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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9746 it is the complementary color #C368B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9746. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9746 shade: #419741, #52A954, #63BB67, #74CD7A and #85DF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9746. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9746 shade: #3C9746, #2B8533, #1A7320, #09610D and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9746 shade: #3C9645, #4A963C, #62963C, #7A963C and #93963C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9746 shade: #3C9645, #3C965E, #3C9676, #3C968E and #3C8596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9746 shade matches the following richer shades: #3C9645, #2BA638, #1AB72B and #09C81E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9746 shade: #3C9645, #4D8553, #5D7460, #6E636D and #7F527A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9746 shade: #63963C, #4B963C, #3C9645, #3C965D and #3C9675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9746 shade: #245B2A, #307838, #3C9645, #47B353 and #63C16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9746 shade: #3C9746, #3C7B96 and #963C57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9746 shade: #3C9746, #453C96 and #96453C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9746 shade: #3C9746, #3C7B96, #963C8D and #96573C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9746 shade: #3C9746, #3C6096, #963C8D and #96723C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

Complementary color

CMYK 0 / 47 / 5 / 24

HEX #C368B9

RGB 195 104 185

HSL 306.59, 0.43%, 0.59%

LAB 57.08, 47.47, -27.07

 

CMYK 57 / 0 / 57 / 41

HEX #419741

RGB 65 151 65

HSL 120, 0.4%, 0.42%

LAB 55.72, -43.84, 37.14

 

CMYK 51 / 0 / 50 / 34

HEX #52A954

RGB 82 169 84

HSL 121.38, 0.35%, 0.49%

LAB 62.35, -43.98, 35.8

 

CMYK 47 / 0 / 45 / 27

HEX #63BB67

RGB 99 187 103

HSL 122.73, 0.39%, 0.56%

LAB 68.88, -43.94, 34.47

 

CMYK 43 / 0 / 40 / 20

HEX #74CD7A

RGB 116 205 122

HSL 124.04, 0.47%, 0.63%

LAB 75.31, -43.79, 33.18

 

CMYK 40 / 0 / 37 / 13

HEX #85DF8D

RGB 133 223 141

HSL 125.33, 0.58%, 0.7%

LAB 81.67, -43.59, 31.96

 

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

CMYK 68 / 0 / 62 / 48

HEX #2B8533

RGB 43 133 51

HSL 125.33, 0.51%, 0.35%

LAB 48.92, -43.92, 35.87

 

CMYK 77 / 0 / 72 / 55

HEX #1A7320

RGB 26 115 32

HSL 124.04, 0.63%, 0.28%

LAB 42.13, -42.82, 37.02

 

CMYK 91 / 0 / 87 / 62

HEX #09610D

RGB 9 97 13

HSL 122.73, 0.83%, 0.21%

LAB 35.27, -40.67, 37.34

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 51 / 0 / 60 / 41

HEX #4A963C

RGB 74 150 60

HSL 110.67, 0.43%, 0.41%

LAB 55.68, -41.52, 39.6

 

CMYK 35 / 0 / 60 / 41

HEX #62963C

RGB 98 150 60

HSL 94.67, 0.43%, 0.41%

LAB 56.82, -33.49, 41.2

 

CMYK 19 / 0 / 60 / 41

HEX #7A963C

RGB 122 150 60

HSL 78.67, 0.43%, 0.41%

LAB 58.3, -24.11, 43.28

 

CMYK 2 / 0 / 60 / 41

HEX #93963C

RGB 147 150 60

HSL 62, 0.43%, 0.41%

LAB 60.2, -13.48, 45.92

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 60 / 0 / 37 / 41

HEX #3C965E

RGB 60 150 94

HSL 142.67, 0.43%, 0.41%

LAB 55.67, -39.97, 21.76

 

CMYK 60 / 0 / 21 / 41

HEX #3C9676

RGB 60 150 118

HSL 158.67, 0.43%, 0.41%

LAB 56.17, -34.77, 8.98

 

CMYK 60 / 0 / 5 / 41

HEX #3C968E

RGB 60 150 142

HSL 174.67, 0.43%, 0.41%

LAB 56.81, -28.56, -3.79

 

CMYK 60 / 11 / 0 / 41

HEX #3C8596

RGB 60 133 150

HSL 191.33, 0.43%, 0.41%

LAB 51.77, -17.43, -15.96

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 74 / 0 / 66 / 35

HEX #2BA638

RGB 43 166 56

HSL 126.34, 0.59%, 0.41%

LAB 59.95, -55.12, 45.98

 

CMYK 86 / 0 / 77 / 28

HEX #1AB72B

RGB 26 183 43

HSL 126.5, 0.75%, 0.41%

LAB 65.17, -63.83, 56.32

 

