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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C7EC8 it is the complementary color #C38137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C7EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C7EC8 shade: #417EC3, #5290D6, #63A2E9, #74B4FC and #85C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C7EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C7EC8 shade: #3C7EC8, #2B6CB5, #1A5AA2, #09488F and #00367C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C7EC8 shade: #3C7EC8, #3C58C8, #463CC8, #6B3CC8 and #913CC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C7EC8 shade: #3C7EC8, #3C58C8 and #3C3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C7EC8 shade matches the following richer shades: #3C7EC8, #287DDC and #147CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C7EC8 shade: #3C7EC8, #507FB4, #6580A0, #79828B and #8D8377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C7EC8 shade: #3CC8C6, #3CA5C8, #3C80C8, #3C5AC8 and #433CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C7EC8 shade: #27568B, #306AAB, #3C7EC8, #5C93D1 and #7CA9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C7EC8 shade: #3C7EC8, #A03CC8 and #B8C83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C7EC8 shade: #3C7EC8, #C83C80 and #80C83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C7EC8 shade: #3C7EC8, #A03CC8, #C8843C and #64C83C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C7EC8 shade: #3C7EC8, #C83CC6, #C8843C and #3CC83E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

Complementary color

CMYK 0 / 34 / 72 / 24

HEX #C38137

RGB 195 129 55

HSL 31.71, 0.56%, 0.49%

LAB 59.51, 18.89, 48.93

 

CMYK 67 / 35 / 0 / 24

HEX #417EC3

RGB 65 126 195

HSL 211.85, 0.52%, 0.51%

LAB 51.82, 2.52, -41.83

 

CMYK 62 / 33 / 0 / 16

HEX #5290D6

RGB 82 144 214

HSL 211.82, 0.62%, 0.58%

LAB 58.6, 1.32, -41.84

 

CMYK 58 / 30 / 0 / 9

HEX #63A2E9

RGB 99 162 233

HSL 211.79, 0.75%, 0.65%

LAB 65.26, 0.36, -41.86

 

CMYK 54 / 29 / 0 / 1

HEX #74B4FC

RGB 116 180 252

HSL 211.76, 0.96%, 0.72%

LAB 71.81, -0.43, -41.9

 

CMYK 48 / 22 / 0 / 0

HEX #85C6FF

RGB 133 198 255

HSL 208.03, 1%, 0.76%

LAB 77.64, -5.66, -34.4

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 76 / 40 / 0 / 29

HEX #2B6CB5

RGB 43 108 181

HSL 211.74, 0.62%, 0.44%

LAB 45.05, 5.25, -44.55

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 94 / 50 / 0 / 44

HEX #09488F

RGB 9 72 143

HSL 211.79, 0.88%, 0.3%

LAB 31.06, 10.55, -44.34

 

CMYK 100 / 56 / 0 / 51

HEX #00367C

RGB 0 54 124

HSL 213.87, 1%, 0.24%

LAB 23.98, 14.49, -43.99

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 70 / 56 / 0 / 22

HEX #3C58C8

RGB 60 88 200

HSL 228, 0.56%, 0.51%

LAB 41.39, 27.42, -61.43

 

CMYK 65 / 70 / 0 / 22

HEX #463CC8

RGB 70 60 200

HSL 244.29, 0.56%, 0.51%

LAB 35.41, 45.99, -71.18

 

CMYK 47 / 70 / 0 / 22

HEX #6B3CC8

RGB 107 60 200

HSL 260.14, 0.56%, 0.51%

LAB 38.77, 51.6, -65.54

 

CMYK 28 / 70 / 0 / 22

HEX #913CC8

RGB 145 60 200

HSL 276.43, 0.56%, 0.51%

LAB 43.39, 58.79, -57.83

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 70 / 56 / 0 / 22

HEX #3C58C8

RGB 60 88 200

HSL 228, 0.56%, 0.51%

LAB 41.39, 27.42, -61.43

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 82 / 43 / 0 / 14

HEX #287DDC

RGB 40 125 220

HSL 211.67, 0.72%, 0.51%

LAB 52.16, 9.09, -55.52

 

CMYK 92 / 48 / 0 / 6

HEX #147CF0

RGB 20 124 240

HSL 211.64, 0.88%, 0.51%

LAB 52.79, 16.08, -65.72

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 56 / 29 / 0 / 29

HEX #507FB4

RGB 80 127 180

HSL 211.8, 0.4%, 0.51%

LAB 52.04, -0.23, -32.83

 

