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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B6D1E it is the complementary color #C492E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B6D1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B6D1E shade: #406D19, #517F2C, #62913F, #73A352 and #84B565

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B6D1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B6D1E shade: #3B6D1E, #2A5B0B, #194900, #083700 and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B6D1E shade: #3A6C1E, #506C1E, #656C1E, #6C5E1E and #6C491E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B6D1E shade: #3A6C1E, #256C1E, #1E6C2B, #1E6C40 and #1E6C55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B6D1E shade matches the following richer shades: #3A6C1E, #377712 and #358207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B6D1E shade: #3A6C1E, #3D6129, #405634, #434B3F and #46404A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B6D1E shade: #666C1E, #516C1E, #3C6C1E, #276C1E and #1E6C29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B6D1E shade: #172B0C, #294C15, #3A6C1E, #4C8C26 and #5DAD2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B6D1E shade: #3B6D1E, #1E6C5E and #6C1E5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B6D1E shade: #3B6D1E, #1E3C6C and #6C1E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B6D1E shade: #3B6D1E, #1E6C5E, #4E1E6C and #6C1E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B6D1E shade: #3B6D1E, #1E636C, #4E1E6C and #6C271E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

Complementary color

CMYK 13 / 35 / 0 / 12

HEX #C492E1

RGB 196 146 225

HSL 277.97, 0.57%, 0.73%

LAB 67.82, 33.06, -32.94

 

CMYK 41 / 0 / 77 / 57

HEX #406D19

RGB 64 109 25

HSL 92.14, 0.63%, 0.26%

LAB 41.37, -30.39, 39.56

 

CMYK 36 / 0 / 65 / 50

HEX #517F2C

RGB 81 127 44

HSL 93.25, 0.49%, 0.34%

LAB 48.4, -30.73, 39.02

 

CMYK 32 / 0 / 57 / 43

HEX #62913F

RGB 98 145 63

HSL 94.39, 0.39%, 0.41%

LAB 55.28, -30.84, 37.98

 

CMYK 29 / 0 / 50 / 36

HEX #73A352

RGB 115 163 82

HSL 95.56, 0.33%, 0.48%

LAB 62.04, -30.83, 36.79

 

CMYK 27 / 0 / 44 / 29

HEX #84B565

RGB 132 181 101

HSL 96.75, 0.35%, 0.55%

LAB 68.67, -30.75, 35.57

 

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

CMYK 54 / 0 / 88 / 64

HEX #2A5B0B

RGB 42 91 11

HSL 96.75, 0.78%, 0.2%

LAB 33.98, -31.18, 37.09

 

CMYK 66 / 0 / 100 / 71

HEX #194900

RGB 25 73 0

HSL 99.45, 1%, 0.14%

LAB 26.65, -29.74, 34.33

 

CMYK 85 / 0 / 100 / 78

HEX #083700

RGB 8 55 0

HSL 111.27, 1%, 0.11%

LAB 19.16, -27.07, 26.45

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 46 / 0 / 72 / 58

HEX #3A6C1E

RGB 58 108 30

HSL 98.46, 0.57%, 0.27%

LAB 40.77, -31.74, 36.78

 

CMYK 26 / 0 / 72 / 58

HEX #506C1E

RGB 80 108 30

HSL 81.54, 0.57%, 0.27%

LAB 42.04, -23.07, 38.5

 

CMYK 6 / 0 / 72 / 58

HEX #656C1E

RGB 101 108 30

HSL 65.38, 0.57%, 0.27%

LAB 43.63, -13.64, 40.63

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 32 / 72 / 58

HEX #6C491E

RGB 108 73 30

HSL 33.08, 0.57%, 0.27%

LAB 34.08, 10.34, 30.92

 

CMYK 46 / 0 / 72 / 58

HEX #3A6C1E

RGB 58 108 30

HSL 98.46, 0.57%, 0.27%

LAB 40.77, -31.74, 36.78

 

CMYK 66 / 0 / 72 / 58

HEX #256C1E

RGB 37 108 30

HSL 114.62, 0.57%, 0.27%

LAB 39.94, -38.11, 35.65

 

CMYK 72 / 0 / 60 / 58

HEX #1E6C2B

RGB 30 108 43

HSL 130, 0.57%, 0.27%

LAB 39.87, -38.12, 29.25

 

CMYK 72 / 0 / 41 / 58

HEX #1E6C40

RGB 30 108 64

HSL 146.15, 0.57%, 0.27%

LAB 40.2, -34.43, 17.99

 

CMYK 72 / 0 / 21 / 58

HEX #1E6C55

RGB 30 108 85

HSL 162.31, 0.57%, 0.27%

LAB 40.67, -29.43, 6.14

 

CMYK 46 / 0 / 72 / 58

HEX #3A6C1E

RGB 58 108 30

HSL 98.46, 0.57%, 0.27%

LAB 40.77, -31.74, 36.78

 

CMYK 54 / 0 / 85 / 53

HEX #377712

RGB 55 119 18

HSL 98.02, 0.74%, 0.27%

LAB 44.3, -38.27, 44.61

 

CMYK 59 / 0 / 95 / 49

HEX #358207

RGB 53 130 7

HSL 97.56, 0.9%, 0.27%

LAB 47.93, -43.6, 50.28

 

