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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C7ACE it is the complementary color #C38531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C7ACE shade: #417AC9, #528CDC, #639EEF, #74B0FF and #85C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C7ACE shade: #3C7ACE, #2B68BB, #1A56A8, #094495 and #003282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C7ACE shade: #3B7ACE, #3B52CE, #4C3BCE, #743BCE and #9B3BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C7ACE shade: #3B7ACE, #3B52CE and #3B3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C7ACE shade matches the following richer shades: #3B7ACE, #2777E2 and #1474F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C7ACE shade: #3B7ACE, #4F7DBA, #6380A6, #778293 and #8A857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C7ACE shade: #3BC9CE, #3BA2CE, #3B7BCE, #3B54CE and #4A3BCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C7ACE shade: #255392, #2D66B3, #3B7ACE, #5C90D6 and #7DA7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C7ACE shade: #3C7ACE, #AC3BCE and #B6CE3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C7ACE shade: #3C7ACE, #CE3B7B and #7BCE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C7ACE shade: #3C7ACE, #AC3BCE, #CE8E3B and #5DCE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C7ACE shade: #3C7ACE, #CE3BC4, #CE8E3B and #3BCE45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

Complementary color

CMYK 0 / 32 / 75 / 24

HEX #C38531

RGB 195 133 49

HSL 34.52, 0.6%, 0.48%

LAB 60.43, 16.4, 52.54

 

CMYK 68 / 39 / 0 / 21

HEX #417AC9

RGB 65 122 201

HSL 214.85, 0.56%, 0.52%

LAB 50.99, 7.06, -46.57

 

CMYK 63 / 36 / 0 / 14

HEX #528CDC

RGB 82 140 220

HSL 214.78, 0.66%, 0.59%

LAB 57.77, 5.68, -46.5

 

CMYK 59 / 34 / 0 / 6

HEX #639EEF

RGB 99 158 239

HSL 214.71, 0.81%, 0.66%

LAB 64.43, 4.55, -46.45

 

CMYK 55 / 31 / 0 / 0

HEX #74B0FF

RGB 116 176 255

HSL 214.1, 1%, 0.73%

LAB 70.86, 2.71, -45.01

 

CMYK 48 / 24 / 0 / 0

HEX #85C2FF

RGB 133 194 255

HSL 210, 1%, 0.76%

LAB 76.55, -3.5, -36.08

 

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

CMYK 77 / 44 / 0 / 27

HEX #2B68BB

RGB 43 104 187

HSL 214.58, 0.63%, 0.45%

LAB 44.24, 10.06, -49.34

 

CMYK 85 / 49 / 0 / 34

HEX #1A56A8

RGB 26 86 168

HSL 214.65, 0.73%, 0.38%

LAB 37.3, 12.58, -49.34

 

CMYK 94 / 54 / 0 / 42

HEX #094495

RGB 9 68 149

HSL 214.71, 0.89%, 0.31%

LAB 30.31, 15.85, -49.22

 

CMYK 100 / 62 / 0 / 49

HEX #003282

RGB 0 50 130

HSL 216.92, 1%, 0.25%

LAB 23.31, 19.99, -48.86

 

CMYK 71 / 41 / 0 / 19

HEX #3B7ACE

RGB 59 122 206

HSL 214.29, 0.6%, 0.52%

LAB 51.04, 7.94, -49.35

 

CMYK 71 / 60 / 0 / 19

HEX #3B52CE

RGB 59 82 206

HSL 230.61, 0.6%, 0.52%

LAB 40.28, 33.27, -66.71

 

CMYK 63 / 71 / 0 / 19

HEX #4C3BCE

RGB 76 59 206

HSL 246.94, 0.6%, 0.52%

LAB 36.22, 49.19, -73.33

 

CMYK 44 / 71 / 0 / 19

HEX #743BCE

RGB 116 59 206

HSL 263.27, 0.6%, 0.52%

LAB 40.08, 55.22, -66.85

 

CMYK 25 / 71 / 0 / 19

HEX #9B3BCE

RGB 155 59 206

HSL 279.18, 0.6%, 0.52%

LAB 45.02, 62.5, -58.6

 

CMYK 71 / 41 / 0 / 19

HEX #3B7ACE

RGB 59 122 206

HSL 214.29, 0.6%, 0.52%

LAB 51.04, 7.94, -49.35

 

CMYK 71 / 60 / 0 / 19

HEX #3B52CE

RGB 59 82 206

HSL 230.61, 0.6%, 0.52%

LAB 40.28, 33.27, -66.71

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 71 / 41 / 0 / 19

HEX #3B7ACE

RGB 59 122 206

HSL 214.29, 0.6%, 0.52%

LAB 51.04, 7.94, -49.35

 

CMYK 83 / 47 / 0 / 11

HEX #2777E2

RGB 39 119 226

HSL 214.33, 0.76%, 0.52%

LAB 50.82, 15.01, -61.05

 

