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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5B5E it is the complementary color #C3A4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5B5E shade: #415B59, #526D6C, #637F7F, #749192 and #85A3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5B5E shade: #3C5B5E, #2B494B, #1A3738, #092525 and #001312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5B5E shade: #3B5A5D, #3B515D, #3B485D, #3B3F5D and #413B5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5B5E shade: #3B5A5D, #3B515D, #3B485D, #3B3F5D and #3B3B5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5B5E shade matches the following richer shades: #3B5A5D, #2F6469, #226E76, #167882 and #0A838E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5B5E shade: #3B5A5D, #485050, #544544, #603B38 and #6D312B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5B5E shade: #3B5D4E, #3B5D57, #3B5A5D, #3B515D and #3B485D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5B5E shade: #1B292A, #2B4144, #3B5A5D, #4B7276 and #5B8B8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5B5E shade: #3C5B5E, #453B5D and #5D523B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5B5E shade: #3C5B5E, #5D3B5A and #5A5D3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5B5E shade: #3C5B5E, #453B5D, #5D3E3B and #535D3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5B5E shade: #3C5B5E, #4F3B5D, #5D3E3B and #495D3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

Complementary color

CMYK 0 / 16 / 17 / 24

HEX #C3A4A1

RGB 195 164 161

HSL 5.29, 0.22%, 0.7%

LAB 69.98, 10.86, 5.78

 

CMYK 29 / 0 / 2 / 64

HEX #415B59

RGB 65 91 89

HSL 175.38, 0.17%, 0.31%

LAB 36.61, -10.18, -2.01

 

CMYK 25 / 0 / 1 / 57

HEX #526D6C

RGB 82 109 108

HSL 177.78, 0.14%, 0.37%

LAB 43.96, -10.06, -2.68

 

CMYK 22 / 0 / 0 / 50

HEX #637F7F

RGB 99 127 127

HSL 180, 0.12%, 0.44%

LAB 51.11, -9.97, -3.31

 

CMYK 21 / 1 / 0 / 43

HEX #749192

RGB 116 145 146

HSL 182, 0.12%, 0.51%

LAB 58.07, -9.91, -3.91

 

CMYK 19 / 1 / 0 / 35

HEX #85A3A5

RGB 133 163 165

HSL 183.75, 0.15%, 0.58%

LAB 64.88, -9.86, -4.48

 

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

CMYK 43 / 3 / 0 / 71

HEX #2B494B

RGB 43 73 75

HSL 183.75, 0.27%, 0.23%

LAB 28.87, -10.54, -4.73

 

CMYK 54 / 2 / 0 / 78

HEX #1A3738

RGB 26 55 56

HSL 182, 0.37%, 0.16%

LAB 20.97, -10.54, -4.02

 

CMYK 76 / 0 / 0 / 85

HEX #092525

RGB 9 37 37

HSL 180, 0.61%, 0.09%

LAB 12.7, -10.34, -3.15

 

CMYK 100 / 0 / 5 / 93

HEX #001312

RGB 0 19 18

HSL 176.84, 1%, 0.04%

LAB 4.6, -5.82, -1.4

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 37 / 13 / 0 / 64

HEX #3B515D

RGB 59 81 93

HSL 201.18, 0.22%, 0.3%

LAB 33.15, -5.07, -9.72

 

CMYK 37 / 23 / 0 / 64

HEX #3B485D

RGB 59 72 93

HSL 217.06, 0.22%, 0.3%

LAB 30.29, 0.62, -14.07

 

CMYK 37 / 32 / 0 / 64

HEX #3B3F5D

RGB 59 63 93

HSL 232.94, 0.22%, 0.3%

LAB 27.5, 6.54, -18.37

 

CMYK 30 / 37 / 0 / 64

HEX #413B5D

RGB 65 59 93

HSL 250.59, 0.22%, 0.3%

LAB 26.85, 11.22, -19.34

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 37 / 13 / 0 / 64

HEX #3B515D

RGB 59 81 93

HSL 201.18, 0.22%, 0.3%

LAB 33.15, -5.07, -9.72

 

CMYK 37 / 23 / 0 / 64

HEX #3B485D

RGB 59 72 93

HSL 217.06, 0.22%, 0.3%

LAB 30.29, 0.62, -14.07

 

CMYK 37 / 32 / 0 / 64

HEX #3B3F5D

RGB 59 63 93

HSL 232.94, 0.22%, 0.3%

LAB 27.5, 6.54, -18.37

 

CMYK 37 / 37 / 0 / 64

HEX #3B3B5D

RGB 59 59 93

HSL 240, 0.22%, 0.3%

LAB 26.3, 9.22, -20.25

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 55 / 5 / 0 / 59

HEX #2F6469

RGB 47 100 105

HSL 185.17, 0.38%, 0.3%

LAB 39.14, -16.01, -8.23

 

CMYK 71 / 7 / 0 / 54

HEX #226E76

RGB 34 110 118

HSL 185.71, 0.55%, 0.3%

LAB 42.46, -19.9, -11.18

 

CMYK 83 / 8 / 0 / 49

HEX #167882

RGB 22 120 130

HSL 185.56, 0.71%, 0.3%

LAB 45.93, -22.7, -13.15

 

