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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5E1E it is the complementary color #93A1E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5E1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5E1E shade: #715E19, #82702C, #93823F, #A49452 and #B5A665

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5E1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5E1E shade: #6C5E1E, #5B4C0B, #4A3A00, #392800 and #281600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5E1E shade: #6C5E1E, #6C491E, #6C341E, #6C1F1E and #6C1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5E1E shade: #6C5E1E, #656C1E, #506C1E, #3B6C1E and #266C1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5E1E shade matches the following richer shades: #6C5E1E, #776512 and #826C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5E1E shade: #6C5E1E, #615729, #565034, #4B493F and #40414A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5E1E shade: #6C341E, #6C491E, #6C5E1E, #666C1E and #516C1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5E1E shade: #2B260C, #4C4215, #6C5E1E, #8C7A26 and #AD962F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5E1E shade: #6C5E1E, #1E6C1F and #3E1E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5E1E shade: #6C5E1E, #1E6C5E and #5E1E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5E1E shade: #6C5E1E, #1E6C1F, #1E2C6C and #6C1E6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5E1E shade: #6C5E1E, #1E6C36, #1E2C6C and #6C1E53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

Complementary color

CMYK 35 / 28 / 0 / 12

HEX #93A1E1

RGB 147 161 225

HSL 229.23, 0.57%, 0.73%

LAB 67.37, 10.16, -33.96

 

CMYK 0 / 17 / 78 / 56

HEX #715E19

RGB 113 94 25

HSL 47.05, 0.64%, 0.27%

LAB 40.55, -0.18, 40.08

 

CMYK 0 / 14 / 66 / 49

HEX #82702C

RGB 130 112 44

HSL 47.44, 0.49%, 0.34%

LAB 47.64, -1.42, 39.3

 

CMYK 0 / 12 / 57 / 42

HEX #93823F

RGB 147 130 63

HSL 47.86, 0.4%, 0.41%

LAB 54.58, -2.38, 38.11

 

CMYK 0 / 10 / 50 / 36

HEX #A49452

RGB 164 148 82

HSL 48.29, 0.33%, 0.48%

LAB 61.38, -3.14, 36.82

 

CMYK 0 / 8 / 44 / 29

HEX #B5A665

RGB 181 166 101

HSL 48.75, 0.35%, 0.55%

LAB 68.05, -3.75, 35.54

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 16 / 88 / 64

HEX #5B4C0B

RGB 91 76 11

HSL 48.75, 0.78%, 0.2%

LAB 32.74, -0.9, 37.38

 

CMYK 0 / 22 / 100 / 71

HEX #4A3A00

RGB 74 58 0

HSL 47.03, 1%, 0.15%

LAB 25.2, 1.07, 34.35

 

CMYK 0 / 30 / 100 / 78

HEX #392800

RGB 57 40 0

HSL 42.11, 1%, 0.11%

LAB 17.4, 3.65, 25.26

 

CMYK 0 / 45 / 100 / 84

HEX #281600

RGB 40 22 0

HSL 33, 1%, 0.08%

LAB 9.2, 6.57, 13.9

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 32 / 72 / 58

HEX #6C491E

RGB 108 73 30

HSL 33.08, 0.57%, 0.27%

LAB 34.08, 10.34, 30.92

 

CMYK 0 / 52 / 72 / 58

HEX #6C341E

RGB 108 52 30

HSL 16.92, 0.57%, 0.27%

LAB 28.74, 23, 24.97

 

CMYK 0 / 71 / 72 / 58

HEX #6C1F1E

RGB 108 31 30

HSL 0.77, 0.57%, 0.27%

LAB 24.52, 34.02, 20

 

CMYK 0 / 72 / 72 / 58

HEX #6C1E1E

RGB 108 30 30

HSL 0, 0.57%, 0.27%

LAB 24.36, 34.46, 19.81

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 6 / 0 / 72 / 58

HEX #656C1E

RGB 101 108 30

HSL 65.38, 0.57%, 0.27%

LAB 43.63, -13.64, 40.63

 

CMYK 26 / 0 / 72 / 58

HEX #506C1E

RGB 80 108 30

HSL 81.54, 0.57%, 0.27%

LAB 42.04, -23.07, 38.5

 

CMYK 45 / 0 / 72 / 58

HEX #3B6C1E

RGB 59 108 30

HSL 97.69, 0.57%, 0.27%

LAB 40.81, -31.38, 36.85

 

CMYK 65 / 0 / 72 / 58

HEX #266C1E

RGB 38 108 30

HSL 113.85, 0.57%, 0.27%

LAB 39.97, -37.86, 35.69

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 15 / 85 / 53

HEX #776512

RGB 119 101 18

HSL 49.31, 0.74%, 0.27%

LAB 43.17, -1.66, 45.31

 

