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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC1B6 it is the complementary color #C33E49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC1B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC1B6 shade: #41C1B1, #52D3C4, #63E5D7, #74F7EA and #85FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC1B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC1B6 shade: #3CC1B6, #2BAFA3, #1A9D90, #098B7D and #00796A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC1B6 shade: #3CC3B8, #3CC393, #3CC36F, #3CC34B and #52C33C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC1B6 shade: #3CC3B8, #3CAAC3, #3C85C3, #3C61C3 and #3C3CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC1B6 shade matches the following richer shades: #3CC3B8, #27D8C9 and #13ECDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC1B6 shade: #3CC3B8, #51AEA7, #659A95, #7A8584 and #8E7173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC1B6 shade: #3CC370, #3CC394, #3CC3B8, #3CAAC3 and #3C86C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC1B6 shade: #29847C, #32A49A, #3CC3B8, #5BCDC3 and #7BD6CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC1B6 shade: #3CC1B6, #4C3CC3 and #C3823C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC1B6 shade: #3CC1B6, #B83CC3 and #C3B83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC1B6 shade: #3CC1B6, #4C3CC3, #C33C47 and #B3C33C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC1B6 shade: #3CC1B6, #743CC3, #C33C47 and #8BC33C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

Complementary color

CMYK 0 / 68 / 63 / 24

HEX #C33E49

RGB 195 62 73

HSL 355.04, 0.53%, 0.5%

LAB 46.35, 53.44, 23.87

 

CMYK 66 / 0 / 8 / 24

HEX #41C1B1

RGB 65 193 177

HSL 172.5, 0.51%, 0.51%

LAB 71.17, -38.42, -2.18

 

CMYK 61 / 0 / 7 / 17

HEX #52D3C4

RGB 82 211 196

HSL 173.02, 0.59%, 0.57%

LAB 77.5, -38.8, -3.12

 

CMYK 57 / 0 / 6 / 10

HEX #63E5D7

RGB 99 229 215

HSL 173.54, 0.71%, 0.64%

LAB 83.76, -39.04, -3.98

 

CMYK 53 / 0 / 5 / 3

HEX #74F7EA

RGB 116 247 234

HSL 174.05, 0.89%, 0.71%

LAB 89.94, -39.19, -4.78

 

CMYK 48 / 0 / 1 / 0

HEX #85FFFD

RGB 133 255 253

HSL 179.02, 1%, 0.76%

LAB 93.28, -34.69, -9.65

 

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

CMYK 75 / 0 / 7 / 31

HEX #2BAFA3

RGB 43 175 163

HSL 174.55, 0.61%, 0.43%

LAB 64.82, -37.06, -3.86

 

CMYK 83 / 0 / 8 / 38

HEX #1A9D90

RGB 26 157 144

HSL 174.05, 0.72%, 0.36%

LAB 58.37, -36, -2.71

 

CMYK 94 / 0 / 10 / 45

HEX #098B7D

RGB 9 139 125

HSL 173.54, 0.88%, 0.29%

LAB 51.84, -34.5, -1.41

 

CMYK 100 / 0 / 12 / 53

HEX #00796A

RGB 0 121 106

HSL 172.56, 1%, 0.24%

LAB 45.24, -32.43, 0.1

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 69 / 0 / 25 / 24

HEX #3CC393

RGB 60 195 147

HSL 158.67, 0.53%, 0.5%

LAB 70.94, -47.5, 13.78

 

CMYK 69 / 0 / 43 / 24

HEX #3CC36F

RGB 60 195 111

HSL 142.67, 0.53%, 0.5%

LAB 70.27, -54.75, 31.92

 

CMYK 69 / 0 / 62 / 24

HEX #3CC34B

RGB 60 195 75

HSL 126.67, 0.53%, 0.5%

LAB 69.82, -59.95, 48.79

 

CMYK 58 / 0 / 69 / 24

HEX #52C33C

RGB 82 195 60

HSL 110.22, 0.53%, 0.5%

LAB 70.28, -56.71, 55.72

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 69 / 13 / 0 / 24

HEX #3CAAC3

RGB 60 170 195

HSL 191.11, 0.53%, 0.5%

LAB 64.68, -22.83, -21.84

 

CMYK 69 / 32 / 0 / 24

HEX #3C85C3

RGB 60 133 195

HSL 207.56, 0.53%, 0.5%

LAB 53.68, -2.45, -38.9

 

CMYK 69 / 50 / 0 / 24

HEX #3C61C3

RGB 60 97 195

HSL 223.56, 0.53%, 0.5%

LAB 43.43, 19.83, -55.23

 

CMYK 69 / 69 / 0 / 24

HEX #3C3CC3

RGB 60 60 195

HSL 240, 0.53%, 0.5%

LAB 34.26, 43.15, -70.18

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 82 / 0 / 7 / 15

HEX #27D8C9

RGB 39 216 201

HSL 174.92, 0.69%, 0.5%

LAB 78.32, -45.01, -4.68

 

