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Color name
HEX #3B3468

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B3468 it is the complementary color #C4CB97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B3468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B3468 shade: #403463, #514676, #625889, #736A9C and #847CAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B3468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B3468 shade: #3B3468, #2A2255, #191042, #08002F and #00001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B3468 shade: #3C3569, #4A3569, #583569, #663569 and #69355E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B3468 shade: #3C3569 and #353569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B3468 shade matches the following richer shades: #3C3569, #332876, #291B83, #200F90 and #17029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B3468 shade: #3C3569, #45425C, #4F4F50, #585B43 and #616836

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B3468 shade: #354A69, #353C69, #3C3569, #4A3569 and #583569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B3468 shade: #1D1932, #2C274E, #3C3569, #4C4385 and #5B51A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B3468 shade: #3B3468, #693558 and #436935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B3468 shade: #3B3468, #693C35 and #35693C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B3468 shade: #3B3468, #693558, #626935 and #356946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B3468 shade: #3B3468, #693548, #626935 and #356956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

Complementary color

CMYK 3 / 0 / 26 / 20

HEX #C4CB97

RGB 196 203 151

HSL 68.08, 0.33%, 0.69%

LAB 80, -10.96, 25.2

 

CMYK 35 / 47 / 0 / 61

HEX #403463

RGB 64 52 99

HSL 255.32, 0.31%, 0.3%

LAB 25.1, 17.35, -26

 

CMYK 31 / 41 / 0 / 54

HEX #514676

RGB 81 70 118

HSL 253.75, 0.26%, 0.37%

LAB 32.78, 16.38, -25.88

 

CMYK 28 / 36 / 0 / 46

HEX #625889

RGB 98 88 137

HSL 252.24, 0.22%, 0.44%

LAB 40.22, 15.58, -25.83

 

CMYK 26 / 32 / 0 / 39

HEX #736A9C

RGB 115 106 156

HSL 250.8, 0.2%, 0.51%

LAB 47.43, 14.9, -25.85

 

CMYK 25 / 29 / 0 / 31

HEX #847CAF

RGB 132 124 175

HSL 249.41, 0.24%, 0.59%

LAB 54.47, 14.31, -25.92

 

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

CMYK 51 / 60 / 0 / 67

HEX #2A2255

RGB 42 34 85

HSL 249.41, 0.43%, 0.23%

LAB 16.95, 18.85, -29.89

 

CMYK 62 / 76 / 0 / 74

HEX #191042

RGB 25 16 66

HSL 250.8, 0.61%, 0.16%

LAB 8.74, 20.67, -30.17

 

CMYK 83 / 100 / 0 / 82

HEX #08002F

RGB 8 0 47

HSL 250.21, 1%, 0.09%

LAB 2.32, 15.12, -26.78

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 30 / 50 / 0 / 59

HEX #4A3569

RGB 74 53 105

HSL 264.23, 0.33%, 0.31%

LAB 26.8, 21.53, -27.12

 

CMYK 16 / 50 / 0 / 59

HEX #583569

RGB 88 53 105

HSL 280.38, 0.33%, 0.31%

LAB 28.49, 25.96, -24.34

 

CMYK 3 / 50 / 0 / 59

HEX #663569

RGB 102 53 105

HSL 296.54, 0.33%, 0.31%

LAB 30.38, 30.52, -21.24

 

CMYK 0 / 50 / 10 / 59

HEX #69355E

RGB 105 53 94

HSL 312.69, 0.33%, 0.31%

LAB 30.3, 29.34, -14.26

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 50 / 50 / 0 / 59

HEX #353569

RGB 53 53 105

HSL 240, 0.33%, 0.31%

LAB 24.71, 15.43, -30.56

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 57 / 66 / 0 / 54

HEX #332876

RGB 51 40 118

HSL 248.46, 0.49%, 0.31%

LAB 22.05, 28.13, -43.21

 

CMYK 69 / 79 / 0 / 49

HEX #291B83

RGB 41 27 131

HSL 248.08, 0.66%, 0.31%

LAB 19.61, 38.74, -55.5

 

CMYK 78 / 90 / 0 / 44

HEX #200F90

RGB 32 15 144

HSL 247.91, 0.81%, 0.31%

LAB 18.64, 47.56, -65.3

 

