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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 62 / 0 / 38 it is the complementary color CMYK 46 / 0 / 50 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 62 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 62 / 0 / 38: CMYK 0 / 61 / 1 / 40, CMYK 1 / 55 / 0 / 33, CMYK 2 / 50 / 0 / 25, CMYK 2 / 46 / 0 / 18 and CMYK 3 / 42 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 62 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 62 / 0 / 38: CMYK 6 / 62 / 0 / 38, CMYK 5 / 70 / 0 / 45, CMYK 4 / 80 / 0 / 53, CMYK 3 / 94 / 0 / 60 and CMYK 1 / 100 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

Complementary color

CMYK 46 / 0 / 50 / 24

HEX #6AC361

RGB 106 195 97

HSL 114.49, 0.45%, 0.57%

LAB 71.53, -46.1, 40.85

 

CMYK 0 / 61 / 1 / 40

HEX #9A3C99

RGB 154 60 153

HSL 300.64, 0.44%, 0.42%

LAB 41.85, 51.44, -32.45

 

CMYK 1 / 55 / 0 / 33

HEX #AB4EAC

RGB 171 78 172

HSL 299.36, 0.38%, 0.49%

LAB 48.37, 51.1, -33.34

 

CMYK 2 / 50 / 0 / 25

HEX #BC60BF

RGB 188 96 191

HSL 298.11, 0.43%, 0.56%

LAB 54.89, 50.53, -34

 

CMYK 2 / 46 / 0 / 18

HEX #CD72D2

RGB 205 114 210

HSL 296.88, 0.52%, 0.64%

LAB 61.37, 49.85, -34.53

 

CMYK 3 / 42 / 0 / 10

HEX #DE84E5

RGB 222 132 229

HSL 295.67, 0.65%, 0.71%

LAB 67.79, 49.13, -34.97

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 5 / 70 / 0 / 45

HEX #842A8B

RGB 132 42 139

HSL 295.67, 0.54%, 0.35%

LAB 34.85, 51.03, -35.21

 

CMYK 4 / 80 / 0 / 53

HEX #731878

RGB 115 24 120

HSL 296.88, 0.67%, 0.28%

LAB 28.52, 50.17, -33.59

 

CMYK 3 / 94 / 0 / 60

HEX #620665

RGB 98 6 101

HSL 298.11, 0.89%, 0.21%

LAB 22.54, 47.89, -31.09

 

CMYK 1 / 100 / 0 / 68

HEX #510052

RGB 81 0 82

HSL 299.27, 1%, 0.16%

LAB 17.27, 42.91, -27.03

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 0 / 62 / 4 / 38

HEX #9E3C98

RGB 158 60 152

HSL 303.67, 0.45%, 0.43%

LAB 42.41, 52.33, -30.92

 

CMYK 0 / 62 / 15 / 38

HEX #9E3C87

RGB 158 60 135

HSL 314.08, 0.45%, 0.43%

LAB 41.61, 49.52, -21.86

 

CMYK 0 / 62 / 25 / 38

HEX #9E3C77

RGB 158 60 119

HSL 323.88, 0.45%, 0.43%

LAB 40.95, 47.12, -13.05

 

CMYK 0 / 62 / 35 / 38

HEX #9E3C67

RGB 158 60 103

HSL 333.67, 0.45%, 0.43%

LAB 40.38, 45, -3.96

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 6 / 62 / 0 / 18

HEX #C54FD1

RGB 197 79 209

HSL 294.46, 0.59%, 0.56%

LAB 54.1, 64.03, -45.46

 

CMYK 0 / 60 / 0 / 98

HEX #050205

RGB 5 2 5

HSL 300, 0.43%, 0.01%

LAB 0.78, 1.2, -0.86

 

CMYK 5 / 63 / 0 / 78

HEX #351538

RGB 53 21 56

HSL 294.86, 0.45%, 0.15%

LAB 13.1, 22.27, -15.85

 

CMYK 6 / 62 / 0 / 58

HEX #65296B

RGB 101 41 107

HSL 294.55, 0.45%, 0.29%

LAB 27.88, 37.16, -26.45

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 0 / 56 / 62 / 38

HEX #9E463C

RGB 158 70 60

HSL 6.12, 0.45%, 0.43%

LAB 41.18, 35.84, 23.83

 

CMYK 62 / 0 / 31 / 38

HEX #3C9E6D

RGB 60 158 109

HSL 150, 0.45%, 0.43%

LAB 58.53, -40.35, 17.33

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 0 / 6 / 62 / 38

HEX #9E953C

RGB 158 149 60

HSL 54.49, 0.45%, 0.43%

LAB 60.86, -8.13, 46.92

 

CMYK 62 / 0 / 6 / 38

HEX #3C9E95

RGB 60 158 149

HSL 174.49, 0.45%, 0.43%

LAB 59.51, -30.51, -3.78

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 0 / 56 / 62 / 38

HEX #9E463C

RGB 158 70 60

HSL 6.12, 0.45%, 0.43%

LAB 41.18, 35.84, 23.83

 

CMYK 56 / 0 / 62 / 38

HEX #469E3C

RGB 70 158 60

HSL 113.88, 0.45%, 0.43%

LAB 58.11, -45.89, 42.34

 

CMYK 62 / 6 / 0 / 38

HEX #3C959E

RGB 60 149 158

HSL 185.51, 0.45%, 0.43%

LAB 57, -23.43, -12.65

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

CMYK 0 / 37 / 62 / 38

HEX #9E633C

RGB 158 99 60

HSL 23.88, 0.45%, 0.43%

LAB 47.65, 19.93, 31.81

 

CMYK 56 / 0 / 62 / 38

HEX #469E3C

RGB 70 158 60

HSL 113.88, 0.45%, 0.43%

LAB 58.11, -45.89, 42.34

 

CMYK 62 / 25 / 0 / 38

HEX #3C779E

RGB 60 119 158

HSL 203.88, 0.45%, 0.43%

LAB 47.78, -6.95, -26.75

 

Description

Color code: CMYK 6 / 62 / 0 / 38 | qconv.com Color code: CMYK 6 / 62 / 0 / 38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 60 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 60 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 62 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 62% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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