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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4E9F it is the complementary color #C3B160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4E9F shade: #414E9A, #5260AD, #6372C0, #7484D3 and #8596E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4E9F shade: #3C4E9F, #2B3C8C, #1A2A79, #091866 and #000653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4E9F shade: #3C4E9F, #453C9F, #603C9F, #7A3C9F and #953C9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4E9F shade: #3C4E9F and #3C3C9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4E9F shade matches the following richer shades: #3C4E9F, #2B43B1, #1938C2 and #072CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4E9F shade: #3C4E9F, #4E5A8D, #60657C, #72706A and #837B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4E9F shade: #3C839F, #3C699F, #3C4E9F, #453C9F and #5F3C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4E9F shade: #263163, #314081, #3C4E9F, #4A5FBA and #6879C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4E9F shade: #3C4E9F, #9F3C9D and #769F3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4E9F shade: #3C4E9F, #9F3C4E and #4E9F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4E9F shade: #3C4E9F, #9F3C9D, #9F8D3C and #3C9F3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4E9F shade: #3C4E9F, #9F3C80, #9F8D3C and #3C9F5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

Complementary color

CMYK 0 / 9 / 51 / 24

HEX #C3B160

RGB 195 177 96

HSL 49.09, 0.45%, 0.57%

LAB 72.16, -4.23, 43.43

 

CMYK 58 / 49 / 0 / 40

HEX #414E9A

RGB 65 78 154

HSL 231.24, 0.41%, 0.43%

LAB 35.8, 18.42, -43.28

 

CMYK 53 / 45 / 0 / 32

HEX #5260AD

RGB 82 96 173

HSL 230.77, 0.36%, 0.5%

LAB 43.03, 17, -42.98

 

CMYK 48 / 41 / 0 / 25

HEX #6372C0

RGB 99 114 192

HSL 230.32, 0.42%, 0.57%

LAB 50.09, 15.85, -42.73

 

CMYK 45 / 37 / 0 / 17

HEX #7484D3

RGB 116 132 211

HSL 229.89, 0.52%, 0.64%

LAB 57, 14.9, -42.55

 

CMYK 42 / 35 / 0 / 10

HEX #8596E6

RGB 133 150 230

HSL 229.48, 0.66%, 0.71%

LAB 63.76, 14.1, -42.42

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 69 / 57 / 0 / 45

HEX #2B3C8C

RGB 43 60 140

HSL 229.48, 0.53%, 0.36%

LAB 28.48, 21.25, -46.61

 

CMYK 79 / 65 / 0 / 53

HEX #1A2A79

RGB 26 42 121

HSL 229.89, 0.65%, 0.29%

LAB 21.04, 23.93, -46.85

 

CMYK 91 / 76 / 0 / 60

HEX #091866

RGB 9 24 102

HSL 230.32, 0.84%, 0.22%

LAB 13.65, 27.29, -46.7

 

CMYK 100 / 93 / 0 / 67

HEX #000653

RGB 0 6 83

HSL 235.66, 1%, 0.16%

LAB 6.82, 30.49, -45.27

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 57 / 62 / 0 / 38

HEX #453C9F

RGB 69 60 159

HSL 245.45, 0.45%, 0.43%

LAB 31.81, 32.53, -52.74

 

CMYK 40 / 62 / 0 / 38

HEX #603C9F

RGB 96 60 159

HSL 261.82, 0.45%, 0.43%

LAB 34.44, 38.19, -48.34

 

CMYK 23 / 62 / 0 / 38

HEX #7A3C9F

RGB 122 60 159

HSL 277.58, 0.45%, 0.43%

LAB 37.61, 44.41, -43.08

 

CMYK 6 / 62 / 0 / 38

HEX #953C9F

RGB 149 60 159

HSL 293.94, 0.45%, 0.43%

LAB 41.41, 51.25, -36.79

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 62 / 62 / 0 / 38

HEX #3C3C9F

RGB 60 60 159

HSL 240, 0.45%, 0.43%

LAB 31.1, 30.92, -53.91

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 76 / 62 / 0 / 31

HEX #2B43B1

RGB 43 67 177

HSL 229.25, 0.61%, 0.43%

LAB 33.35, 30.48, -61.07

 

CMYK 87 / 71 / 0 / 24

HEX #1938C2

RGB 25 56 194

HSL 228.99, 0.77%, 0.43%

LAB 31.65, 42.3, -73.95

 

CMYK 97 / 79 / 0 / 17

HEX #072CD4

RGB 7 44 212

HSL 229.17, 0.94%, 0.43%

LAB 30.88, 54.7, -85.73

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 45 / 36 / 0 / 45

HEX #4E5A8D

RGB 78 90 141

HSL 228.57, 0.29%, 0.43%

LAB 39.34, 9.54, -29.75

 

