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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B7ED7 it is the complementary color #C48128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B7ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B7ED7 shade: #407ED2, #5190E5, #62A2F8, #73B4FF and #84C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B7ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B7ED7 shade: #3B7ED7, #2A6CC4, #195AB1, #08489E and #00368B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B7ED7 shade: #3C7ED7, #3C55D7, #4D3CD7, #773CD7 and #A03CD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B7ED7 shade: #3C7ED7, #3C55D7 and #3C3CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B7ED7 shade matches the following richer shades: #3C7ED7, #297CEA and #1679FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B7ED7 shade: #3C7ED7, #4F81C4, #6284B1, #75869E and #88898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B7ED7 shade: #3CD1D7, #3CA8D7, #3C7FD7, #3C56D7 and #4B3CD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B7ED7 shade: #2057A0, #276AC2, #3C7ED7, #5E95DE and #80ABE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B7ED7 shade: #3B7ED7, #B23CD7 and #BDD73C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B7ED7 shade: #3B7ED7, #D73C7F and #7FD73C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B7ED7 shade: #3B7ED7, #B23CD7, #D7943C and #60D73C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B7ED7 shade: #3B7ED7, #D73CCC, #D7943C and #3CD746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

Complementary color

CMYK 0 / 34 / 80 / 23

HEX #C48128

RGB 196 129 40

HSL 34.23, 0.66%, 0.46%

LAB 59.52, 18.67, 55.39

 

CMYK 70 / 40 / 0 / 18

HEX #407ED2

RGB 64 126 210

HSL 214.52, 0.62%, 0.54%

LAB 52.58, 7.66, -49.16

 

CMYK 65 / 37 / 0 / 10

HEX #5190E5

RGB 81 144 229

HSL 214.46, 0.74%, 0.61%

LAB 59.3, 6.17, -49.1

 

CMYK 60 / 35 / 0 / 3

HEX #62A2F8

RGB 98 162 248

HSL 214.4, 0.91%, 0.68%

LAB 65.92, 4.96, -49.04

 

CMYK 55 / 29 / 0 / 0

HEX #73B4FF

RGB 115 180 255

HSL 212.14, 1%, 0.73%

LAB 71.9, 0.27, -43.39

 

CMYK 48 / 22 / 0 / 0

HEX #84C6FF

RGB 132 198 255

HSL 207.8, 1%, 0.76%

LAB 77.59, -5.89, -34.48

 

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

CMYK 79 / 45 / 0 / 23

HEX #2A6CC4

RGB 42 108 196

HSL 214.29, 0.65%, 0.47%

LAB 45.91, 10.83, -51.86

 

CMYK 86 / 49 / 0 / 31

HEX #195AB1

RGB 25 90 177

HSL 214.34, 0.75%, 0.4%

LAB 39.06, 13.46, -51.84

 

CMYK 95 / 54 / 0 / 38

HEX #08489E

RGB 8 72 158

HSL 214.4, 0.9%, 0.33%

LAB 32.16, 16.8, -51.69

 

CMYK 100 / 61 / 0 / 45

HEX #00368B

RGB 0 54 139

HSL 216.69, 1%, 0.27%

LAB 25.27, 20.98, -51.28

 

CMYK 72 / 41 / 0 / 16

HEX #3C7ED7

RGB 60 126 215

HSL 214.45, 0.66%, 0.54%

LAB 52.72, 8.88, -51.77

 

CMYK 72 / 60 / 0 / 16

HEX #3C55D7

RGB 60 85 215

HSL 230.32, 0.66%, 0.54%

LAB 41.79, 34.69, -69.42

 

CMYK 64 / 72 / 0 / 16

HEX #4D3CD7

RGB 77 60 215

HSL 246.58, 0.66%, 0.54%

LAB 37.33, 51.53, -76.69

 

CMYK 45 / 72 / 0 / 16

HEX #773CD7

RGB 119 60 215

HSL 262.84, 0.66%, 0.54%

LAB 41.31, 57.57, -70.01

 

CMYK 26 / 72 / 0 / 16

HEX #A03CD7

RGB 160 60 215

HSL 278.71, 0.66%, 0.54%

LAB 46.46, 64.96, -61.41

 

CMYK 72 / 41 / 0 / 16

HEX #3C7ED7

RGB 60 126 215

HSL 214.45, 0.66%, 0.54%

LAB 52.72, 8.88, -51.77

 

CMYK 72 / 60 / 0 / 16

HEX #3C55D7

RGB 60 85 215

HSL 230.32, 0.66%, 0.54%

LAB 41.79, 34.69, -69.42

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 72 / 41 / 0 / 16

HEX #3C7ED7

RGB 60 126 215

HSL 214.45, 0.66%, 0.54%

LAB 52.72, 8.88, -51.77

 

CMYK 82 / 47 / 0 / 8

HEX #297CEA

RGB 41 124 234

HSL 214.2, 0.82%, 0.54%

LAB 52.76, 15.08, -62.41

 