CMYK 46 / 0 / 72 / 58

HEX #3A6C1E

RGB 58 108 30

HSL 98.46, 0.57%, 0.27%

LAB 40.77, -31.74, 36.78

 

CMYK 37 / 0 / 58 / 62

HEX #3D6129

RGB 61 97 41

HSL 98.57, 0.41%, 0.27%

LAB 37.3, -24.24, 27.57

 

CMYK 26 / 0 / 40 / 66

HEX #405634

RGB 64 86 52

HSL 98.82, 0.25%, 0.27%

LAB 33.97, -15.62, 17.15

 

CMYK 11 / 0 / 16 / 71

HEX #434B3F

RGB 67 75 63

HSL 100, 0.09%, 0.27%

LAB 30.84, -5.87, 6.07

 

CMYK 5 / 14 / 0 / 71

HEX #46404A

RGB 70 64 74

HSL 276, 0.07%, 0.27%

LAB 28.02, 4.78, -5.13

 

CMYK 6 / 0 / 72 / 58

HEX #666C1E

RGB 102 108 30

HSL 64.62, 0.57%, 0.27%

LAB 43.72, -13.18, 40.74

 

CMYK 25 / 0 / 72 / 58

HEX #516C1E

RGB 81 108 30

HSL 80.77, 0.57%, 0.27%

LAB 42.11, -22.64, 38.59

 

CMYK 44 / 0 / 72 / 58

HEX #3C6C1E

RGB 60 108 30

HSL 96.92, 0.57%, 0.27%

LAB 40.86, -31.02, 36.91

 

CMYK 64 / 0 / 72 / 58

HEX #276C1E

RGB 39 108 30

HSL 113.08, 0.57%, 0.27%

LAB 40, -37.6, 35.74

 

CMYK 72 / 0 / 62 / 58

HEX #1E6C29

RGB 30 108 41

HSL 128.46, 0.57%, 0.27%

LAB 39.85, -38.4, 30.25

 

CMYK 47 / 0 / 72 / 83

HEX #172B0C

RGB 23 43 12

HSL 98.71, 0.56%, 0.11%

LAB 15.15, -15.2, 16.77

 

CMYK 46 / 0 / 72 / 70

HEX #294C15

RGB 41 76 21

HSL 98.18, 0.57%, 0.19%

LAB 28.63, -23.92, 27.78

 

CMYK 46 / 0 / 72 / 58

HEX #3A6C1E

RGB 58 108 30

HSL 98.46, 0.57%, 0.27%

LAB 40.77, -31.74, 36.78

 

CMYK 46 / 0 / 73 / 45

HEX #4C8C26

RGB 76 140 38

HSL 97.65, 0.57%, 0.35%

LAB 52.32, -38.82, 45.67

 

CMYK 46 / 0 / 73 / 32

HEX #5DAD2F

RGB 93 173 47

HSL 98.1, 0.57%, 0.43%

LAB 63.69, -46.23, 54

 

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

CMYK 72 / 0 / 13 / 58

HEX #1E6C5E

RGB 30 108 94

HSL 169.23, 0.57%, 0.27%

LAB 40.91, -26.93, 1.05

 

CMYK 0 / 72 / 16 / 58

HEX #6C1E5B

RGB 108 30 91

HSL 313.08, 0.57%, 0.27%

LAB 26.37, 41.3, -18.34

 

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

CMYK 72 / 44 / 0 / 58

HEX #1E3C6C

RGB 30 60 108

HSL 216.92, 0.57%, 0.27%

LAB 25.53, 6.53, -31.26

 

CMYK 0 / 72 / 44 / 58

HEX #6C1E3C

RGB 108 30 60

HSL 336.92, 0.57%, 0.27%

LAB 25.08, 37.03, 0.48

 

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

CMYK 72 / 0 / 13 / 58

HEX #1E6C5E

RGB 30 108 94

HSL 169.23, 0.57%, 0.27%

LAB 40.91, -26.93, 1.05

 

CMYK 28 / 72 / 0 / 58

HEX #4E1E6C

RGB 78 30 108

HSL 276.92, 0.57%, 0.27%

LAB 22.41, 36.92, -36.04

 

CMYK 0 / 72 / 59 / 58

HEX #6C1E2C

RGB 108 30 44

HSL 349.23, 0.57%, 0.27%

LAB 24.63, 35.46, 10.76

 

CMYK 46 / 0 / 72 / 57

HEX #3B6D1E

RGB 59 109 30

HSL 97.97, 0.57%, 0.27%

LAB 41.15, -31.83, 37.2

 

CMYK 72 / 8 / 0 / 58

HEX #1E636C

RGB 30 99 108

HSL 186.92, 0.57%, 0.27%

LAB 38.34, -17.86, -11.33

 

CMYK 28 / 72 / 0 / 58

HEX #4E1E6C

RGB 78 30 108

HSL 276.92, 0.57%, 0.27%

LAB 22.41, 36.92, -36.04

 

CMYK 0 / 64 / 72 / 58

HEX #6C271E

RGB 108 39 30

HSL 6.92, 0.57%, 0.27%

LAB 25.96, 30.15, 21.73

 

Description

Color code: HEX #3B6D1E | qconv.com Color code: HEX #3B6D1E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 109 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 109 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 72 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 72% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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