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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6B2D it is the complementary color #C394D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6B2D shade: #416B28, #527D3B, #638F4E, #74A161 and #85B374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6B2D shade: #3C6B2D, #2B591A, #1A4707, #093500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6B2D shade: #3C6B2D, #4D6B2D, #5E6B2D, #6B682D and #6B572D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6B2D shade: #3C6B2D, #2D6B2E, #2D6B3F, #2D6B50 and #2D6B61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6B2D shade matches the following richer shades: #3C6B2D, #357820, #2F8414 and #299008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6B2D shade: #3C6B2D, #425F39, #495345, #4F4652 and #553A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6B2D shade: #5E6B2D, #4D6B2D, #3C6B2D, #2D6B2E and #2D6B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6B2D shade: #1B3114, #2C4E20, #3C6B2D, #4C8839 and #5CA645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6B2D shade: #3C6B2D, #2D6B68 and #6B2D55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6B2D shade: #3C6B2D, #2D3C6B and #6B2D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6B2D shade: #3C6B2D, #2D6B68, #5C2D6B and #6B2D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6B2D shade: #3C6B2D, #2D5C6B, #5C2D6B and #6B3C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

Complementary color

CMYK 7 / 30 / 0 / 18

HEX #C394D2

RGB 195 148 210

HSL 285.48, 0.41%, 0.7%

LAB 67.6, 28.56, -24.98

 

CMYK 39 / 0 / 63 / 58

HEX #416B28

RGB 65 107 40

HSL 97.61, 0.46%, 0.29%

LAB 40.88, -27.72, 32.31

 

CMYK 34 / 0 / 53 / 51

HEX #527D3B

RGB 82 125 59

HSL 99.09, 0.36%, 0.36%

LAB 47.98, -27.73, 31.1

 

CMYK 31 / 0 / 45 / 44

HEX #638F4E

RGB 99 143 78

HSL 100.62, 0.29%, 0.43%

LAB 54.92, -27.63, 29.81

 

CMYK 28 / 0 / 40 / 37

HEX #74A161

RGB 116 161 97

HSL 102.19, 0.25%, 0.51%

LAB 61.71, -27.48, 28.56

 

CMYK 26 / 0 / 35 / 30

HEX #85B374

RGB 133 179 116

HSL 103.81, 0.29%, 0.58%

LAB 68.38, -27.31, 27.37

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 52 / 0 / 71 / 65

HEX #2B591A

RGB 43 89 26

HSL 103.81, 0.55%, 0.23%

LAB 33.42, -28.78, 30.58

 

CMYK 63 / 0 / 90 / 72

HEX #1A4707

RGB 26 71 7

HSL 102.19, 0.82%, 0.15%

LAB 25.99, -28.08, 30.89

 

CMYK 83 / 0 / 100 / 79

HEX #093500

RGB 9 53 0

HSL 109.81, 1%, 0.1%

LAB 18.38, -26.06, 25.55

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 28 / 0 / 58 / 58

HEX #4D6B2D

RGB 77 107 45

HSL 89.03, 0.41%, 0.3%

LAB 41.66, -22.42, 30.84

 

CMYK 12 / 0 / 58 / 58

HEX #5E6B2D

RGB 94 107 45

HSL 72.58, 0.41%, 0.3%

LAB 42.89, -15.09, 32.58

 

CMYK 0 / 3 / 58 / 58

HEX #6B682D

RGB 107 104 45

HSL 57.1, 0.41%, 0.3%

LAB 43.09, -7.48, 33.1

 

CMYK 0 / 19 / 58 / 58

HEX #6B572D

RGB 107 87 45

HSL 40.65, 0.41%, 0.3%

LAB 38.08, 2.52, 27.23

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 0 / 57 / 58

HEX #2D6B2E

RGB 45 107 46

HSL 120.97, 0.41%, 0.3%

LAB 40.03, -33.62, 27.98

 

CMYK 58 / 0 / 41 / 58

HEX #2D6B3F

RGB 45 107 63

HSL 137.42, 0.41%, 0.3%

LAB 40.3, -30.74, 18.79

 

CMYK 58 / 0 / 25 / 58

HEX #2D6B50

RGB 45 107 80

HSL 153.87, 0.41%, 0.3%

LAB 40.66, -27.05, 9.21

 

CMYK 58 / 0 / 9 / 58

HEX #2D6B61

RGB 45 107 97

HSL 170.32, 0.41%, 0.3%

LAB 41.11, -22.61, -0.42

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 56 / 0 / 73 / 53

HEX #357820

RGB 53 120 32

HSL 105.68, 0.58%, 0.3%

LAB 44.65, -38.31, 39.91

 

CMYK 64 / 0 / 85 / 48

HEX #2F8414

RGB 47 132 20

HSL 105.54, 0.74%, 0.3%

LAB 48.46, -45.39, 47.72

 