CMYK 37 / 20 / 0 / 37

HEX #6580A0

RGB 101 128 160

HSL 212.54, 0.24%, 0.51%

LAB 52.67, -1.43, -20.21

 

CMYK 13 / 6 / 0 / 45

HEX #79828B

RGB 121 130 139

HSL 210, 0.07%, 0.51%

LAB 53.91, -1.37, -5.99

 

CMYK 0 / 7 / 16 / 45

HEX #8D8377

RGB 141 131 119

HSL 32.73, 0.09%, 0.51%

LAB 55.31, 1.63, 7.84

 

CMYK 70 / 0 / 1 / 22

HEX #3CC8C6

RGB 60 200 198

HSL 179.14, 0.56%, 0.51%

LAB 73.77, -36.55, -9.78

 

CMYK 70 / 18 / 0 / 22

HEX #3CA5C8

RGB 60 165 200

HSL 195, 0.56%, 0.51%

LAB 63.38, -18.64, -26.63

 

CMYK 70 / 36 / 0 / 22

HEX #3C80C8

RGB 60 128 200

HSL 210.86, 0.56%, 0.51%

LAB 52.47, 2.29, -43.65

 

CMYK 70 / 55 / 0 / 22

HEX #3C5AC8

RGB 60 90 200

HSL 227.14, 0.56%, 0.51%

LAB 41.91, 26.14, -60.59

 

CMYK 67 / 70 / 0 / 22

HEX #433CC8

RGB 67 60 200

HSL 243, 0.56%, 0.51%

LAB 35.19, 45.62, -71.54

 

CMYK 72 / 38 / 0 / 45

HEX #27568B

RGB 39 86 139

HSL 211.8, 0.56%, 0.35%

LAB 35.89, 2.74, -34.12

 

CMYK 72 / 38 / 0 / 33

HEX #306AAB

RGB 48 106 171

HSL 211.71, 0.56%, 0.43%

LAB 44.06, 3.45, -40.27

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 56 / 30 / 0 / 18

HEX #5C93D1

RGB 92 147 209

HSL 211.79, 0.56%, 0.59%

LAB 59.66, -0.07, -37.34

 

CMYK 43 / 22 / 0 / 15

HEX #7CA9DA

RGB 124 169 218

HSL 211.28, 0.56%, 0.67%

LAB 67.82, -2.36, -29.54

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 20 / 70 / 0 / 22

HEX #A03CC8

RGB 160 60 200

HSL 282.86, 0.56%, 0.51%

LAB 45.46, 61.87, -54.38

 

CMYK 8 / 0 / 70 / 22

HEX #B8C83C

RGB 184 200 60

HSL 66.86, 0.56%, 0.51%

LAB 77.18, -23.1, 64.48

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 0 / 70 / 36 / 22

HEX #C83C80

RGB 200 60 128

HSL 330.86, 0.56%, 0.51%

LAB 48.35, 60.52, -6.72

 

CMYK 36 / 0 / 70 / 22

HEX #80C83C

RGB 128 200 60

HSL 90.86, 0.56%, 0.51%

LAB 73.69, -44.76, 59.84

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 20 / 70 / 0 / 22

HEX #A03CC8

RGB 160 60 200

HSL 282.86, 0.56%, 0.51%

LAB 45.46, 61.87, -54.38

 

CMYK 0 / 34 / 70 / 22

HEX #C8843C

RGB 200 132 60

HSL 30.86, 0.56%, 0.51%

LAB 60.88, 19.65, 48.22

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 70 / 37 / 0 / 22

HEX #3C7EC8

RGB 60 126 200

HSL 211.71, 0.56%, 0.51%

LAB 51.9, 3.49, -44.57

 

CMYK 0 / 70 / 1 / 22

HEX #C83CC6

RGB 200 60 198

HSL 300.86, 0.56%, 0.51%

LAB 51.37, 70.13, -43.45

 

CMYK 0 / 34 / 70 / 22

HEX #C8843C

RGB 200 132 60

HSL 30.86, 0.56%, 0.51%

LAB 60.88, 19.65, 48.22

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83E

RGB 60 200 62

HSL 120.86, 0.56%, 0.51%

LAB 71.29, -62.95, 55.83

 

Description

Color code: HEX #3C7EC8 | qconv.com Color code: HEX #3C7EC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 126 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 126 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 37 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 37% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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