CMYK 0 / 17 / 95 / 49

HEX #826C07

RGB 130 108 7

HSL 49.27, 0.9%, 0.27%

LAB 46.29, -0.69, 51.17

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 10 / 58 / 62

HEX #615729

RGB 97 87 41

HSL 49.29, 0.41%, 0.27%

LAB 36.96, -2.62, 27.88

 

CMYK 0 / 7 / 40 / 66

HEX #565034

RGB 86 80 52

HSL 49.41, 0.25%, 0.27%

LAB 33.91, -2.33, 17.42

 

CMYK 0 / 3 / 16 / 71

HEX #4B493F

RGB 75 73 63

HSL 50, 0.09%, 0.27%

LAB 30.93, -1.19, 6.29

 

CMYK 14 / 12 / 0 / 71

HEX #40414A

RGB 64 65 74

HSL 234, 0.07%, 0.27%

LAB 27.75, 1.73, -5.59

 

CMYK 0 / 52 / 72 / 58

HEX #6C341E

RGB 108 52 30

HSL 16.92, 0.57%, 0.27%

LAB 28.74, 23, 24.97

 

CMYK 0 / 32 / 72 / 58

HEX #6C491E

RGB 108 73 30

HSL 33.08, 0.57%, 0.27%

LAB 34.08, 10.34, 30.92

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 6 / 0 / 72 / 58

HEX #666C1E

RGB 102 108 30

HSL 64.62, 0.57%, 0.27%

LAB 43.72, -13.18, 40.74

 

CMYK 25 / 0 / 72 / 58

HEX #516C1E

RGB 81 108 30

HSL 80.77, 0.57%, 0.27%

LAB 42.11, -22.64, 38.59

 

CMYK 0 / 12 / 72 / 83

HEX #2B260C

RGB 43 38 12

HSL 50.32, 0.56%, 0.11%

LAB 15.1, -1.86, 17.06

 

CMYK 0 / 13 / 72 / 70

HEX #4C4215

RGB 76 66 21

HSL 49.09, 0.57%, 0.19%

LAB 28.08, -1.85, 28.04

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 0 / 13 / 73 / 45

HEX #8C7A26

RGB 140 122 38

HSL 49.41, 0.57%, 0.35%

LAB 51.42, -2.82, 46.24

 

CMYK 0 / 13 / 73 / 32

HEX #AD962F

RGB 173 150 47

HSL 49.05, 0.57%, 0.43%

LAB 62.42, -2.78, 54.55

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 72 / 0 / 71 / 58

HEX #1E6C1F

RGB 30 108 31

HSL 120.77, 0.57%, 0.27%

LAB 39.75, -39.61, 34.95

 

CMYK 43 / 72 / 0 / 58

HEX #3E1E6C

RGB 62 30 108

HSL 264.62, 0.57%, 0.27%

LAB 20.19, 33.33, -39.75

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 72 / 0 / 13 / 58

HEX #1E6C5E

RGB 30 108 94

HSL 169.23, 0.57%, 0.27%

LAB 40.91, -26.93, 1.05

 

CMYK 13 / 72 / 0 / 58

HEX #5E1E6C

RGB 94 30 108

HSL 289.23, 0.57%, 0.27%

LAB 24.92, 40.77, -31.87

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 72 / 0 / 71 / 58

HEX #1E6C1F

RGB 30 108 31

HSL 120.77, 0.57%, 0.27%

LAB 39.75, -39.61, 34.95

 

CMYK 72 / 59 / 0 / 58

HEX #1E2C6C

RGB 30 44 108

HSL 229.23, 0.57%, 0.27%

LAB 20.67, 17.89, -39.09

 

CMYK 0 / 72 / 1 / 58

HEX #6C1E6B

RGB 108 30 107

HSL 300.77, 0.57%, 0.27%

LAB 27.24, 44.06, -27.4

 

CMYK 0 / 13 / 72 / 58

HEX #6C5E1E

RGB 108 94 30

HSL 49.23, 0.57%, 0.27%

LAB 40.06, -2.33, 37.22

 

CMYK 72 / 0 / 50 / 58

HEX #1E6C36

RGB 30 108 54

HSL 138.46, 0.57%, 0.27%

LAB 40.03, -36.36, 23.49

 

CMYK 72 / 59 / 0 / 58

HEX #1E2C6C

RGB 30 44 108

HSL 229.23, 0.57%, 0.27%

LAB 20.67, 17.89, -39.09

 

CMYK 0 / 72 / 23 / 58

HEX #6C1E53

RGB 108 30 83

HSL 319.23, 0.57%, 0.27%

LAB 25.98, 40.06, -13.64

 

Description

Color code: HEX #6C5E1E | qconv.com Color code: HEX #6C5E1E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 94 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 94 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 72 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 72% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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