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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C41F9 it is the complementary color #C3BE06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C41F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3C41F9: #4141F4, #5253FF, #6365FF, #7477FF and #8589FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C41F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3C41F9: #3C41F9, #2B2FE6, #1A1DD3, #090BC0 and #0000AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

Complementary color

CMYK 0 / 3 / 97 / 24

HEX #C3BE06

RGB 195 190 6

HSL 58.41, 0.94%, 0.39%

LAB 75.1, -15.04, 75.59

 

CMYK 73 / 73 / 0 / 4

HEX #4141F4

RGB 65 65 244

HSL 240, 0.89%, 0.61%

LAB 40.31, 56.67, -88.31

 

CMYK 68 / 67 / 0 / 0

HEX #5253FF

RGB 82 83 255

HSL 239.65, 1%, 0.66%

LAB 45.91, 51.9, -85.2

 

CMYK 61 / 60 / 0 / 0

HEX #6365FF

RGB 99 101 255

HSL 239.23, 1%, 0.69%

LAB 50.9, 43.74, -77

 

CMYK 55 / 53 / 0 / 0

HEX #7477FF

RGB 116 119 255

HSL 238.71, 1%, 0.73%

LAB 56.21, 36.02, -68.32

 

CMYK 48 / 46 / 0 / 0

HEX #8589FF

RGB 133 137 255

HSL 238.03, 1%, 0.76%

LAB 61.74, 28.91, -59.39

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 81 / 80 / 0 / 10

HEX #2B2FE6

RGB 43 47 230

HSL 238.72, 0.79%, 0.54%

LAB 34.52, 60.02, -90

 

CMYK 88 / 86 / 0 / 17

HEX #1A1DD3

RGB 26 29 211

HSL 239.03, 0.78%, 0.46%

LAB 28.91, 61.54, -88.42

 

CMYK 95 / 94 / 0 / 25

HEX #090BC0

RGB 9 11 192

HSL 239.34, 0.91%, 0.39%

LAB 24.01, 61.58, -85.47

 

CMYK 100 / 100 / 0 / 32

HEX #0000AD

RGB 0 0 173

HSL 240, 1%, 0.34%

LAB 20.11, 59.21, -80.64

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 65 / 75 / 0 / 2

HEX #563EF9

RGB 86 62 249

HSL 247.7, 0.94%, 0.61%

LAB 41.63, 61.62, -88.88

 

CMYK 53 / 75 / 0 / 2

HEX #763EF9

RGB 118 62 249

HSL 257.97, 0.94%, 0.61%

LAB 44.43, 65.32, -84.18

 

CMYK 40 / 75 / 0 / 2

HEX #953EF9

RGB 149 62 249

HSL 267.91, 0.94%, 0.61%

LAB 47.85, 69.77, -78.44

 

CMYK 28 / 75 / 0 / 2

HEX #B43EF9

RGB 180 62 249

HSL 277.86, 0.94%, 0.61%

LAB 51.82, 74.84, -71.79

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 76 / 73 / 0 / 82

HEX #0B0C2D

RGB 11 12 45

HSL 238.24, 0.61%, 0.11%

LAB 4.73, 10.06, -21.44

 

CMYK 76 / 74 / 0 / 62

HEX #171960

RGB 23 25 96

HSL 238.36, 0.61%, 0.23%

LAB 13.95, 25.53, -42.2

 

CMYK 76 / 74 / 0 / 42

HEX #232693

RGB 35 38 147

HSL 238.39, 0.62%, 0.36%

LAB 23.17, 37.22, -59.64

 

CMYK 76 / 74 / 0 / 22

HEX #3034C6

RGB 48 52 198

HSL 238.4, 0.61%, 0.48%

LAB 32.17, 47.58, -75.39

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 0 / 75 / 13 / 2

HEX #F93ED9

RGB 249 62 217

HSL 310.27, 0.94%, 0.61%

LAB 60.42, 82.95, -39.49

 

CMYK 43 / 0 / 75 / 2

HEX #8FF93E

RGB 143 249 62

HSL 94.01, 0.94%, 0.61%

LAB 88.89, -59.36, 74.44

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 0 / 75 / 73 / 2

HEX #F93E44

RGB 249 62 68

HSL 358.07, 0.94%, 0.61%

LAB 56.09, 69.6, 40.89

 

CMYK 73 / 0 / 75 / 2

HEX #44F93E

RGB 68 249 62

HSL 118.07, 0.94%, 0.61%

LAB 86.67, -77.02, 71.51

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 0 / 75 / 13 / 2

HEX #F93ED9

RGB 249 62 217

HSL 310.27, 0.94%, 0.61%

LAB 60.42, 82.95, -39.49

 

CMYK 0 / 3 / 75 / 2

HEX #F9F23E

RGB 249 242 62

HSL 57.75, 0.94%, 0.61%

LAB 93.45, -16.62, 81.03

 

CMYK 75 / 0 / 63 / 2

HEX #3EF95D

RGB 62 249 93

HSL 129.95, 0.94%, 0.61%

LAB 86.78, -75.21, 60.23

 

CMYK 76 / 74 / 0 / 2

HEX #3C41F9

RGB 60 65 249

HSL 238.41, 0.94%, 0.61%

LAB 40.54, 57.85, -90.74

 

CMYK 0 / 75 / 35 / 2

HEX #F93EA1

RGB 249 62 161

HSL 328.24, 0.94%, 0.61%

LAB 58.19, 76.24, -10.74

 

CMYK 0 / 3 / 75 / 2

HEX #F9F23E

RGB 249 242 62

HSL 57.75, 0.94%, 0.61%

LAB 93.45, -16.62, 81.03

 

CMYK 75 / 0 / 40 / 2

HEX #3EF995

RGB 62 249 149

HSL 147.91, 0.94%, 0.61%

LAB 87.46, -67.27, 35.19

 

Description

Color code: HEX #3C41F9 | qconv.com Color code: HEX #3C41F9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 65 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 65 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 74 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 74% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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