CMYK 91 / 52 / 0 / 1

HEX #1679FD

RGB 22 121 253

HSL 214.29, 0.98%, 0.54%

LAB 52.88, 23.02, -72.79

 

CMYK 72 / 41 / 0 / 16

HEX #3C7ED7

RGB 60 126 215

HSL 214.45, 0.66%, 0.54%

LAB 52.72, 8.88, -51.77

 

CMYK 60 / 34 / 0 / 23

HEX #4F81C4

RGB 79 129 196

HSL 214.36, 0.5%, 0.54%

LAB 53.33, 3.63, -39.98

 

CMYK 45 / 25 / 0 / 31

HEX #6284B1

RGB 98 132 177

HSL 214.18, 0.34%, 0.54%

LAB 54.32, 0.26, -27.49

 

CMYK 26 / 15 / 0 / 38

HEX #75869E

RGB 117 134 158

HSL 215.12, 0.17%, 0.54%

LAB 55.38, -0.53, -14.82

 

CMYK 2 / 1 / 0 / 45

HEX #88898B

RGB 136 137 139

HSL 220, 0.01%, 0.54%

LAB 57.07, 0.03, -1.2

 

CMYK 72 / 3 / 0 / 16

HEX #3CD1D7

RGB 60 209 215

HSL 182.32, 0.66%, 0.54%

LAB 76.96, -35.85, -14.19

 

CMYK 72 / 22 / 0 / 16

HEX #3CA8D7

RGB 60 168 215

HSL 198.19, 0.66%, 0.54%

LAB 64.86, -15.32, -32.66

 

CMYK 72 / 41 / 0 / 16

HEX #3C7FD7

RGB 60 127 215

HSL 214.06, 0.66%, 0.54%

LAB 53, 8.27, -51.32

 

CMYK 72 / 60 / 0 / 16

HEX #3C56D7

RGB 60 86 215

HSL 229.94, 0.66%, 0.54%

LAB 42.03, 34.06, -69.02

 

CMYK 65 / 72 / 0 / 16

HEX #4B3CD7

RGB 75 60 215

HSL 245.81, 0.66%, 0.54%

LAB 37.18, 51.3, -76.95

 

CMYK 80 / 46 / 0 / 37

HEX #2057A0

RGB 32 87 160

HSL 214.22, 0.67%, 0.38%

LAB 37.23, 9.33, -44.68

 

CMYK 80 / 45 / 0 / 24

HEX #276AC2

RGB 39 106 194

HSL 214.06, 0.67%, 0.46%

LAB 45.13, 11.02, -51.97

 

CMYK 72 / 41 / 0 / 16

HEX #3C7ED7

RGB 60 126 215

HSL 214.45, 0.66%, 0.54%

LAB 52.72, 8.88, -51.77

 

CMYK 58 / 33 / 0 / 13

HEX #5E95DE

RGB 94 149 222

HSL 214.22, 0.66%, 0.62%

LAB 60.91, 3.33, -42.62

 

CMYK 44 / 25 / 0 / 10

HEX #80ABE5

RGB 128 171 229

HSL 214.46, 0.66%, 0.7%

LAB 69.02, 0.61, -33.69

 

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 12 / 0 / 72 / 16

HEX #BDD73C

RGB 189 215 60

HSL 70.06, 0.66%, 0.54%

LAB 81.7, -28.27, 69.02

 

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

CMYK 0 / 72 / 41 / 16

HEX #D73C7F

RGB 215 60 127

HSL 334.06, 0.66%, 0.54%

LAB 50.93, 64.58, -2

 

CMYK 41 / 0 / 72 / 16

HEX #7FD73C

RGB 127 215 60

HSL 94.06, 0.66%, 0.54%

LAB 78.13, -51.27, 64.31

 

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 31 / 72 / 16

HEX #D7943C

RGB 215 148 60

HSL 34.06, 0.66%, 0.54%

LAB 66.48, 17.37, 54.65

 

CMYK 55 / 0 / 72 / 16

HEX #60D73C

RGB 96 215 60

HSL 106.06, 0.66%, 0.54%

LAB 76.93, -60.35, 62.71

 

CMYK 73 / 41 / 0 / 16

HEX #3B7ED7

RGB 59 126 215

HSL 214.23, 0.66%, 0.54%

LAB 52.68, 8.75, -51.83

 

CMYK 0 / 72 / 5 / 16

HEX #D73CCC

RGB 215 60 204

HSL 304.26, 0.66%, 0.54%

LAB 54.07, 74.35, -42.47

 

CMYK 0 / 31 / 72 / 16

HEX #D7943C

RGB 215 148 60

HSL 34.06, 0.66%, 0.54%

LAB 66.48, 17.37, 54.65

 

CMYK 72 / 0 / 67 / 16

HEX #3CD746

RGB 60 215 70

HSL 123.87, 0.66%, 0.54%

LAB 76.07, -67.09, 57.78

 

Description

Color code: HEX #3B7ED7 | qconv.com Color code: HEX #3B7ED7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 126 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 126 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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