CMYK 92 / 53 / 0 / 4

HEX #1474F6

RGB 20 116 246

HSL 214.51, 0.93%, 0.52%

LAB 51.03, 23.42, -71.92

 

CMYK 71 / 41 / 0 / 19

HEX #3B7ACE

RGB 59 122 206

HSL 214.29, 0.6%, 0.52%

LAB 51.04, 7.94, -49.35

 

CMYK 58 / 33 / 0 / 27

HEX #4F7DBA

RGB 79 125 186

HSL 214.21, 0.44%, 0.52%

LAB 51.7, 2.71, -36.83

 

CMYK 40 / 23 / 0 / 35

HEX #6380A6

RGB 99 128 166

HSL 214.03, 0.27%, 0.52%

LAB 52.78, -0.32, -23.52

 

CMYK 19 / 12 / 0 / 42

HEX #778293

RGB 119 130 147

HSL 216.43, 0.11%, 0.52%

LAB 54.02, -0.23, -10.49

 

CMYK 0 / 4 / 8 / 46

HEX #8A857F

RGB 138 133 127

HSL 32.73, 0.04%, 0.52%

LAB 55.8, 0.75, 3.89

 

CMYK 71 / 2 / 0 / 19

HEX #3BC9CE

RGB 59 201 206

HSL 182.04, 0.6%, 0.52%

LAB 74.29, -34.84, -13.34

 

CMYK 71 / 21 / 0 / 19

HEX #3BA2CE

RGB 59 162 206

HSL 197.96, 0.6%, 0.52%

LAB 62.7, -15.21, -31.02

 

CMYK 71 / 40 / 0 / 19

HEX #3B7BCE

RGB 59 123 206

HSL 213.88, 0.6%, 0.52%

LAB 51.33, 7.33, -48.89

 

CMYK 71 / 59 / 0 / 19

HEX #3B54CE

RGB 59 84 206

HSL 229.8, 0.6%, 0.52%

LAB 40.78, 32, -65.9

 

CMYK 64 / 71 / 0 / 19

HEX #4A3BCE

RGB 74 59 206

HSL 246.12, 0.6%, 0.52%

LAB 36.06, 48.94, -73.59

 

CMYK 75 / 43 / 0 / 43

HEX #255392

RGB 37 83 146

HSL 214.68, 0.6%, 0.36%

LAB 35.31, 7.1, -39.3

 

CMYK 75 / 43 / 0 / 30

HEX #2D66B3

RGB 45 102 179

HSL 214.48, 0.6%, 0.44%

LAB 43.23, 8.55, -46.27

 

CMYK 71 / 41 / 0 / 19

HEX #3B7ACE

RGB 59 122 206

HSL 214.29, 0.6%, 0.52%

LAB 51.04, 7.94, -49.35

 

CMYK 57 / 33 / 0 / 16

HEX #5C90D6

RGB 92 144 214

HSL 214.43, 0.6%, 0.6%

LAB 59.05, 3.27, -41.1

 

CMYK 44 / 25 / 0 / 13

HEX #7DA7DF

RGB 125 167 223

HSL 214.29, 0.6%, 0.68%

LAB 67.52, 0.4, -32.74

 

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

CMYK 17 / 71 / 0 / 19

HEX #AC3BCE

RGB 172 59 206

HSL 286.12, 0.6%, 0.52%

LAB 47.44, 65.93, -54.58

 

CMYK 12 / 0 / 71 / 19

HEX #B6CE3B

RGB 182 206 59

HSL 69.8, 0.6%, 0.52%

LAB 78.7, -26.88, 66.28

 

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

CMYK 0 / 71 / 40 / 19

HEX #CE3B7B

RGB 206 59 123

HSL 333.88, 0.6%, 0.52%

LAB 49.11, 62.03, -2.45

 

CMYK 40 / 0 / 71 / 19

HEX #7BCE3B

RGB 123 206 59

HSL 93.88, 0.6%, 0.52%

LAB 75.25, -49.02, 61.71

 

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

CMYK 17 / 71 / 0 / 19

HEX #AC3BCE

RGB 172 59 206

HSL 286.12, 0.6%, 0.52%

LAB 47.44, 65.93, -54.58

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 55 / 0 / 71 / 19

HEX #5DCE3B

RGB 93 206 59

HSL 106.12, 0.6%, 0.52%

LAB 74.05, -57.96, 60.11

 

CMYK 71 / 41 / 0 / 19

HEX #3C7ACE

RGB 60 122 206

HSL 214.52, 0.6%, 0.52%

LAB 51.08, 8.09, -49.29

 

CMYK 0 / 71 / 5 / 19

HEX #CE3BC4

RGB 206 59 196

HSL 304.08, 0.6%, 0.52%

LAB 52.1, 71.48, -41.07

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 71 / 0 / 67 / 19

HEX #3BCE45

RGB 59 206 69

HSL 124.08, 0.6%, 0.52%

LAB 73.22, -64.43, 55.1

 

Description

Color code: HEX #3C7ACE | qconv.com Color code: HEX #3C7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 122 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 122 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 41 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 41% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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