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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6C2D it is the complementary color #C393D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6C2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6C2D shade: #416C28, #527E3B, #63904E, #74A261 and #85B474

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6C2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6C2D shade: #3C6C2D, #2B5A1A, #1A4807, #093600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6C2D shade: #3C6C2D, #4D6C2D, #5E6C2D, #6C692D and #6C582D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6C2D shade: #3C6C2D, #2D6C2F, #2D6C40, #2D6C51 and #2D6C62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6C2D shade matches the following richer shades: #3C6C2D, #367821, #2F8514 and #299108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6C2D shade: #3C6C2D, #435F3A, #495346, #504752 and #563A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6C2D shade: #5E6C2D, #4E6C2D, #3D6C2D, #2D6C2E and #2D6C3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6C2D shade: #1C3215, #2C4F21, #3C6C2D, #4C8939 and #5CA645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6C2D shade: #3C6C2D, #2D6C69 and #6C2D56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6C2D shade: #3C6C2D, #2D3D6C and #6C2D3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6C2D shade: #3C6C2D, #2D6C69, #5C2D6C and #6C2D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6C2D shade: #3C6C2D, #2D5C6C, #5C2D6C and #6C3D2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

Complementary color

CMYK 7 / 30 / 0 / 18

HEX #C393D2

RGB 195 147 210

HSL 285.71, 0.41%, 0.7%

LAB 67.37, 29.11, -25.34

 

CMYK 40 / 0 / 63 / 58

HEX #416C28

RGB 65 108 40

HSL 97.94, 0.46%, 0.29%

LAB 41.22, -28.2, 32.69

 

CMYK 35 / 0 / 53 / 51

HEX #527E3B

RGB 82 126 59

HSL 99.4, 0.36%, 0.36%

LAB 48.3, -28.22, 31.48

 

CMYK 31 / 0 / 46 / 44

HEX #63904E

RGB 99 144 78

HSL 100.91, 0.3%, 0.44%

LAB 55.23, -28.12, 30.2

 

CMYK 28 / 0 / 40 / 36

HEX #74A261

RGB 116 162 97

HSL 102.46, 0.26%, 0.51%

LAB 62.01, -27.97, 28.95

 

CMYK 26 / 0 / 36 / 29

HEX #85B474

RGB 133 180 116

HSL 104.06, 0.3%, 0.58%

LAB 68.67, -27.79, 27.76

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 52 / 0 / 71 / 65

HEX #2B5A1A

RGB 43 90 26

HSL 104.06, 0.55%, 0.23%

LAB 33.77, -29.23, 30.96

 

CMYK 64 / 0 / 90 / 72

HEX #1A4807

RGB 26 72 7

HSL 102.46, 0.82%, 0.15%

LAB 26.36, -28.5, 31.23

 

CMYK 83 / 0 / 100 / 79

HEX #093600

RGB 9 54 0

HSL 110, 1%, 0.11%

LAB 18.78, -26.45, 26.02

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 29 / 0 / 58 / 58

HEX #4D6C2D

RGB 77 108 45

HSL 89.52, 0.41%, 0.3%

LAB 41.99, -22.93, 31.22

 

CMYK 13 / 0 / 58 / 58

HEX #5E6C2D

RGB 94 108 45

HSL 73.33, 0.41%, 0.3%

LAB 43.2, -15.64, 32.94

 

CMYK 0 / 3 / 58 / 58

HEX #6C692D

RGB 108 105 45

HSL 57.14, 0.41%, 0.3%

LAB 43.48, -7.58, 33.57

 

CMYK 0 / 19 / 58 / 58

HEX #6C582D

RGB 108 88 45

HSL 40.95, 0.41%, 0.3%

LAB 38.48, 2.39, 27.73

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 58 / 0 / 56 / 58

HEX #2D6C2F

RGB 45 108 47

HSL 121.9, 0.41%, 0.3%

LAB 40.39, -33.9, 27.87

 

CMYK 58 / 0 / 41 / 58

HEX #2D6C40

RGB 45 108 64

HSL 138.1, 0.41%, 0.3%

LAB 40.66, -31.01, 18.69

 

CMYK 58 / 0 / 25 / 58

HEX #2D6C51

RGB 45 108 81

HSL 154.29, 0.41%, 0.3%

LAB 41.02, -27.3, 9.11

 

CMYK 58 / 0 / 9 / 58

HEX #2D6C62

RGB 45 108 98

HSL 170.48, 0.41%, 0.3%

LAB 41.48, -22.85, -0.5

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 55 / 0 / 73 / 53

HEX #367821

RGB 54 120 33

HSL 105.52, 0.57%, 0.3%

LAB 44.7, -37.93, 39.55

 

CMYK 65 / 0 / 85 / 48

HEX #2F8514

RGB 47 133 20

HSL 105.66, 0.74%, 0.3%

LAB 48.8, -45.75, 48.03

 

