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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 200 60 it is the complementary color RGB 155 55 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 200 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 200 60: RGB 105 200 55, RGB 122 218 74, RGB 139 236 93, RGB 156 254 112 and RGB 173 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 200 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 200 60: RGB 100 200 60, RGB 83 182 41, RGB 66 164 22, RGB 49 146 3 and RGB 32 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

Complementary color

CMYK 21 / 72 / 0 / 24

HEX #9B37C3

RGB 155 55 195

HSL 282.86, 0.56%, 0.49%

LAB 43.71, 61.83, -54.33

 

CMYK 48 / 0 / 73 / 22

HEX #69C837

RGB 105 200 55

HSL 99.31, 0.57%, 0.5%

LAB 72.62, -52.61, 60.24

 

CMYK 44 / 0 / 66 / 15

HEX #7ADA4A

RGB 122 218 74

HSL 100, 0.66%, 0.57%

LAB 78.91, -53.01, 59.8

 

CMYK 41 / 0 / 61 / 7

HEX #8BEC5D

RGB 139 236 93

HSL 100.7, 0.79%, 0.65%

LAB 85.13, -53.22, 59

 

CMYK 39 / 0 / 56 / 0

HEX #9CFE70

RGB 156 254 112

HSL 101.41, 0.99%, 0.72%

LAB 91.29, -53.31, 58.02

 

CMYK 32 / 0 / 49 / 0

HEX #ADFF83

RGB 173 255 131

HSL 99.68, 1%, 0.76%

LAB 92.59, -46.21, 51.15

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 54 / 0 / 77 / 29

HEX #53B629

RGB 83 182 41

HSL 102.13, 0.63%, 0.44%

LAB 66.1, -53.08, 58.31

 

CMYK 60 / 0 / 87 / 36

HEX #42A416

RGB 66 164 22

HSL 101.41, 0.76%, 0.36%

LAB 59.68, -52.05, 57.49

 

CMYK 66 / 0 / 98 / 43

HEX #319203

RGB 49 146 3

HSL 100.7, 0.96%, 0.29%

LAB 53.19, -50.48, 55.26

 

CMYK 75 / 0 / 100 / 50

HEX #208000

RGB 32 128 0

HSL 105, 1%, 0.25%

LAB 46.64, -48.03, 50.4

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 61 / 0 / 70 / 22

HEX #4EC83C

RGB 78 200 60

HSL 112.29, 0.56%, 0.51%

LAB 71.73, -59.44, 57.19

 

CMYK 70 / 0 / 68 / 22

HEX #3CC840

RGB 60 200 64

HSL 121.71, 0.56%, 0.51%

LAB 71.31, -62.77, 55.06

 

CMYK 70 / 0 / 56 / 22

HEX #3CC858

RGB 60 200 88

HSL 132, 0.56%, 0.51%

LAB 71.54, -60.07, 44.84

 

CMYK 70 / 0 / 45 / 22

HEX #3CC86F

RGB 60 200 111

HSL 141.86, 0.56%, 0.51%

LAB 71.84, -56.6, 33.94

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 50 / 0 / 70 / 2

HEX #7EFB4B

RGB 126 251 75

HSL 102.61, 0.96%, 0.64%

LAB 88.89, -64.25, 69.9

 

CMYK 49 / 0 / 70 / 82

HEX #182F0E

RGB 24 47 14

HSL 101.82, 0.54%, 0.12%

LAB 16.79, -16.7, 17.88

 

CMYK 50 / 0 / 70 / 62

HEX #31621D

RGB 49 98 29

HSL 102.61, 0.54%, 0.25%

LAB 36.89, -30.48, 32.99

 

CMYK 50 / 0 / 70 / 42

HEX #4B952D

RGB 75 149 45

HSL 102.69, 0.54%, 0.38%

LAB 55.26, -42.32, 45.86

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 70 / 0 / 7 / 22

HEX #3CC8BA

RGB 60 200 186

HSL 174, 0.56%, 0.51%

LAB 73.42, -39.88, -3.78

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 70 / 49 / 0 / 22

HEX #3C66C8

RGB 60 102 200

HSL 222, 0.56%, 0.51%

LAB 45.13, 18.45, -55.39

 

CMYK 0 / 70 / 49 / 22

HEX #C83C66

RGB 200 60 102

HSL 342, 0.56%, 0.51%

LAB 47.59, 57.96, 8.01

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 70 / 0 / 7 / 22

HEX #3CC8BA

RGB 60 200 186

HSL 174, 0.56%, 0.51%

LAB 73.42, -39.88, -3.78

 

CMYK 21 / 70 / 0 / 22

HEX #9E3CC8

RGB 158 60 200

HSL 282, 0.56%, 0.51%

LAB 45.18, 61.46, -54.85

 

CMYK 0 / 70 / 63 / 22

HEX #C83C4A

RGB 200 60 74

HSL 354, 0.56%, 0.51%

LAB 46.98, 55.87, 24.26

 

CMYK 50 / 0 / 70 / 22

HEX #64C83C

RGB 100 200 60

HSL 102.86, 0.56%, 0.51%

LAB 72.46, -53.72, 58.18

 

CMYK 70 / 14 / 0 / 22

HEX #3CACC8

RGB 60 172 200

HSL 192, 0.56%, 0.51%

LAB 65.46, -22.29, -23.43

 

CMYK 21 / 70 / 0 / 22

HEX #9E3CC8

RGB 158 60 200

HSL 282, 0.56%, 0.51%

LAB 45.18, 61.46, -54.85

 

CMYK 0 / 56 / 70 / 22

HEX #C8583C

RGB 200 88 60

HSL 12, 0.56%, 0.51%

LAB 51.36, 42.82, 37.69

 

Description

Color code: RGB 100 200 60 | qconv.com Color code: RGB 100 200 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 200 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 200 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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