CMYK 92 / 0 / 8 / 7

HEX #13ECDA

RGB 19 236 218

HSL 175.02, 0.85%, 0.5%

LAB 84.58, -49.95, -4.5

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 53 / 0 / 4 / 32

HEX #51AEA7

RGB 81 174 167

HSL 175.48, 0.36%, 0.5%

LAB 65.6, -29.23, -4.82

 

CMYK 34 / 0 / 3 / 40

HEX #659A95

RGB 101 154 149

HSL 174.34, 0.21%, 0.5%

LAB 59.93, -18.69, -2.98

 

CMYK 8 / 0 / 1 / 48

HEX #7A8584

RGB 122 133 132

HSL 174.55, 0.04%, 0.5%

LAB 54.64, -4.23, -0.85

 

CMYK 0 / 20 / 19 / 44

HEX #8E7173

RGB 142 113 115

HSL 355.86, 0.11%, 0.5%

LAB 50.45, 11.73, 3.23

 

CMYK 69 / 0 / 43 / 24

HEX #3CC370

RGB 60 195 112

HSL 143.11, 0.53%, 0.5%

LAB 70.29, -54.58, 31.43

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 69 / 13 / 0 / 24

HEX #3CAAC3

RGB 60 170 195

HSL 191.11, 0.53%, 0.5%

LAB 64.68, -22.83, -21.84

 

CMYK 69 / 31 / 0 / 24

HEX #3C86C3

RGB 60 134 195

HSL 207.11, 0.53%, 0.5%

LAB 53.97, -3.04, -38.44

 

CMYK 69 / 0 / 6 / 48

HEX #29847C

RGB 41 132 124

HSL 174.73, 0.53%, 0.34%

LAB 50.01, -28.22, -3.46

 

CMYK 70 / 0 / 6 / 36

HEX #32A49A

RGB 50 164 154

HSL 174.74, 0.53%, 0.42%

LAB 61.27, -33.6, -4.03

 

CMYK 69 / 0 / 6 / 24

HEX #3CC3B8

RGB 60 195 184

HSL 175.11, 0.53%, 0.5%

LAB 71.86, -38.16, -5

 

CMYK 56 / 0 / 5 / 20

HEX #5BCDC3

RGB 91 205 195

HSL 174.74, 0.53%, 0.58%

LAB 75.96, -34.64, -4.82

 

CMYK 43 / 0 / 3 / 16

HEX #7BD6CF

RGB 123 214 207

HSL 175.38, 0.53%, 0.66%

LAB 80.07, -28.85, -5.07

 

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

CMYK 61 / 69 / 0 / 24

HEX #4C3CC3

RGB 76 60 195

HSL 247.11, 0.53%, 0.5%

LAB 35.42, 45.21, -68.23

 

CMYK 0 / 33 / 69 / 24

HEX #C3823C

RGB 195 130 60

HSL 31.11, 0.53%, 0.5%

LAB 59.79, 18.6, 46.88

 

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

CMYK 6 / 69 / 0 / 24

HEX #B83CC3

RGB 184 60 195

HSL 295.11, 0.53%, 0.5%

LAB 48.71, 66.1, -46.08

 

CMYK 0 / 6 / 69 / 24

HEX #C3B83C

RGB 195 184 60

HSL 55.11, 0.53%, 0.5%

LAB 73.68, -10.43, 61.3

 

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

CMYK 61 / 69 / 0 / 24

HEX #4C3CC3

RGB 76 60 195

HSL 247.11, 0.53%, 0.5%

LAB 35.42, 45.21, -68.23

 

CMYK 0 / 69 / 64 / 24

HEX #C33C47

RGB 195 60 71

HSL 355.11, 0.53%, 0.5%

LAB 46.03, 54.1, 24.67

 

CMYK 8 / 0 / 69 / 24

HEX #B3C33C

RGB 179 195 60

HSL 67.11, 0.53%, 0.5%

LAB 75.41, -22.73, 62.61

 

CMYK 69 / 0 / 6 / 24

HEX #3CC1B6

RGB 60 193 182

HSL 175.04, 0.53%, 0.5%

LAB 71.2, -37.8, -4.88

 

CMYK 41 / 69 / 0 / 24

HEX #743CC3

RGB 116 60 195

HSL 264.89, 0.53%, 0.5%

LAB 39.39, 51.91, -61.58

 

CMYK 0 / 69 / 64 / 24

HEX #C33C47

RGB 195 60 71

HSL 355.11, 0.53%, 0.5%

LAB 46.03, 54.1, 24.67

 

CMYK 29 / 0 / 69 / 24

HEX #8BC33C

RGB 139 195 60

HSL 84.89, 0.53%, 0.5%

LAB 72.79, -38.62, 59.1

 

Description

Color code: HEX #3CC1B6 | qconv.com Color code: HEX #3CC1B6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 193 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 193 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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