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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5FD7 it is the complementary color #C3A028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5FD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5FD7 shade: #415FD2, #5271E5, #6383F8, #7495FF and #85A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5FD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5FD7 shade: #3C5FD7, #2B4DC4, #1A3BB1, #09299E and #00178B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5FD7 shade: #3C5FD7, #433CD7, #6C3CD7, #963CD7 and #C03CD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5FD7 shade: #3C5FD7 and #3C3CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5FD7 shade matches the following richer shades: #3C5FD7, #2954EA and #164AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5FD7 shade: #3C5FD7, #4F69C4, #6274B1, #757E9E and #88888B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5FD7 shade: #3CB2D7, #3C89D7, #3C60D7, #413CD7 and #6A3CD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5FD7 shade: #203DA0, #274AC2, #3C5FD7, #5E7BDE and #8097E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5FD7 shade: #3C5FD7, #D13CD7 and #9ED73C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5FD7 shade: #3C5FD7, #D73C60 and #60D73C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5FD7 shade: #3C5FD7, #D13CD7, #D7B23C and #41D73C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5FD7 shade: #3C5FD7, #D73CAD, #D7B23C and #3CD765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

Complementary color

CMYK 0 / 18 / 79 / 24

HEX #C3A028

RGB 195 160 40

HSL 46.45, 0.66%, 0.46%

LAB 67.2, 1.32, 62.35

 

CMYK 69 / 55 / 0 / 18

HEX #415FD2

RGB 65 95 210

HSL 227.59, 0.62%, 0.54%

LAB 44.18, 27.24, -62.66

 

CMYK 64 / 51 / 0 / 10

HEX #5271E5

RGB 82 113 229

HSL 227.35, 0.74%, 0.61%

LAB 50.99, 25.19, -62.38

 

CMYK 60 / 47 / 0 / 3

HEX #6383F8

RGB 99 131 248

HSL 227.11, 0.91%, 0.68%

LAB 57.72, 23.47, -62.1

 

CMYK 55 / 42 / 0 / 0

HEX #7495FF

RGB 116 149 255

HSL 225.76, 1%, 0.73%

LAB 63.69, 18.25, -56.33

 

CMYK 48 / 35 / 0 / 0

HEX #85A7FF

RGB 133 167 255

HSL 223.28, 1%, 0.76%

LAB 69.36, 11.52, -47.31

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 78 / 61 / 0 / 23

HEX #2B4DC4

RGB 43 77 196

HSL 226.67, 0.64%, 0.47%

LAB 37.49, 31.03, -65.49

 

CMYK 85 / 67 / 0 / 31

HEX #1A3BB1

RGB 26 59 177

HSL 226.89, 0.74%, 0.4%

LAB 30.69, 34.2, -65.46

 

CMYK 94 / 74 / 0 / 38

HEX #09299E

RGB 9 41 158

HSL 227.11, 0.89%, 0.33%

LAB 24.04, 37.76, -64.99

 

CMYK 100 / 83 / 0 / 45

HEX #00178B

RGB 0 23 139

HSL 230.07, 1%, 0.27%

LAB 17.81, 41.18, -63.58

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 69 / 72 / 0 / 16

HEX #433CD7

RGB 67 60 215

HSL 242.71, 0.66%, 0.54%

LAB 36.61, 50.42, -77.89

 

CMYK 50 / 72 / 0 / 16

HEX #6C3CD7

RGB 108 60 215

HSL 258.58, 0.66%, 0.54%

LAB 40.12, 55.81, -72

 

CMYK 30 / 72 / 0 / 16

HEX #963CD7

RGB 150 60 215

HSL 274.84, 0.66%, 0.54%

LAB 45.11, 63.06, -63.65

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 82 / 64 / 0 / 8

HEX #2954EA

RGB 41 84 234

HSL 226.63, 0.82%, 0.54%

LAB 42.39, 40.35, -79.28

 

CMYK 91 / 71 / 0 / 1

HEX #164AFD

RGB 22 74 253

HSL 226.49, 0.98%, 0.54%

LAB 41.47, 52.19, -91.48

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 60 / 46 / 0 / 23

HEX #4F69C4

RGB 79 105 196

HSL 226.67, 0.5%, 0.54%

LAB 46.65, 18.38, -50.6

 

CMYK 45 / 34 / 0 / 31

HEX #6274B1

RGB 98 116 177

HSL 226.33, 0.34%, 0.54%

LAB 49.81, 9.8, -34.51

 

