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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5BCC it is the complementary color #C3A433. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5BCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5BCC shade: #415BC7, #526DDA, #637FED, #7491FF and #85A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5BCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5BCC shade: #3C5BCC, #2B49B9, #1A37A6, #092593 and #001380

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5BCC shade: #3C5BCD, #443CCD, #6B3CCD, #923CCD and #B93CCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5BCC shade: #3C5BCD and #3C3CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5BCC shade matches the following richer shades: #3C5BCD, #2950E1 and #1545F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5BCC shade: #3C5BCD, #5067B9, #6472A5, #787D91 and #8C897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5BCC shade: #3CA9CD, #3C82CD, #3C5CCD, #443CCD and #6A3CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5BCC shade: #253D91, #2E4AB2, #3C5BCD, #5D77D5 and #7E93DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5BCC shade: #3C5BCC, #CA3CCD and #95CD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5BCC shade: #3C5BCC, #CD3C5C and #5CCD3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5BCC shade: #3C5BCC, #CA3CCD, #CDAE3C and #3FCD3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5BCC shade: #3C5BCC, #CD3CA4, #CDAE3C and #3CCD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

Complementary color

CMYK 0 / 16 / 74 / 24

HEX #C3A433

RGB 195 164 51

HSL 47.08, 0.59%, 0.48%

LAB 68.31, -0.37, 59.47

 

CMYK 67 / 54 / 0 / 22

HEX #415BC7

RGB 65 91 199

HSL 228.36, 0.54%, 0.52%

LAB 42.35, 25.87, -59.28

 

CMYK 62 / 50 / 0 / 15

HEX #526DDA

RGB 82 109 218

HSL 228.09, 0.65%, 0.59%

LAB 49.24, 23.91, -58.99

 

CMYK 58 / 46 / 0 / 7

HEX #637FED

RGB 99 127 237

HSL 227.83, 0.79%, 0.66%

LAB 56.03, 22.29, -58.7

 

CMYK 55 / 43 / 0 / 0

HEX #7491FF

RGB 116 145 255

HSL 227.48, 1%, 0.73%

LAB 62.66, 20.6, -57.98

 

CMYK 48 / 36 / 0 / 0

HEX #85A3FF

RGB 133 163 255

HSL 225.25, 1%, 0.76%

LAB 68.32, 13.81, -48.95

 

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

CMYK 77 / 61 / 0 / 27

HEX #2B49B9

RGB 43 73 185

HSL 227.32, 0.62%, 0.45%

LAB 35.56, 29.53, -62.2

 

CMYK 84 / 67 / 0 / 35

HEX #1A37A6

RGB 26 55 166

HSL 227.57, 0.73%, 0.38%

LAB 28.66, 32.64, -62.22

 

CMYK 94 / 75 / 0 / 42

HEX #092593

RGB 9 37 147

HSL 227.83, 0.88%, 0.31%

LAB 21.9, 36.17, -61.78

 

CMYK 100 / 85 / 0 / 50

HEX #001380

RGB 0 19 128

HSL 231.09, 1%, 0.25%

LAB 15.61, 39.5, -60.3

 

CMYK 71 / 56 / 0 / 20

HEX #3C5BCD

RGB 60 91 205

HSL 227.17, 0.59%, 0.52%

LAB 42.54, 27.3, -62.46

 

CMYK 67 / 71 / 0 / 20

HEX #443CCD

RGB 68 60 205

HSL 243.31, 0.59%, 0.52%

LAB 35.73, 47.34, -73.57

 

CMYK 48 / 71 / 0 / 20

HEX #6B3CCD

RGB 107 60 205

HSL 259.45, 0.59%, 0.52%

LAB 39.18, 52.95, -67.77

 

CMYK 29 / 71 / 0 / 20

HEX #923CCD

RGB 146 60 205

HSL 275.59, 0.59%, 0.52%

LAB 43.87, 60.09, -59.93

 

CMYK 10 / 71 / 0 / 20

HEX #B93CCD

RGB 185 60 205

HSL 291.72, 0.59%, 0.52%

LAB 49.44, 68.08, -50.69

 

CMYK 71 / 56 / 0 / 20

HEX #3C5BCD

RGB 60 91 205

HSL 227.17, 0.59%, 0.52%

LAB 42.54, 27.3, -62.46

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCD

RGB 60 60 205

HSL 240, 0.59%, 0.52%

LAB 35.2, 46.46, -74.45

 

CMYK 71 / 56 / 0 / 20

HEX #3C5BCD

RGB 60 91 205

HSL 227.17, 0.59%, 0.52%

LAB 42.54, 27.3, -62.46

 

CMYK 82 / 64 / 0 / 12

HEX #2950E1

RGB 41 80 225

HSL 227.28, 0.75%, 0.52%

LAB 40.65, 39.6, -77.03

 

CMYK 91 / 72 / 0 / 4

HEX #1545F4

RGB 21 69 244

HSL 227.09, 0.91%, 0.52%

LAB 39.49, 51.96, -89.71

 