CMYK 96 / 0 / 85 / 22

HEX #09C81E

RGB 9 200 30

HSL 126.6, 0.91%, 0.41%

LAB 70.5, -70.56, 64.94

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 42 / 0 / 38 / 48

HEX #4D8553

RGB 77 133 83

HSL 126.43, 0.27%, 0.41%

LAB 50.66, -29.65, 21.33

 

CMYK 20 / 0 / 17 / 55

HEX #5D7460

RGB 93 116 96

HSL 127.83, 0.11%, 0.41%

LAB 46.53, -12.76, 8.3

 

CMYK 0 / 10 / 1 / 57

HEX #6E636D

RGB 110 99 109

HSL 305.45, 0.05%, 0.41%

LAB 43.28, 6.36, -4.05

 

CMYK 0 / 35 / 4 / 50

HEX #7F527A

RGB 127 82 122

HSL 306.67, 0.22%, 0.41%

LAB 41.14, 25.6, -15.01

 

CMYK 34 / 0 / 60 / 41

HEX #63963C

RGB 99 150 60

HSL 94, 0.43%, 0.41%

LAB 56.87, -33.12, 41.28

 

CMYK 50 / 0 / 60 / 41

HEX #4B963C

RGB 75 150 60

HSL 110, 0.43%, 0.41%

LAB 55.72, -41.22, 39.66

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 60 / 0 / 38 / 41

HEX #3C965D

RGB 60 150 93

HSL 142, 0.43%, 0.41%

LAB 55.65, -40.16, 22.28

 

CMYK 60 / 0 / 22 / 41

HEX #3C9675

RGB 60 150 117

HSL 158, 0.43%, 0.41%

LAB 56.15, -35.01, 9.52

 

CMYK 60 / 0 / 54 / 64

HEX #245B2A

RGB 36 91 42

HSL 126.55, 0.43%, 0.25%

LAB 34.03, -29.74, 22.78

 

CMYK 60 / 0 / 53 / 53

HEX #307838

RGB 48 120 56

HSL 126.67, 0.43%, 0.33%

LAB 44.73, -36.85, 28.36

 

CMYK 60 / 0 / 54 / 41

HEX #3C9645

RGB 60 150 69

HSL 126, 0.43%, 0.41%

LAB 55.28, -44.17, 34.57

 

CMYK 60 / 0 / 54 / 30

HEX #47B353

RGB 71 179 83

HSL 126.67, 0.43%, 0.49%

LAB 65.12, -50.9, 39.61

 

CMYK 49 / 0 / 44 / 24

HEX #63C16D

RGB 99 193 109

HSL 126.38, 0.43%, 0.57%

LAB 70.8, -45.55, 33.86

 

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

CMYK 60 / 18 / 0 / 41

HEX #3C7B96

RGB 60 123 150

HSL 198, 0.43%, 0.41%

LAB 48.67, -11.89, -20.69

 

CMYK 0 / 60 / 42 / 41

HEX #963C57

RGB 150 60 87

HSL 342, 0.43%, 0.41%

LAB 38.56, 40.42, 3.27

 

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

CMYK 54 / 60 / 0 / 41

HEX #453C96

RGB 69 60 150

HSL 246, 0.43%, 0.41%

LAB 31.11, 29.58, -48.4

 

CMYK 0 / 54 / 60 / 41

HEX #96453C

RGB 150 69 60

HSL 6, 0.43%, 0.41%

LAB 39.69, 33.24, 21.68

 

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

CMYK 60 / 18 / 0 / 41

HEX #3C7B96

RGB 60 123 150

HSL 198, 0.43%, 0.41%

LAB 48.67, -11.89, -20.69

 

CMYK 0 / 60 / 6 / 41

HEX #963C8D

RGB 150 60 141

HSL 306, 0.43%, 0.41%

LAB 40.64, 48.24, -27.13

 

CMYK 0 / 42 / 60 / 41

HEX #96573C

RGB 150 87 60

HSL 18, 0.43%, 0.41%

LAB 43.69, 23.32, 26.73

 

CMYK 60 / 0 / 54 / 41

HEX #3C9746

RGB 60 151 70

HSL 126.59, 0.43%, 0.41%

LAB 55.62, -44.43, 34.48

 

CMYK 60 / 36 / 0 / 41

HEX #3C6096

RGB 60 96 150

HSL 216, 0.43%, 0.41%

LAB 40.46, 4.32, -33.48

 

CMYK 0 / 60 / 6 / 41

HEX #963C8D

RGB 150 60 141

HSL 306, 0.43%, 0.41%

LAB 40.64, 48.24, -27.13

 

CMYK 0 / 24 / 60 / 41

HEX #96723C

RGB 150 114 60

HSL 36, 0.43%, 0.41%

LAB 50.51, 7.78, 34.97

 

Description

Color code: HEX #3C9746 | qconv.com Color code: HEX #3C9746 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 151 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 151 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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