CMYK 72 / 0 / 94 / 43

HEX #299108

RGB 41 145 8

HSL 105.55, 0.9%, 0.3%

LAB 52.66, -51.68, 53.91

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 29 / 0 / 39 / 63

HEX #435F3A

RGB 67 95 58

HSL 105.41, 0.24%, 0.3%

LAB 37.27, -18.33, 17.94

 

CMYK 12 / 0 / 16 / 67

HEX #495346

RGB 73 83 70

HSL 106.15, 0.08%, 0.3%

LAB 34.08, -6.8, 6.29

 

CMYK 2 / 13 / 0 / 68

HEX #504752

RGB 80 71 82

HSL 289.09, 0.07%, 0.3%

LAB 31.4, 6.13, -5.16

 

CMYK 9 / 39 / 0 / 63

HEX #563A5F

RGB 86 58 95

HSL 285.41, 0.24%, 0.3%

LAB 28.98, 19.77, -17.15

 

CMYK 13 / 0 / 58 / 58

HEX #5E6C2D

RGB 94 108 45

HSL 73.33, 0.41%, 0.3%

LAB 43.2, -15.64, 32.94

 

CMYK 28 / 0 / 58 / 58

HEX #4E6C2D

RGB 78 108 45

HSL 88.57, 0.41%, 0.3%

LAB 42.05, -22.52, 31.31

 

CMYK 44 / 0 / 58 / 58

HEX #3D6C2D

RGB 61 108 45

HSL 104.76, 0.41%, 0.3%

LAB 41.07, -29.06, 29.91

 

CMYK 58 / 0 / 57 / 58

HEX #2D6C2E

RGB 45 108 46

HSL 120.95, 0.41%, 0.3%

LAB 40.38, -34.05, 28.39

 

CMYK 58 / 0 / 42 / 58

HEX #2D6C3F

RGB 45 108 63

HSL 137.14, 0.41%, 0.3%

LAB 40.64, -31.2, 19.24

 

CMYK 44 / 0 / 58 / 80

HEX #1C3215

RGB 28 50 21

HSL 105.52, 0.41%, 0.14%

LAB 18.29, -15.64, 15.68

 

CMYK 44 / 0 / 58 / 69

HEX #2C4F21

RGB 44 79 33

HSL 105.65, 0.41%, 0.22%

LAB 30, -22.8, 23.04

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 45 / 0 / 58 / 46

HEX #4C8939

RGB 76 137 57

HSL 105.75, 0.41%, 0.38%

LAB 51.52, -35.67, 36.26

 

CMYK 45 / 0 / 58 / 35

HEX #5CA645

RGB 92 166 69

HSL 105.77, 0.41%, 0.46%

LAB 61.63, -41.64, 42.41

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 58 / 0 / 3 / 58

HEX #2D6C69

RGB 45 108 105

HSL 177.14, 0.41%, 0.3%

LAB 41.69, -20.83, -4.43

 

CMYK 0 / 58 / 20 / 58

HEX #6C2D56

RGB 108 45 86

HSL 320.95, 0.41%, 0.3%

LAB 28.74, 33.38, -11.41

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 58 / 44 / 0 / 58

HEX #2D3D6C

RGB 45 61 108

HSL 224.76, 0.41%, 0.3%

LAB 26.67, 8.97, -29.4

 

CMYK 0 / 58 / 44 / 58

HEX #6C2D3D

RGB 108 45 61

HSL 344.76, 0.41%, 0.3%

LAB 27.85, 29.79, 3.8

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 58 / 0 / 3 / 58

HEX #2D6C69

RGB 45 108 105

HSL 177.14, 0.41%, 0.3%

LAB 41.69, -20.83, -4.43

 

CMYK 15 / 58 / 0 / 58

HEX #5C2D6C

RGB 92 45 108

HSL 284.76, 0.41%, 0.3%

LAB 27.39, 32.62, -27.95

 

CMYK 0 / 58 / 56 / 58

HEX #6C2D30

RGB 108 45 48

HSL 357.14, 0.41%, 0.3%

LAB 27.51, 28.38, 11.97

 

CMYK 44 / 0 / 58 / 58

HEX #3C6C2D

RGB 60 108 45

HSL 105.71, 0.41%, 0.3%

LAB 41.02, -29.42, 29.84

 

CMYK 58 / 15 / 0 / 58

HEX #2D5C6C

RGB 45 92 108

HSL 195.24, 0.41%, 0.3%

LAB 36.55, -10.93, -14.01

 

CMYK 15 / 58 / 0 / 58

HEX #5C2D6C

RGB 92 45 108

HSL 284.76, 0.41%, 0.3%

LAB 27.39, 32.62, -27.95

 

CMYK 0 / 44 / 58 / 58

HEX #6C3D2D

RGB 108 61 45

HSL 15.24, 0.41%, 0.3%

LAB 31.15, 18.84, 18.69

 

Description

Color code: HEX #3C6C2D | qconv.com Color code: HEX #3C6C2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 108 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 108 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 58 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 58% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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