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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDCC7 it is the complementary color #C42338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDCC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3BDCC7: #40DCC2, #51EED5, #62FFE8, #73FFFB and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDCC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3BDCC7: #3BDCC7, #2ACAB4, #19B8A1, #08A68E and #00947B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

Complementary color

CMYK 0 / 82 / 71 / 23

HEX #C42338

RGB 196 35 56

HSL 352.17, 0.7%, 0.45%

LAB 43.1, 61.65, 30.16

 

CMYK 71 / 0 / 12 / 14

HEX #40DCC2

RGB 64 220 194

HSL 170, 0.69%, 0.56%

LAB 79.71, -46.01, 1.14

 

CMYK 66 / 0 / 11 / 7

HEX #51EED5

RGB 81 238 213

HSL 170.45, 0.82%, 0.63%

LAB 85.86, -46.54, 0.1

 

CMYK 62 / 0 / 9 / 0

HEX #62FFE8

RGB 98 255 232

HSL 171.21, 1%, 0.69%

LAB 91.66, -46.48, -1.28

 

CMYK 55 / 0 / 2 / 0

HEX #73FFFB

RGB 115 255 251

HSL 178.29, 1%, 0.73%

LAB 92.63, -38.75, -9.63

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 79 / 0 / 11 / 21

HEX #2ACAB4

RGB 42 202 180

HSL 171.75, 0.66%, 0.48%

LAB 73.56, -44.44, -0.36

 

CMYK 86 / 0 / 13 / 28

HEX #19B8A1

RGB 25 184 161

HSL 171.32, 0.76%, 0.41%

LAB 67.32, -43.23, 0.89

 

CMYK 95 / 0 / 14 / 35

HEX #08A68E

RGB 8 166 142

HSL 170.89, 0.91%, 0.34%

LAB 61.03, -41.62, 2.28

 

CMYK 100 / 0 / 17 / 42

HEX #00947B

RGB 0 148 123

HSL 169.86, 1%, 0.29%

LAB 54.67, -39.51, 3.85

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 73 / 2 / 0 / 14

HEX #3BD7DC

RGB 59 215 220

HSL 181.86, 0.7%, 0.55%

LAB 78.87, -37.29, -14.01

 

CMYK 73 / 15 / 0 / 14

HEX #3BBCDC

RGB 59 188 220

HSL 191.93, 0.7%, 0.55%

LAB 70.91, -24.26, -26.07

 

CMYK 73 / 27 / 0 / 14

HEX #3BA1DC

RGB 59 161 220

HSL 201.99, 0.7%, 0.55%

LAB 63, -9.95, -38.33

 

CMYK 73 / 39 / 0 / 14

HEX #3B86DC

RGB 59 134 220

HSL 212.05, 0.7%, 0.55%

LAB 55.22, 5.69, -50.59

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 75 / 0 / 13 / 94

HEX #04100E

RGB 4 16 14

HSL 170, 0.6%, 0.04%

LAB 3.87, -3.78, -0.22

 

CMYK 73 / 0 / 9 / 74

HEX #12433D

RGB 18 67 61

HSL 172.65, 0.58%, 0.17%

LAB 25.2, -17.85, -1.14

 

CMYK 73 / 0 / 9 / 54

HEX #20766B

RGB 32 118 107

HSL 172.33, 0.57%, 0.29%

LAB 44.7, -27.74, -1.25

 

CMYK 73 / 0 / 9 / 34

HEX #2DA999

RGB 45 169 153

HSL 172.26, 0.58%, 0.42%

LAB 62.7, -36.88, -1.38

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 68 / 73 / 0 / 14

HEX #463BDC

RGB 70 59 220

HSL 244.1, 0.7%, 0.55%

LAB 37.11, 52.84, -79.94

 

CMYK 0 / 39 / 73 / 14

HEX #DC863B

RGB 220 134 59

HSL 27.95, 0.7%, 0.55%

LAB 63.82, 26.95, 52.55

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 10 / 73 / 0 / 14

HEX #C73BDC

RGB 199 59 220

HSL 292.17, 0.7%, 0.55%

LAB 52.33, 73.94, -54.52

 

CMYK 0 / 10 / 73 / 14

HEX #DCC73B

RGB 220 199 59

HSL 52.17, 0.7%, 0.55%

LAB 79.83, -7.48, 68.42

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 68 / 73 / 0 / 14

HEX #463BDC

RGB 70 59 220

HSL 244.1, 0.7%, 0.55%

LAB 37.11, 52.84, -79.94

 

CMYK 0 / 73 / 63 / 14

HEX #DC3B51

RGB 220 59 81

HSL 351.8, 0.7%, 0.55%

LAB 50.61, 62.74, 25.46

 

CMYK 5 / 0 / 73 / 14

HEX #D1DC3B

RGB 209 220 59

HSL 64.1, 0.7%, 0.55%

LAB 84.51, -22.54, 72.55

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 46 / 73 / 0 / 14

HEX #763BDC

RGB 118 59 220

HSL 261.99, 0.7%, 0.55%

LAB 41.45, 59.16, -72.65

 

CMYK 0 / 73 / 63 / 14

HEX #DC3B51

RGB 220 59 81

HSL 351.8, 0.7%, 0.55%

LAB 50.61, 62.74, 25.46

 

CMYK 27 / 0 / 73 / 14

HEX #A1DC3B

RGB 161 220 59

HSL 81.99, 0.7%, 0.55%

LAB 81.34, -41.51, 68.4

 

Description

Color code: HEX #3BDCC7 | qconv.com Color code: HEX #3BDCC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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