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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 60 215 it is the complementary color RGB 63 195 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 60 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 60 215 shade: RGB 197 60 210, RGB 214 78 229, RGB 231 96 248, RGB 248 114 255 and RGB 255 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 60 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 175 42 196, RGB 158 24 177, RGB 141 6 158 and RGB 124 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 215 60 196, RGB 215 60 154, RGB 215 60 112 and RGB 215 60 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 150 60 215, RGB 108 60 215, RGB 66 60 215 and RGB 60 60 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 60 215 shade matches the following richer shades: RGB 192 60 215, RGB 205 41 234 and RGB 218 22 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 178 79 196, RGB 165 98 177, RGB 152 117 158 and RGB 138 136 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 60 215 shade: RGB 109 60 215, RGB 150 60 215, RGB 191 60 215, RGB 215 60 197 and RGB 215 60 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 60 215 shade: RGB 141 32 160, RGB 171 39 194, RGB 192 60 215, RGB 203 94 222 and RGB 214 128 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 215 68 60 and RGB 60 215 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 215 191 60 and RGB 60 215 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 215 68 60, RGB 83 215 60 and RGB 60 207 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 60 215 shade: RGB 192 60 215, RGB 215 114 60, RGB 83 215 60 and RGB 60 160 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

Complementary color

CMYK 68 / 0 / 79 / 24

HEX #3FC328

RGB 63 195 40

HSL 111.1, 0.66%, 0.46%

LAB 69.64, -62.39, 61.79

 

CMYK 6 / 71 / 0 / 18

HEX #C53CD2

RGB 197 60 210

HSL 294.8, 0.63%, 0.53%

LAB 51.56, 71.48, -50.06

 

CMYK 7 / 66 / 0 / 10

HEX #D64EE5

RGB 214 78 229

HSL 294.04, 0.74%, 0.6%

LAB 57.47, 71.88, -51.28

 

CMYK 7 / 61 / 0 / 3

HEX #E760F8

RGB 231 96 248

HSL 293.29, 0.92%, 0.67%

LAB 63.45, 71.86, -52.2

 

CMYK 3 / 55 / 0 / 0

HEX #F872FF

RGB 248 114 255

HSL 297.02, 1%, 0.72%

LAB 68.9, 69.47, -47.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 11 / 79 / 0 / 23

HEX #AF2AC4

RGB 175 42 196

HSL 291.82, 0.65%, 0.47%

LAB 45.3, 70.33, -52.21

 

CMYK 11 / 86 / 0 / 31

HEX #9E18B1

RGB 158 24 177

HSL 292.55, 0.76%, 0.39%

LAB 39.74, 68.4, -50.12

 

CMYK 11 / 96 / 0 / 38

HEX #8D069E

RGB 141 6 158

HSL 293.29, 0.93%, 0.32%

LAB 34.52, 65.16, -47.28

 

CMYK 11 / 100 / 0 / 45

HEX #7C008B

RGB 124 0 139

HSL 293.53, 1%, 0.27%

LAB 29.79, 60.08, -43.41

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 0 / 72 / 9 / 16

HEX #D73CC4

RGB 215 60 196

HSL 307.35, 0.66%, 0.54%

LAB 53.67, 73.16, -38.5

 

CMYK 0 / 72 / 28 / 16

HEX #D73C9A

RGB 215 60 154

HSL 323.61, 0.66%, 0.54%

LAB 51.85, 67.53, -16.77

 

CMYK 0 / 72 / 48 / 16

HEX #D73C70

RGB 215 60 112

HSL 339.87, 0.66%, 0.54%

LAB 50.51, 63.19, 6.45

 

CMYK 0 / 72 / 67 / 16

HEX #D73C47

RGB 215 60 71

HSL 355.74, 0.66%, 0.54%

LAB 49.66, 60.34, 30

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 30 / 72 / 0 / 16

HEX #963CD7

RGB 150 60 215

HSL 274.84, 0.66%, 0.54%

LAB 45.11, 63.06, -63.65

 

CMYK 50 / 72 / 0 / 16

HEX #6C3CD7

RGB 108 60 215

HSL 258.58, 0.66%, 0.54%

LAB 40.12, 55.81, -72

 

CMYK 69 / 72 / 0 / 16

HEX #423CD7

RGB 66 60 215

HSL 242.32, 0.66%, 0.54%

LAB 36.55, 50.31, -78

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 12 / 82 / 0 / 8

HEX #CD29EA

RGB 205 41 234

HSL 290.98, 0.82%, 0.54%

LAB 52.4, 82.4, -62.27

 

CMYK 14 / 91 / 0 / 1

HEX #DA16FD

RGB 218 22 253

HSL 290.91, 0.98%, 0.54%

LAB 54.63, 90.76, -69.21

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 9 / 60 / 0 / 23

HEX #B24FC4

RGB 178 79 196

HSL 290.77, 0.5%, 0.54%

LAB 50.74, 56.96, -43.5

 

