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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 72 / 0 / 4 it is the complementary color CMYK 0 / 20 / 96 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 72 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 91 / 72 / 0 / 4: CMYK 89 / 71 / 0 / 6, CMYK 83 / 66 / 0 / 0, CMYK 76 / 59 / 0 / 0, CMYK 69 / 52 / 0 / 0 and CMYK 63 / 45 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 72 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 91 / 72 / 0 / 4: CMYK 91 / 72 / 0 / 4, CMYK 98 / 77 / 0 / 11, CMYK 100 / 84 / 0 / 19, CMYK 100 / 92 / 0 / 26 and CMYK 100 / 100 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

Complementary color

CMYK 0 / 20 / 96 / 9

HEX #E9BA0A

RGB 233 186 10

HSL 47.35, 0.92%, 0.48%

LAB 77.56, 3.62, 78.55

 

CMYK 89 / 71 / 0 / 6

HEX #1B45F0

RGB 27 69 240

HSL 228.17, 0.88%, 0.52%

LAB 39.21, 50.79, -87.92

 

CMYK 83 / 66 / 0 / 0

HEX #2C57FF

RGB 44 87 255

HSL 227.77, 1%, 0.59%

LAB 45.04, 46.18, -86.69

 

CMYK 76 / 59 / 0 / 0

HEX #3D69FF

RGB 61 105 255

HSL 226.39, 1%, 0.62%

LAB 49.88, 36.52, -78.75

 

CMYK 69 / 52 / 0 / 0

HEX #4E7BFF

RGB 78 123 255

HSL 224.75, 1%, 0.65%

LAB 55.08, 27.41, -70.26

 

CMYK 63 / 45 / 0 / 0

HEX #5F8DFF

RGB 95 141 255

HSL 222.75, 1%, 0.69%

LAB 60.52, 19.08, -61.47

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 98 / 77 / 0 / 11

HEX #0533E2

RGB 5 51 226

HSL 227.51, 0.96%, 0.45%

LAB 33.75, 55.58, -89.01

 

CMYK 100 / 84 / 0 / 19

HEX #0021CF

RGB 0 33 207

HSL 230.43, 1%, 0.41%

LAB 28.36, 58.27, -87.02

 

CMYK 100 / 92 / 0 / 26

HEX #000FBC

RGB 0 15 188

HSL 235.21, 1%, 0.37%

LAB 23.58, 59.37, -83.82

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 92 / 87 / 0 / 4

HEX #131FF5

RGB 19 31 245

HSL 236.81, 0.92%, 0.52%

LAB 33.37, 70.22, -100.44

 

CMYK 81 / 92 / 0 / 4

HEX #2E13F5

RGB 46 19 245

HSL 247.17, 0.92%, 0.52%

LAB 33.22, 74.13, -100.67

 

CMYK 66 / 92 / 0 / 4

HEX #5313F5

RGB 83 19 245

HSL 256.99, 0.92%, 0.52%

LAB 35.79, 75.57, -96.33

 

CMYK 51 / 92 / 0 / 4

HEX #7913F5

RGB 121 19 245

HSL 267.08, 0.92%, 0.52%

LAB 39.79, 78.18, -89.57

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 90 / 71 / 0 / 84

HEX #040C29

RGB 4 12 41

HSL 227.03, 0.82%, 0.09%

LAB 4.05, 6.36, -19.51

 

CMYK 91 / 72 / 0 / 64

HEX #081A5C

RGB 8 26 92

HSL 227.14, 0.84%, 0.2%

LAB 13, 21.7, -41.12

 

CMYK 91 / 72 / 0 / 44

HEX #0D288F

RGB 13 40 143

HSL 227.54, 0.83%, 0.31%

LAB 22.25, 32.89, -58.71

 

CMYK 91 / 72 / 0 / 24

HEX #1137C2

RGB 17 55 194

HSL 227.12, 0.84%, 0.41%

LAB 31.22, 42.56, -74.65

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 2 / 92 / 0 / 4

HEX #F113F5

RGB 241 19 245

HSL 298.94, 0.92%, 0.52%

LAB 57.81, 93.38, -59.44

 

CMYK 36 / 0 / 92 / 4

HEX #9EF513

RGB 158 245 19

HSL 83.1, 0.92%, 0.52%

LAB 88.27, -54.4, 83.45

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 0 / 92 / 72 / 4

HEX #F51344

RGB 245 19 68

HSL 346.99, 0.92%, 0.52%

LAB 52.17, 77.5, 36.16

 

CMYK 72 / 0 / 92 / 4

HEX #44F513

RGB 68 245 19

HSL 106.99, 0.92%, 0.52%

LAB 85.29, -77.7, 79.79

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 2 / 92 / 0 / 4

HEX #F113F5

RGB 241 19 245

HSL 298.94, 0.92%, 0.52%

LAB 57.81, 93.38, -59.44

 

CMYK 0 / 20 / 92 / 4

HEX #F5C413

RGB 245 196 19

HSL 46.99, 0.92%, 0.52%

LAB 81.26, 3.69, 80.69

 

CMYK 91 / 0 / 92 / 4

HEX #17F513

RGB 23 245 19

HSL 118.94, 0.92%, 0.52%

LAB 84.76, -82.44, 79.13

 

CMYK 91 / 72 / 0 / 4

HEX #1645F5

RGB 22 69 245

HSL 227.35, 0.92%, 0.52%

LAB 39.61, 52.34, -90.07

 

CMYK 0 / 92 / 26 / 4

HEX #F513B5

RGB 245 19 181

HSL 316.99, 0.92%, 0.52%

LAB 55.29, 85.92, -26.89

 

CMYK 0 / 20 / 92 / 4

HEX #F5C413

RGB 245 196 19

HSL 46.99, 0.92%, 0.52%

LAB 81.26, 3.69, 80.69

 

CMYK 92 / 0 / 66 / 4

HEX #13F553

RGB 19 245 83

HSL 136.99, 0.92%, 0.52%

LAB 85.03, -78.87, 62.2

 

Description

Color code: CMYK 91 / 72 / 0 / 4 | qconv.com Color code: CMYK 91 / 72 / 0 / 4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 69 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 69 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 72 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 72% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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