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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 76 / 35 / 0 / 5 it is the complementary color CMYK 0 / 50 / 93 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 76 / 35 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 76 / 35 / 0 / 5: CMYK 73 / 34 / 0 / 7, CMYK 69 / 31 / 0 / 0, CMYK 62 / 24 / 0 / 0, CMYK 55 / 17 / 0 / 0 and CMYK 49 / 10 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 76 / 35 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 76 / 35 / 0 / 5: CMYK 76 / 35 / 0 / 5, CMYK 82 / 38 / 0 / 13, CMYK 88 / 41 / 0 / 20, CMYK 96 / 44 / 0 / 27 and CMYK 100 / 49 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

Complementary color

CMYK 0 / 50 / 93 / 23

HEX #C5620D

RGB 197 98 13

HSL 27.72, 0.88%, 0.41%

LAB 52.55, 35.1, 58.35

 

CMYK 73 / 34 / 0 / 7

HEX #3F9DED

RGB 63 157 237

HSL 207.59, 0.83%, 0.59%

LAB 62.75, -1.31, -48.1

 

CMYK 69 / 31 / 0 / 0

HEX #50AFFF

RGB 80 175 255

HSL 207.43, 1%, 0.66%

LAB 69.17, -3.07, -47.76

 

CMYK 62 / 24 / 0 / 0

HEX #61C1FF

RGB 97 193 255

HSL 203.54, 1%, 0.69%

LAB 74.76, -10.23, -38.97

 

CMYK 55 / 17 / 0 / 0

HEX #72D3FF

RGB 114 211 255

HSL 198.72, 1%, 0.72%

LAB 80.4, -16.55, -30.22

 

CMYK 49 / 10 / 0 / 0

HEX #83E5FF

RGB 131 229 255

HSL 192.58, 1%, 0.76%

LAB 86.05, -22.13, -21.54

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 82 / 38 / 0 / 13

HEX #298BDF

RGB 41 139 223

HSL 207.69, 0.74%, 0.52%

LAB 56.35, 1.81, -50.51

 

CMYK 88 / 41 / 0 / 20

HEX #1879CC

RGB 24 121 204

HSL 207.67, 0.79%, 0.45%

LAB 49.77, 4.23, -50.29

 

CMYK 96 / 44 / 0 / 27

HEX #0767B9

RGB 7 103 185

HSL 207.64, 0.93%, 0.38%

LAB 43.14, 7.23, -49.98

 

CMYK 100 / 49 / 0 / 35

HEX #0055A6

RGB 0 85 166

HSL 209.28, 1%, 0.33%

LAB 36.46, 10.94, -49.53

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 76 / 47 / 0 / 5

HEX #3A80F2

RGB 58 128 242

HSL 217.17, 0.88%, 0.59%

LAB 54.81, 17.22, -63.53

 

CMYK 76 / 60 / 0 / 5

HEX #3A62F2

RGB 58 98 242

HSL 226.96, 0.88%, 0.59%

LAB 47.03, 35.94, -76.15

 

CMYK 76 / 72 / 0 / 5

HEX #3A43F2

RGB 58 67 242

HSL 237.07, 0.88%, 0.59%

LAB 40.12, 54.39, -87.5

 

CMYK 67 / 76 / 0 / 5

HEX #4F3AF2

RGB 79 58 242

HSL 246.85, 0.88%, 0.59%

LAB 39.75, 60.85, -88.08

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 76 / 34 / 0 / 85

HEX #091926

RGB 9 25 38

HSL 206.9, 0.62%, 0.09%

LAB 8.07, -1.59, -10.95

 

CMYK 76 / 35 / 0 / 65

HEX #153A59

RGB 21 58 89

HSL 207.35, 0.62%, 0.22%

LAB 23.36, -1.35, -22.41

 

CMYK 76 / 35 / 0 / 45

HEX #225B8C

RGB 34 91 140

HSL 207.74, 0.61%, 0.34%

LAB 37.33, -0.83, -32.46

 

CMYK 76 / 35 / 0 / 25

HEX #2E7CBF

RGB 46 124 191

HSL 207.72, 0.61%, 0.46%

LAB 50.4, -0.48, -41.82

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 26 / 76 / 0 / 5

HEX #B23AF2

RGB 178 58 242

HSL 279.13, 0.88%, 0.59%

LAB 50.57, 74.48, -69.92

 

CMYK 4 / 0 / 76 / 5

HEX #E9F23A

RGB 233 242 58

HSL 62.93, 0.88%, 0.59%

LAB 92.19, -23.31, 80.61

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 0 / 76 / 34 / 5

HEX #F23A9F

RGB 242 58 159

HSL 327.07, 0.88%, 0.59%

LAB 56.49, 75.46, -12.24

 

CMYK 34 / 0 / 76 / 5

HEX #9FF23A

RGB 159 242 58

HSL 87.07, 0.88%, 0.59%

LAB 87.57, -51.57, 74.65

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 26 / 76 / 0 / 5

HEX #B23AF2

RGB 178 58 242

HSL 279.13, 0.88%, 0.59%

LAB 50.57, 74.48, -69.92

 

CMYK 0 / 42 / 76 / 5

HEX #F28D3A

RGB 242 141 58

HSL 27.07, 0.88%, 0.59%

LAB 68.19, 32.23, 58.33

 

CMYK 50 / 0 / 76 / 5

HEX #7AF23A

RGB 122 242 58

HSL 99.13, 0.88%, 0.59%

LAB 85.98, -63.19, 72.58

 

CMYK 76 / 35 / 0 / 5

HEX #3A9DF2

RGB 58 157 242

HSL 207.72, 0.88%, 0.59%

LAB 62.86, -0.15, -50.67

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 42 / 76 / 5

HEX #F28D3A

RGB 242 141 58

HSL 27.07, 0.88%, 0.59%

LAB 68.19, 32.23, 58.33

 

CMYK 72 / 0 / 76 / 5

HEX #43F23A

RGB 67 242 58

HSL 117.07, 0.88%, 0.59%

LAB 84.49, -75.32, 70.62

 

Description

Color code: CMYK 76 / 35 / 0 / 5 | qconv.com Color code: CMYK 76 / 35 / 0 / 5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 157 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 157 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 35 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 35% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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