CMYK 7 / 45 / 0 / 31

HEX #A562B1

RGB 165 98 177

HSL 290.89, 0.34%, 0.54%

LAB 51.73, 40.02, -31.05

 

CMYK 4 / 26 / 0 / 38

HEX #98759E

RGB 152 117 158

HSL 291.22, 0.17%, 0.54%

LAB 53.89, 21.17, -16.81

 

CMYK 1 / 2 / 0 / 45

HEX #8A888B

RGB 138 136 139

HSL 280, 0.01%, 0.54%

LAB 56.95, 1.33, -1.35

 

CMYK 49 / 72 / 0 / 16

HEX #6D3CD7

RGB 109 60 215

HSL 258.97, 0.66%, 0.54%

LAB 40.23, 55.96, -71.82

 

CMYK 30 / 72 / 0 / 16

HEX #963CD7

RGB 150 60 215

HSL 274.84, 0.66%, 0.54%

LAB 45.11, 63.06, -63.65

 

CMYK 11 / 72 / 0 / 16

HEX #BF3CD7

RGB 191 60 215

HSL 290.71, 0.66%, 0.54%

LAB 50.94, 71.11, -53.97

 

CMYK 0 / 72 / 8 / 16

HEX #D73CC5

RGB 215 60 197

HSL 306.97, 0.66%, 0.54%

LAB 53.72, 73.3, -39

 

CMYK 0 / 72 / 28 / 16

HEX #D73C9B

RGB 215 60 155

HSL 323.23, 0.66%, 0.54%

LAB 51.89, 67.65, -17.3

 

CMYK 12 / 80 / 0 / 37

HEX #8D20A0

RGB 141 32 160

HSL 291.09, 0.67%, 0.38%

LAB 36.43, 60.32, -45.42

 

CMYK 12 / 80 / 0 / 24

HEX #AB27C2

RGB 171 39 194

HSL 291.1, 0.67%, 0.46%

LAB 44.24, 70.08, -52.78

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 9 / 58 / 0 / 13

HEX #CB5EDE

RGB 203 94 222

HSL 291.09, 0.66%, 0.62%

LAB 58.01, 61.26, -46.57

 

CMYK 7 / 44 / 0 / 10

HEX #D680E5

RGB 214 128 229

HSL 291.09, 0.66%, 0.7%

LAB 66.05, 48.86, -37.75

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 0 / 68 / 72 / 16

HEX #D7443C

RGB 215 68 60

HSL 3.1, 0.66%, 0.54%

LAB 50.58, 56.85, 37.45

 

CMYK 72 / 0 / 40 / 16

HEX #3CD781

RGB 60 215 129

HSL 146.71, 0.66%, 0.54%

LAB 76.77, -58.95, 31.19

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 0 / 11 / 72 / 16

HEX #D7BF3C

RGB 215 191 60

HSL 50.71, 0.66%, 0.54%

LAB 77.3, -5.46, 65.47

 

CMYK 72 / 0 / 11 / 16

HEX #3CD7BF

RGB 60 215 191

HSL 170.71, 0.66%, 0.54%

LAB 78.07, -45.14, 0.33

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 0 / 68 / 72 / 16

HEX #D7443C

RGB 215 68 60

HSL 3.1, 0.66%, 0.54%

LAB 50.58, 56.85, 37.45

 

CMYK 61 / 0 / 72 / 16

HEX #53D73C

RGB 83 215 60

HSL 111.1, 0.66%, 0.54%

LAB 76.54, -63.49, 62.18

 

CMYK 72 / 4 / 0 / 16

HEX #3CCFD7

RGB 60 207 215

HSL 183.1, 0.66%, 0.54%

LAB 76.37, -34.91, -15.08

 

CMYK 11 / 72 / 0 / 16

HEX #C03CD7

RGB 192 60 215

HSL 291.1, 0.66%, 0.54%

LAB 51.09, 71.31, -53.72

 

CMYK 0 / 47 / 72 / 16

HEX #D7723C

RGB 215 114 60

HSL 20.9, 0.66%, 0.54%

LAB 58.8, 35.5, 46.57

 

CMYK 61 / 0 / 72 / 16

HEX #53D73C

RGB 83 215 60

HSL 111.1, 0.66%, 0.54%

LAB 76.54, -63.49, 62.18

 

CMYK 72 / 26 / 0 / 16

HEX #3CA0D7

RGB 60 160 215

HSL 201.29, 0.66%, 0.54%

LAB 62.51, -10.96, -36.31

 

Description

Color code: RGB 192 60 215 | qconv.com Color code: RGB 192 60 215 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 60 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 60 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 72 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 72% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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