CMYK 71 / 56 / 0 / 20

HEX #3C5BCD

RGB 60 91 205

HSL 227.17, 0.59%, 0.52%

LAB 42.54, 27.3, -62.46

 

CMYK 57 / 44 / 0 / 27

HEX #5067B9

RGB 80 103 185

HSL 226.86, 0.43%, 0.52%

LAB 45.51, 16.12, -46.04

 

CMYK 39 / 31 / 0 / 35

HEX #6472A5

RGB 100 114 165

HSL 227.08, 0.27%, 0.52%

LAB 48.84, 8.01, -29.05

 

CMYK 17 / 14 / 0 / 43

HEX #787D91

RGB 120 125 145

HSL 228, 0.1%, 0.52%

LAB 52.62, 2.54, -11.42

 

CMYK 0 / 2 / 10 / 45

HEX #8C897E

RGB 140 137 126

HSL 47.14, 0.06%, 0.52%

LAB 57.05, -0.93, 6.29

 

CMYK 71 / 18 / 0 / 20

HEX #3CA9CD

RGB 60 169 205

HSL 194.9, 0.59%, 0.52%

LAB 64.76, -19.13, -27.28

 

CMYK 71 / 37 / 0 / 20

HEX #3C82CD

RGB 60 130 205

HSL 211.03, 0.59%, 0.52%

LAB 53.31, 2.86, -45.17

 

CMYK 71 / 55 / 0 / 20

HEX #3C5CCD

RGB 60 92 205

HSL 226.76, 0.59%, 0.52%

LAB 42.8, 26.66, -62.04

 

CMYK 67 / 71 / 0 / 20

HEX #443CCD

RGB 68 60 205

HSL 243.31, 0.59%, 0.52%

LAB 35.73, 47.34, -73.57

 

CMYK 48 / 71 / 0 / 20

HEX #6A3CCD

RGB 106 60 205

HSL 259.03, 0.59%, 0.52%

LAB 39.08, 52.78, -67.95

 

CMYK 74 / 58 / 0 / 43

HEX #253D91

RGB 37 61 145

HSL 226.67, 0.59%, 0.36%

LAB 28.84, 21.6, -49.12

 

CMYK 74 / 58 / 0 / 30

HEX #2E4AB2

RGB 46 74 178

HSL 227.27, 0.59%, 0.44%

LAB 35.39, 26.6, -58.35

 

CMYK 71 / 56 / 0 / 20

HEX #3C5BCD

RGB 60 91 205

HSL 227.17, 0.59%, 0.52%

LAB 42.54, 27.3, -62.46

 

CMYK 56 / 44 / 0 / 16

HEX #5D77D5

RGB 93 119 213

HSL 227, 0.59%, 0.6%

LAB 52.2, 18.15, -51.38

 

CMYK 43 / 34 / 0 / 13

HEX #7E93DE

RGB 126 147 222

HSL 226.88, 0.59%, 0.68%

LAB 62.15, 11.79, -40.55

 

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

CMYK 1 / 71 / 0 / 20

HEX #CA3CCD

RGB 202 60 205

HSL 298.76, 0.59%, 0.52%

LAB 52.06, 71.7, -46.36

 

CMYK 27 / 0 / 71 / 20

HEX #95CD3C

RGB 149 205 60

HSL 83.17, 0.59%, 0.52%

LAB 76.3, -39.33, 62.85

 

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

CMYK 0 / 71 / 55 / 20

HEX #CD3C5C

RGB 205 60 92

HSL 346.76, 0.59%, 0.52%

LAB 48.24, 58.64, 15.16

 

CMYK 55 / 0 / 71 / 20

HEX #5CCD3C

RGB 92 205 60

HSL 106.76, 0.59%, 0.52%

LAB 73.72, -57.78, 59.39

 

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

CMYK 1 / 71 / 0 / 20

HEX #CA3CCD

RGB 202 60 205

HSL 298.76, 0.59%, 0.52%

LAB 52.06, 71.7, -46.36

 

CMYK 0 / 15 / 71 / 20

HEX #CDAE3C

RGB 205 174 60

HSL 47.17, 0.59%, 0.52%

LAB 71.95, -0.89, 59.86

 

CMYK 69 / 0 / 71 / 20

HEX #3FCD3C

RGB 63 205 60

HSL 118.76, 0.59%, 0.52%

LAB 72.92, -64.23, 58.32

 

CMYK 71 / 55 / 0 / 20

HEX #3C5BCC

RGB 60 91 204

HSL 227.08, 0.59%, 0.52%

LAB 42.46, 26.94, -62

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 15 / 71 / 20

HEX #CDAE3C

RGB 205 174 60

HSL 47.17, 0.59%, 0.52%

LAB 71.95, -0.89, 59.86

 

CMYK 71 / 0 / 51 / 20

HEX #3CCD65

RGB 60 205 101

HSL 136.97, 0.59%, 0.52%

LAB 73.26, -59.99, 40.72

 

Description

Color code: HEX #3C5BCC | qconv.com Color code: HEX #3C5BCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 91 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 91 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 55 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 55% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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