CMYK 85 / 99 / 0 / 39

HEX #17029C

RGB 23 2 156

HSL 248.18, 0.97%, 0.31%

LAB 18.48, 54.54, -73

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 25 / 28 / 0 / 64

HEX #45425C

RGB 69 66 92

HSL 246.92, 0.16%, 0.31%

LAB 29.25, 7.69, -14.96

 

CMYK 1 / 1 / 0 / 69

HEX #4F4F50

RGB 79 79 80

HSL 240, 0.01%, 0.31%

LAB 33.63, 0.22, -0.59

 

CMYK 3 / 0 / 26 / 64

HEX #585B43

RGB 88 91 67

HSL 67.5, 0.15%, 0.31%

LAB 37.77, -5.77, 13.48

 

CMYK 7 / 0 / 48 / 59

HEX #616836

RGB 97 104 54

HSL 68.4, 0.32%, 0.31%

LAB 42.32, -11.12, 27.13

 

CMYK 50 / 30 / 0 / 59

HEX #354A69

RGB 53 74 105

HSL 215.77, 0.33%, 0.31%

LAB 31.05, 1.3, -20.56

 

CMYK 50 / 43 / 0 / 59

HEX #353C69

RGB 53 60 105

HSL 231.92, 0.33%, 0.31%

LAB 26.76, 10.65, -27.31

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 30 / 50 / 0 / 59

HEX #4A3569

RGB 74 53 105

HSL 264.23, 0.33%, 0.31%

LAB 26.8, 21.53, -27.12

 

CMYK 16 / 50 / 0 / 59

HEX #583569

RGB 88 53 105

HSL 280.38, 0.33%, 0.31%

LAB 28.49, 25.96, -24.34

 

CMYK 42 / 50 / 0 / 80

HEX #1D1932

RGB 29 25 50

HSL 249.6, 0.33%, 0.15%

LAB 10.46, 9.39, -15.92

 

CMYK 44 / 50 / 0 / 69

HEX #2C274E

RGB 44 39 78

HSL 247.69, 0.33%, 0.23%

LAB 18.08, 13.51, -23.34

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 43 / 50 / 0 / 48

HEX #4C4385

RGB 76 67 133

HSL 248.18, 0.33%, 0.39%

LAB 32.36, 21.32, -35.91

 

CMYK 43 / 49 / 0 / 37

HEX #5B51A0

RGB 91 81 160

HSL 247.59, 0.33%, 0.47%

LAB 38.98, 24.55, -41.68

 

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

CMYK 0 / 50 / 16 / 59

HEX #693558

RGB 105 53 88

HSL 319.62, 0.33%, 0.31%

LAB 30.04, 28.24, -10.77

 

CMYK 36 / 0 / 50 / 59

HEX #436935

RGB 67 105 53

HSL 103.85, 0.33%, 0.31%

LAB 40.5, -24.32, 24.96

 

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 50 / 0 / 43 / 59

HEX #35693C

RGB 53 105 60

HSL 128.08, 0.33%, 0.31%

LAB 39.89, -28.04, 20.06

 

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

CMYK 0 / 50 / 16 / 59

HEX #693558

RGB 105 53 88

HSL 319.62, 0.33%, 0.31%

LAB 30.04, 28.24, -10.77

 

CMYK 7 / 0 / 50 / 59

HEX #626935

RGB 98 105 53

HSL 68.08, 0.33%, 0.31%

LAB 42.7, -11.35, 28.16

 

CMYK 50 / 0 / 33 / 59

HEX #356946

RGB 53 105 70

HSL 139.62, 0.33%, 0.31%

LAB 40.08, -26.1, 14.45

 

CMYK 43 / 50 / 0 / 59

HEX #3B3468

RGB 59 52 104

HSL 248.08, 0.33%, 0.31%

LAB 24.91, 17.43, -29.57

 

CMYK 0 / 50 / 31 / 59

HEX #693548

RGB 105 53 72

HSL 338.08, 0.33%, 0.31%

LAB 29.46, 25.62, -1.2

 

CMYK 7 / 0 / 50 / 59

HEX #626935

RGB 98 105 53

HSL 68.08, 0.33%, 0.31%

LAB 42.7, -11.35, 28.16

 

CMYK 50 / 0 / 18 / 59

HEX #356956

RGB 53 105 86

HSL 158.08, 0.33%, 0.31%

LAB 40.46, -22.44, 5.35

 

Description

Color code: HEX #3B3468 | qconv.com Color code: HEX #3B3468 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 52 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 52 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 50 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 50% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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