CMYK 72 / 0 / 94 / 44

HEX #299008

RGB 41 144 8

HSL 105.44, 0.89%, 0.3%

LAB 52.33, -51.35, 53.62

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 31 / 0 / 40 / 63

HEX #425F39

RGB 66 95 57

HSL 105.79, 0.25%, 0.3%

LAB 37.18, -18.89, 18.41

 

CMYK 12 / 0 / 17 / 67

HEX #495345

RGB 73 83 69

HSL 102.86, 0.09%, 0.3%

LAB 34.05, -7, 6.88

 

CMYK 4 / 15 / 0 / 68

HEX #4F4652

RGB 79 70 82

HSL 285, 0.08%, 0.3%

LAB 31, 6.37, -5.76

 

CMYK 10 / 38 / 0 / 63

HEX #553A5E

RGB 85 58 94

HSL 285, 0.24%, 0.3%

LAB 28.81, 19.18, -16.78

 

CMYK 12 / 0 / 58 / 58

HEX #5E6B2D

RGB 94 107 45

HSL 72.58, 0.41%, 0.3%

LAB 42.89, -15.09, 32.58

 

CMYK 28 / 0 / 58 / 58

HEX #4D6B2D

RGB 77 107 45

HSL 89.03, 0.41%, 0.3%

LAB 41.66, -22.42, 30.84

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 0 / 57 / 58

HEX #2D6B2E

RGB 45 107 46

HSL 120.97, 0.41%, 0.3%

LAB 40.03, -33.62, 27.98

 

CMYK 58 / 0 / 42 / 58

HEX #2D6B3E

RGB 45 107 62

HSL 136.45, 0.41%, 0.3%

LAB 40.28, -30.94, 19.35

 

CMYK 45 / 0 / 59 / 81

HEX #1B3114

RGB 27 49 20

HSL 105.52, 0.42%, 0.14%

LAB 17.83, -15.66, 15.73

 

CMYK 44 / 0 / 59 / 69

HEX #2C4E20

RGB 44 78 32

HSL 104.35, 0.42%, 0.22%

LAB 29.63, -22.44, 23.16

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 44 / 0 / 58 / 47

HEX #4C8839

RGB 76 136 57

HSL 105.57, 0.41%, 0.38%

LAB 51.2, -35.22, 35.88

 

CMYK 45 / 0 / 58 / 35

HEX #5CA645

RGB 92 166 69

HSL 105.77, 0.41%, 0.46%

LAB 61.63, -41.64, 42.41

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 0 / 3 / 58

HEX #2D6B68

RGB 45 107 104

HSL 177.1, 0.41%, 0.3%

LAB 41.33, -20.59, -4.36

 

CMYK 0 / 58 / 21 / 58

HEX #6B2D55

RGB 107 45 85

HSL 321.29, 0.41%, 0.3%

LAB 28.53, 32.87, -11.08

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 44 / 0 / 58

HEX #2D3C6B

RGB 45 60 107

HSL 225.48, 0.41%, 0.3%

LAB 26.31, 9.29, -29.34

 

CMYK 0 / 58 / 44 / 58

HEX #6B2D3C

RGB 107 45 60

HSL 345.48, 0.41%, 0.3%

LAB 27.65, 29.29, 4.16

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 0 / 3 / 58

HEX #2D6B68

RGB 45 107 104

HSL 177.1, 0.41%, 0.3%

LAB 41.33, -20.59, -4.36

 

CMYK 14 / 58 / 0 / 58

HEX #5C2D6B

RGB 92 45 107

HSL 285.48, 0.41%, 0.3%

LAB 27.33, 32.39, -27.4

 

CMYK 0 / 58 / 55 / 58

HEX #6B2D30

RGB 107 45 48

HSL 357.1, 0.41%, 0.3%

LAB 27.34, 27.98, 11.71

 

CMYK 44 / 0 / 58 / 58

HEX #3C6B2D

RGB 60 107 45

HSL 105.48, 0.41%, 0.3%

LAB 40.68, -28.95, 29.44

 

CMYK 58 / 14 / 0 / 58

HEX #2D5C6B

RGB 45 92 107

HSL 194.52, 0.41%, 0.3%

LAB 36.51, -11.26, -13.45

 

CMYK 14 / 58 / 0 / 58

HEX #5C2D6B

RGB 92 45 107

HSL 285.48, 0.41%, 0.3%

LAB 27.33, 32.39, -27.4

 

CMYK 0 / 44 / 58 / 58

HEX #6B3C2D

RGB 107 60 45

HSL 14.52, 0.41%, 0.3%

LAB 30.75, 18.99, 18.15

 

Description

Color code: HEX #3C6B2D | qconv.com Color code: HEX #3C6B2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 107 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 107 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 58 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 58% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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