CMYK 93 / 8 / 0 / 44

HEX #0A838E

RGB 10 131 142

HSL 185, 0.87%, 0.3%

LAB 49.8, -25.18, -14.37

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 10 / 0 / 0 / 69

HEX #485050

RGB 72 80 80

HSL 180, 0.05%, 0.3%

LAB 33.34, -3.19, -1.1

 

CMYK 0 / 18 / 19 / 67

HEX #544544

RGB 84 69 68

HSL 3.75, 0.11%, 0.3%

LAB 30.78, 6.21, 2.99

 

CMYK 0 / 39 / 42 / 62

HEX #603B38

RGB 96 59 56

HSL 4.5, 0.26%, 0.3%

LAB 29.16, 15.94, 8.68

 

CMYK 0 / 55 / 61 / 57

HEX #6D312B

RGB 109 49 43

HSL 5.45, 0.43%, 0.3%

LAB 28.44, 26.12, 16.5

 

CMYK 37 / 0 / 16 / 64

HEX #3B5D4E

RGB 59 93 78

HSL 153.53, 0.22%, 0.3%

LAB 36.57, -16.09, 4.73

 

CMYK 37 / 0 / 6 / 64

HEX #3B5D57

RGB 59 93 87

HSL 169.41, 0.22%, 0.3%

LAB 36.83, -13.85, -0.48

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 37 / 13 / 0 / 64

HEX #3B515D

RGB 59 81 93

HSL 201.18, 0.22%, 0.3%

LAB 33.15, -5.07, -9.72

 

CMYK 37 / 23 / 0 / 64

HEX #3B485D

RGB 59 72 93

HSL 217.06, 0.22%, 0.3%

LAB 30.29, 0.62, -14.07

 

CMYK 36 / 2 / 0 / 84

HEX #1B292A

RGB 27 41 42

HSL 184, 0.22%, 0.14%

LAB 15.41, -5.6, -2.58

 

CMYK 37 / 4 / 0 / 73

HEX #2B4144

RGB 43 65 68

HSL 187.2, 0.23%, 0.22%

LAB 25.9, -7.69, -4.59

 

CMYK 37 / 3 / 0 / 64

HEX #3B5A5D

RGB 59 90 93

HSL 185.29, 0.22%, 0.3%

LAB 36.05, -10.5, -5.37

 

CMYK 36 / 3 / 0 / 54

HEX #4B7276

RGB 75 114 118

HSL 185.58, 0.22%, 0.38%

LAB 45.41, -12.57, -6.58

 

CMYK 36 / 3 / 0 / 44

HEX #5B8B8F

RGB 91 139 143

HSL 184.62, 0.22%, 0.46%

LAB 54.73, -15.09, -7.3

 

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

CMYK 26 / 37 / 0 / 64

HEX #453B5D

RGB 69 59 93

HSL 257.65, 0.22%, 0.3%

LAB 27.25, 12.59, -18.69

 

CMYK 0 / 12 / 37 / 64

HEX #5D523B

RGB 93 82 59

HSL 40.59, 0.22%, 0.3%

LAB 35.36, 0.65, 15.18

 

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

CMYK 0 / 37 / 3 / 64

HEX #5D3B5A

RGB 93 59 90

HSL 305.29, 0.22%, 0.3%

LAB 29.89, 20.6, -12.44

 

CMYK 3 / 0 / 37 / 64

HEX #5A5D3B

RGB 90 93 59

HSL 65.29, 0.22%, 0.3%

LAB 38.41, -7.29, 19.17

 

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

CMYK 26 / 37 / 0 / 64

HEX #453B5D

RGB 69 59 93

HSL 257.65, 0.22%, 0.3%

LAB 27.25, 12.59, -18.69

 

CMYK 0 / 33 / 37 / 64

HEX #5D3E3B

RGB 93 62 59

HSL 5.29, 0.22%, 0.3%

LAB 29.63, 13.15, 7.33

 

CMYK 11 / 0 / 37 / 64

HEX #535D3B

RGB 83 93 59

HSL 77.65, 0.22%, 0.3%

LAB 37.81, -10.38, 18.28

 

CMYK 36 / 3 / 0 / 63

HEX #3C5B5E

RGB 60 91 94

HSL 185.29, 0.22%, 0.3%

LAB 36.46, -10.49, -5.36

 

CMYK 15 / 37 / 0 / 64

HEX #4F3B5D

RGB 79 59 93

HSL 275.29, 0.22%, 0.3%

LAB 28.33, 16.13, -16.94

 

CMYK 0 / 33 / 37 / 64

HEX #5D3E3B

RGB 93 62 59

HSL 5.29, 0.22%, 0.3%

LAB 29.63, 13.15, 7.33

 

CMYK 22 / 0 / 37 / 64

HEX #495D3B

RGB 73 93 59

HSL 95.29, 0.22%, 0.3%

LAB 37.04, -14.64, 17.12

 

Description

Color code: HEX #3C5B5E | qconv.com Color code: HEX #3C5B5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 91 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 91 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 3 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 3% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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