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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C72B0 it is the complementary color #C38D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C72B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3C72B0: #4172AB, #5284BE, #6396D1, #74A8E4 and #85BAF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C72B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3C72B0: #3C72B0, #2B609D, #1A4E8A, #093C77 and #002A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

Complementary color

CMYK 0 / 28 / 59 / 24

HEX #C38D4F

RGB 195 141 79

HSL 32.07, 0.49%, 0.54%

LAB 62.69, 13.8, 40.7

 

CMYK 62 / 33 / 0 / 33

HEX #4172AB

RGB 65 114 171

HSL 212.26, 0.45%, 0.46%

LAB 47.1, 1.45, -35.41

 

CMYK 57 / 31 / 0 / 25

HEX #5284BE

RGB 82 132 190

HSL 212.22, 0.45%, 0.53%

LAB 54.04, 0.49, -35.42

 

CMYK 53 / 28 / 0 / 18

HEX #6396D1

RGB 99 150 209

HSL 212.18, 0.54%, 0.6%

LAB 60.84, -0.27, -35.47

 

CMYK 49 / 26 / 0 / 11

HEX #74A8E4

RGB 116 168 228

HSL 212.14, 0.67%, 0.67%

LAB 67.52, -0.89, -35.53

 

CMYK 46 / 25 / 0 / 3

HEX #85BAF7

RGB 133 186 247

HSL 212.11, 0.88%, 0.75%

LAB 74.07, -1.4, -35.62

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 73 / 39 / 0 / 38

HEX #2B609D

RGB 43 96 157

HSL 212.11, 0.57%, 0.39%

LAB 40.1, 3.78, -38.27

 

CMYK 81 / 43 / 0 / 46

HEX #1A4E8A

RGB 26 78 138

HSL 212.14, 0.68%, 0.32%

LAB 32.93, 5.81, -38.25

 

CMYK 92 / 50 / 0 / 53

HEX #093C77

RGB 9 60 119

HSL 212.18, 0.86%, 0.25%

LAB 25.63, 8.64, -38.15

 

CMYK 100 / 58 / 0 / 61

HEX #002A64

RGB 0 42 100

HSL 214.8, 1%, 0.2%

LAB 18.26, 12.57, -37.85

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 66 / 46 / 0 / 32

HEX #3B5EAE

RGB 59 94 174

HSL 221.74, 0.49%, 0.46%

LAB 41.2, 13.97, -46.56

 

CMYK 66 / 57 / 0 / 32

HEX #3B4BAE

RGB 59 75 174

HSL 231.65, 0.49%, 0.46%

LAB 36.02, 26.33, -54.92

 

CMYK 64 / 66 / 0 / 32

HEX #3F3BAE

RGB 63 59 174

HSL 242.09, 0.49%, 0.46%

LAB 32.35, 37.12, -60.89

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 66 / 35 / 0 / 11

HEX #4D93E3

RGB 77 147 227

HSL 212, 0.73%, 0.6%

LAB 59.88, 3.06, -47.07

 

CMYK 65 / 35 / 0 / 91

HEX #080F17

RGB 8 15 23

HSL 212, 0.48%, 0.06%

LAB 4.11, -0.29, -5.44

 

CMYK 66 / 35 / 0 / 71

HEX #19304A

RGB 25 48 74

HSL 211.84, 0.49%, 0.19%

LAB 19.29, 0.35, -18.82

 

CMYK 66 / 35 / 0 / 51

HEX #2B517D

RGB 43 81 125

HSL 212.2, 0.49%, 0.33%

LAB 33.73, 1.44, -28.93

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 17 / 66 / 0 / 32

HEX #903BAE

RGB 144 59 174

HSL 284.35, 0.49%, 0.46%

LAB 41.4, 53.46, -45.81

 

CMYK 9 / 0 / 66 / 32

HEX #9FAE3B

RGB 159 174 59

HSL 67.83, 0.49%, 0.46%

LAB 67.99, -20.75, 54.96

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 0 / 66 / 35 / 32

HEX #AE3B71

RGB 174 59 113

HSL 331.83, 0.49%, 0.46%

LAB 43.24, 51.65, -5.63

 

CMYK 35 / 0 / 66 / 32

HEX #71AE3B

RGB 113 174 59

HSL 91.83, 0.49%, 0.46%

LAB 65.04, -38.93, 50.95

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 17 / 66 / 0 / 32

HEX #903BAE

RGB 144 59 174

HSL 284.35, 0.49%, 0.46%

LAB 41.4, 53.46, -45.81

 

CMYK 0 / 30 / 66 / 32

HEX #AE793B

RGB 174 121 59

HSL 32.35, 0.49%, 0.46%

LAB 55.06, 14.41, 41.44

 

CMYK 48 / 0 / 66 / 32

HEX #5AAE3B

RGB 90 174 59

HSL 103.83, 0.49%, 0.46%

LAB 63.97, -46.59, 49.48

 

CMYK 66 / 35 / 0 / 31

HEX #3C72B0

RGB 60 114 176

HSL 212.07, 0.49%, 0.46%

LAB 47.14, 2.27, -38.27

 

CMYK 0 / 66 / 2 / 32

HEX #AE3BAA

RGB 174 59 170

HSL 302.09, 0.49%, 0.46%

LAB 45.67, 59.88, -36.36

 

CMYK 0 / 30 / 66 / 32

HEX #AE793B

RGB 174 121 59

HSL 32.35, 0.49%, 0.46%

LAB 55.06, 14.41, 41.44

 

CMYK 66 / 0 / 64 / 32

HEX #3BAE3F

RGB 59 174 63

HSL 122.09, 0.49%, 0.46%

LAB 62.98, -54.16, 46.37

 

Description

Color code: HEX #3C72B0 | qconv.com Color code: HEX #3C72B0 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 114 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 114 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 35 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 35% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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