, 0.73%, 0.52%

LAB 70.41, -24.78, -27.97

 

CMYK 87 / 17 / 0 / 20

HEX #1AA9CB

RGB 26 169 203

HSL 191.53, 0.77%, 0.45%

LAB 64.09, -23.17, -27.26

 

CMYK 95 / 18 / 0 / 28

HEX #0997B8

RGB 9 151 184

HSL 191.31, 0.91%, 0.38%

LAB 57.71, -21.14, -26.45

 

CMYK 100 / 19 / 0 / 35

HEX #0085A5

RGB 0 133 165

HSL 191.64, 1%, 0.32%

LAB 51.26, -18.63, -25.54

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 76 / 35 / 0 / 5

HEX #3B9CF1

RGB 59 156 241

HSL 208.02, 0.87%, 0.59%

LAB 62.56, 0.19, -50.61

 

CMYK 76 / 56 / 0 / 5

HEX #3B6BF1

RGB 59 107 241

HSL 224.18, 0.87%, 0.59%

LAB 49.25, 30.06, -71.98

 

CMYK 75 / 76 / 0 / 5

HEX #3D3BF1

RGB 61 59 241

HSL 240.66, 0.87%, 0.59%

LAB 38.67, 58.55, -89.32

 

CMYK 54 / 76 / 0 / 5

HEX #6E3BF1

RGB 110 59 241

HSL 256.81, 0.87%, 0.59%

LAB 42.45, 63.52, -82.97

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 76 / 35 / 0 / 5

HEX #3B9CF1

RGB 59 156 241

HSL 208.02, 0.87%, 0.59%

LAB 62.56, 0.19, -50.61

 

CMYK 76 / 56 / 0 / 5

HEX #3B6BF1

RGB 59 107 241

HSL 224.18, 0.87%, 0.59%

LAB 49.25, 30.06, -71.98

 

CMYK 76 / 76 / 0 / 5

HEX #3B3BF1

RGB 59 59 241

HSL 240, 0.87%, 0.59%

LAB 38.57, 58.41, -89.51

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 66 / 13 / 0 / 12

HEX #4CC3E0

RGB 76 195 224

HSL 191.76, 0.7%, 0.59%

LAB 73.51, -24.23, -24.24

 

CMYK 55 / 11 / 0 / 18

HEX #5DB9D0

RGB 93 185 208

HSL 192, 0.55%, 0.59%

LAB 70.58, -20.89, -19.94

 

CMYK 42 / 8 / 0 / 25

HEX #6EAFBF

RGB 110 175 191

HSL 191.85, 0.39%, 0.59%

LAB 67.83, -16.54, -14.69

 

CMYK 27 / 6 / 0 / 32

HEX #7FA4AE

RGB 127 164 174

HSL 192.77, 0.22%, 0.59%

LAB 65.06, -10.21, -9.3

 

CMYK 76 / 0 / 26 / 5

HEX #3BF1B2

RGB 59 241 178

HSL 159.23, 0.87%, 0.59%

LAB 85.53, -58.94, 17.84

 

CMYK 76 / 0 / 6 / 5

HEX #3BF1E2

RGB 59 241 226

HSL 175.05, 0.87%, 0.59%

LAB 86.67, -47.18, -5.58

 

CMYK 76 / 14 / 0 / 5

HEX #3BD0F1

RGB 59 208 241

HSL 190.88, 0.87%, 0.59%

LAB 77.51, -27.65, -27.3

 

CMYK 76 / 34 / 0 / 5

HEX #3BA0F1

RGB 59 160 241

HSL 206.7, 0.87%, 0.59%

LAB 63.69, -2.11, -48.82

 

CMYK 76 / 54 / 0 / 5

HEX #3B6FF1

RGB 59 111 241

HSL 222.86, 0.87%, 0.59%

LAB 50.27, 27.55, -70.31

 

CMYK 93 / 19 / 0 / 20

HEX #0EA6CC

RGB 14 166 204

HSL 192, 0.87%, 0.43%

LAB 63.12, -21.87, -29.32

 

CMYK 91 / 18 / 0 / 6

HEX #15C3EF

RGB 21 195 239

HSL 192.11, 0.87%, 0.51%

LAB 73.17, -24.59, -32.95

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 60 / 12 / 0 / 4

HEX #62D7F4

RGB 98 215 244

HSL 191.92, 0.87%, 0.67%

LAB 80.59, -24.71, -24.13

 

CMYK 45 / 9 / 0 / 3

HEX #89E1F7

RGB 137 225 247

HSL 192, 0.87%, 0.75%

LAB 84.94, -20.88, -18.98

 

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

CMYK 46 / 76 / 0 / 5

HEX #813BF1

RGB 129 59 241

HSL 263.08, 0.87%, 0.59%

LAB 44.44, 66.1, -79.62

 

CMYK 0 / 16 / 76 / 5

HEX #F1CA3B

RGB 241 202 59

HSL 47.14, 0.87%, 0.59%

LAB 82.52, -0.09, 71.64

 

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

CMYK 0 / 76 / 14 / 5

HEX #F13BD0

RGB 241 59 208

HSL 310.88, 0.87%, 0.59%

LAB 58.4, 80.85, -37.65

 

CMYK 14 / 0 / 76 / 5

HEX #D0F13B

RGB 208 241 59

HSL 70.88, 0.87%, 0.59%

LAB 90.15, -32.84, 77.79

 

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

CMYK 46 / 76 / 0 / 5

HEX #813BF1

RGB 129 59 241

HSL 263.08, 0.87%, 0.59%

LAB 44.44, 66.1, -79.62

 

CMYK 0 / 61 / 76 / 5

HEX #F15D3B

RGB 241 93 59

HSL 11.21, 0.87%, 0.59%

LAB 58.83, 55.18, 48.29

 

CMYK 29 / 0 / 76 / 5

HEX #ACF13B

RGB 172 241 59

HSL 82.75, 0.87%, 0.59%

LAB 87.97, -46.51, 74.96

 

CMYK 75 / 15 / 0 / 5

HEX #3CCDF1

RGB 60 205 241

HSL 191.93, 0.87%, 0.59%

LAB 76.66, -26.06, -28.61

 

CMYK 24 / 76 / 0 / 5

HEX #B83BF1

RGB 184 59 241

HSL 281.21, 0.87%, 0.59%

LAB 51.46, 74.99, -67.88

 

CMYK 0 / 61 / 76 / 5

HEX #F15D3B

RGB 241 93 59

HSL 11.21, 0.87%, 0.59%

LAB 58.83, 55.18, 48.29

 

CMYK 51 / 0 / 76 / 5

HEX #75F13B

RGB 117 241 59

HSL 100.88, 0.87%, 0.59%

LAB 85.51, -64.15, 71.75

 

Description

Color code: HEX #3CCDF1 | qconv.com Color code: HEX #3CCDF1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 205 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 205 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 15 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 15% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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