CMYK 23 / 19 / 0 / 51

HEX #60657C

RGB 96 101 124

HSL 229.29, 0.13%, 0.43%

LAB 43.14, 3.48, -13.47

 

CMYK 0 / 2 / 7 / 55

HEX #72706A

RGB 114 112 106

HSL 45, 0.04%, 0.43%

LAB 47.24, -0.4, 3.6

 

CMYK 0 / 6 / 33 / 49

HEX #837B58

RGB 131 123 88

HSL 48.84, 0.2%, 0.43%

LAB 51.49, -2.7, 20.28

 

CMYK 62 / 18 / 0 / 38

HEX #3C839F

RGB 60 131 159

HSL 196.97, 0.45%, 0.43%

LAB 51.49, -13.48, -21.61

 

CMYK 62 / 34 / 0 / 38

HEX #3C699F

RGB 60 105 159

HSL 212.73, 0.45%, 0.43%

LAB 43.61, 1.83, -33.88

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 57 / 62 / 0 / 38

HEX #453C9F

RGB 69 60 159

HSL 245.45, 0.45%, 0.43%

LAB 31.81, 32.53, -52.74

 

CMYK 40 / 62 / 0 / 38

HEX #5F3C9F

RGB 95 60 159

HSL 261.21, 0.45%, 0.43%

LAB 34.33, 37.96, -48.53

 

CMYK 62 / 51 / 0 / 61

HEX #263163

RGB 38 49 99

HSL 229.18, 0.45%, 0.27%

LAB 21.98, 12.36, -31.1

 

CMYK 62 / 50 / 0 / 49

HEX #314081

RGB 49 64 129

HSL 228.75, 0.45%, 0.35%

LAB 29.17, 15.5, -38.65

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 60 / 49 / 0 / 27

HEX #4A5FBA

RGB 74 95 186

HSL 228.75, 0.45%, 0.51%

LAB 43.04, 20.31, -50.6

 

CMYK 47 / 39 / 0 / 22

HEX #6879C6

RGB 104 121 198

HSL 229.15, 0.45%, 0.59%

LAB 52.61, 14.65, -42.15

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 0 / 62 / 1 / 38

HEX #9F3C9D

RGB 159 60 157

HSL 301.21, 0.45%, 0.43%

LAB 42.82, 53.46, -33.28

 

CMYK 26 / 0 / 62 / 38

HEX #769F3C

RGB 118 159 60

HSL 84.85, 0.45%, 0.43%

LAB 60.76, -30.1, 45.95

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 0 / 62 / 51 / 38

HEX #9F3C4E

RGB 159 60 78

HSL 349.09, 0.45%, 0.43%

LAB 39.84, 42.63, 10.96

 

CMYK 51 / 0 / 62 / 38

HEX #4E9F3C

RGB 78 159 60

HSL 109.09, 0.45%, 0.43%

LAB 58.73, -44.03, 43.13

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 0 / 62 / 1 / 38

HEX #9F3C9D

RGB 159 60 157

HSL 301.21, 0.45%, 0.43%

LAB 42.82, 53.46, -33.28

 

CMYK 0 / 11 / 62 / 38

HEX #9F8D3C

RGB 159 141 60

HSL 49.09, 0.45%, 0.43%

LAB 58.74, -3.34, 44.61

 

CMYK 62 / 0 / 61 / 38

HEX #3C9F3E

RGB 60 159 62

HSL 121.21, 0.45%, 0.43%

LAB 58.14, -48.57, 41.35

 

CMYK 62 / 51 / 0 / 38

HEX #3C4E9F

RGB 60 78 159

HSL 229.09, 0.45%, 0.43%

LAB 35.82, 19.18, -46.28

 

CMYK 0 / 62 / 19 / 38

HEX #9F3C80

RGB 159 60 128

HSL 318.79, 0.45%, 0.43%

LAB 41.47, 48.73, -17.78

 

CMYK 0 / 11 / 62 / 38

HEX #9F8D3C

RGB 159 141 60

HSL 49.09, 0.45%, 0.43%

LAB 58.74, -3.34, 44.61

 

CMYK 62 / 0 / 42 / 38

HEX #3C9F5C

RGB 60 159 92

HSL 139.39, 0.45%, 0.43%

LAB 58.54, -44.09, 26.63

 

Description

Color code: HEX #3C4E9F | qconv.com Color code: HEX #3C4E9F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 78 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 78 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 51 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 51% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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