CMYK 26 / 20 / 0 / 38

HEX #757E9E

RGB 117 126 158

HSL 226.83, 0.17%, 0.54%

LAB 53.14, 4.11, -18.23

 

CMYK 2 / 2 / 0 / 45

HEX #88888B

RGB 136 136 139

HSL 240, 0.01%, 0.54%

LAB 56.79, 0.6, -1.61

 

CMYK 72 / 17 / 0 / 16

HEX #3CB2D7

RGB 60 178 215

HSL 194.32, 0.66%, 0.54%

LAB 67.8, -20.61, -28.11

 

CMYK 72 / 36 / 0 / 16

HEX #3C89D7

RGB 60 137 215

HSL 210.19, 0.66%, 0.54%

LAB 55.84, 2.24, -46.8

 

CMYK 72 / 55 / 0 / 16

HEX #3C60D7

RGB 60 96 215

HSL 226.06, 0.66%, 0.54%

LAB 44.56, 27.73, -64.9

 

CMYK 70 / 72 / 0 / 16

HEX #413CD7

RGB 65 60 215

HSL 241.94, 0.66%, 0.54%

LAB 36.48, 50.21, -78.11

 

CMYK 51 / 72 / 0 / 16

HEX #6A3CD7

RGB 106 60 215

HSL 257.81, 0.66%, 0.54%

LAB 39.92, 55.5, -72.34

 

CMYK 80 / 62 / 0 / 37

HEX #203DA0

RGB 32 61 160

HSL 226.41, 0.67%, 0.38%

LAB 29.87, 26.84, -56.6

 

CMYK 80 / 62 / 0 / 24

HEX #274AC2

RGB 39 74 194

HSL 226.45, 0.67%, 0.46%

LAB 36.41, 31.85, -66.1

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 58 / 45 / 0 / 13

HEX #5E7BDE

RGB 94 123 222

HSL 226.41, 0.66%, 0.62%

LAB 53.83, 18.85, -53.84

 

CMYK 44 / 34 / 0 / 10

HEX #8097E5

RGB 128 151 229

HSL 226.34, 0.66%, 0.7%

LAB 63.66, 11.98, -42.06

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 3 / 72 / 0 / 16

HEX #D13CD7

RGB 209 60 215

HSL 297.68, 0.66%, 0.54%

LAB 53.7, 74.81, -49.4

 

CMYK 27 / 0 / 72 / 16

HEX #9ED73C

RGB 158 215 60

HSL 82.06, 0.66%, 0.54%

LAB 79.73, -40.38, 66.42

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 0 / 72 / 55 / 16

HEX #D73C60

RGB 215 60 96

HSL 346.06, 0.66%, 0.54%

LAB 50.12, 61.91, 15.61

 

CMYK 55 / 0 / 72 / 16

HEX #60D73C

RGB 96 215 60

HSL 106.06, 0.66%, 0.54%

LAB 76.93, -60.35, 62.71

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 3 / 72 / 0 / 16

HEX #D13CD7

RGB 209 60 215

HSL 297.68, 0.66%, 0.54%

LAB 53.7, 74.81, -49.4

 

CMYK 0 / 17 / 72 / 16

HEX #D7B23C

RGB 215 178 60

HSL 45.68, 0.66%, 0.54%

LAB 73.94, 1.32, 62.17

 

CMYK 70 / 0 / 72 / 16

HEX #41D73C

RGB 65 215 60

HSL 118.06, 0.66%, 0.54%

LAB 76.1, -67.1, 61.6

 

CMYK 72 / 56 / 0 / 16

HEX #3C5FD7

RGB 60 95 215

HSL 226.45, 0.66%, 0.54%

LAB 44.31, 28.36, -65.32

 

CMYK 0 / 72 / 20 / 16

HEX #D73CAD

RGB 215 60 173

HSL 316.26, 0.66%, 0.54%

LAB 52.62, 69.93, -26.79

 

CMYK 0 / 17 / 72 / 16

HEX #D7B23C

RGB 215 178 60

HSL 45.68, 0.66%, 0.54%

LAB 73.94, 1.32, 62.17

 

CMYK 72 / 0 / 53 / 16

HEX #3CD765

RGB 60 215 101

HSL 135.87, 0.66%, 0.54%

LAB 76.38, -63.46, 44.53

 

Description

Color code: HEX #3C5FD7 | qconv.com Color code: HEX #3C5FD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 95 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 95 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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