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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #693C35 it is the complementary color #96C3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #693C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #693C35 shade: #6E3C30, #7F4E43, #906056, #A17269 and #B2847C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #693C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #693C35 shade: #693C35, #582A22, #47180F, #360600 and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #693C35 shade: #693C35 and #693535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #693C35 shade: #693C35, #694A35, #695835, #696635 and #5E6935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #693C35 shade matches the following richer shades: #693C35, #763328, #83291B, #90200F and #9C1702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #693C35 shade: #693C35, #5C4542, #504F4F, #43585B and #366168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #693C35 shade: #69354A, #69353C, #693C35, #694A35 and #695835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #693C35 shade: #321D19, #4E2C27, #693C35, #854C43 and #A05B51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #693C35 shade: #693C35, #586935 and #354369

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #693C35 shade: #693C35, #35693C and #3C3569

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #693C35 shade: #693C35, #586935, #356269 and #463569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #693C35 shade: #693C35, #486935, #356269 and #563569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

Complementary color

CMYK 26 / 3 / 0 / 21

HEX #96C3CA

RGB 150 195 202

HSL 188.08, 0.33%, 0.69%

LAB 75.93, -13.16, -8.36

 

CMYK 0 / 45 / 56 / 57

HEX #6E3C30

RGB 110 60 48

HSL 11.61, 0.39%, 0.31%

LAB 31.25, 20.61, 16.99

 

CMYK 0 / 39 / 47 / 50

HEX #7F4E43

RGB 127 78 67

HSL 11, 0.31%, 0.38%

LAB 38.49, 19.32, 15.18

 

CMYK 0 / 33 / 40 / 44

HEX #906056

RGB 144 96 86

HSL 10.34, 0.25%, 0.45%

LAB 45.59, 18.24, 13.67

 

CMYK 0 / 29 / 35 / 37

HEX #A17269

RGB 161 114 105

HSL 9.64, 0.23%, 0.52%

LAB 52.54, 17.32, 12.37

 

CMYK 0 / 26 / 30 / 30

HEX #B2847C

RGB 178 132 124

HSL 8.89, 0.26%, 0.59%

LAB 59.36, 16.53, 11.23

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 52 / 61 / 65

HEX #582A22

RGB 88 42 34

HSL 8.89, 0.44%, 0.24%

LAB 23.16, 20.32, 14.87

 

CMYK 0 / 66 / 79 / 72

HEX #47180F

RGB 71 24 15

HSL 9.64, 0.65%, 0.17%

LAB 15.63, 21.88, 17.16

 

CMYK 0 / 89 / 100 / 79

HEX #360600

RGB 54 6 0

HSL 6.67, 1%, 0.11%

LAB 8.26, 23.22, 12.91

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 50 / 50 / 59

HEX #693535

RGB 105 53 53

HSL 0, 0.33%, 0.31%

LAB 28.92, 23.12, 10.52

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 30 / 50 / 59

HEX #694A35

RGB 105 74 53

HSL 24.23, 0.33%, 0.31%

LAB 34.31, 10.34, 17.73

 

CMYK 0 / 16 / 50 / 59

HEX #695835

RGB 105 88 53

HSL 40.38, 0.33%, 0.31%

LAB 38.27, 1.79, 22.82

 

CMYK 0 / 3 / 50 / 59

HEX #696635

RGB 105 102 53

HSL 56.54, 0.33%, 0.31%

LAB 42.4, -6.47, 27.95

 

CMYK 10 / 0 / 50 / 59

HEX #5E6935

RGB 94 105 53

HSL 72.69, 0.33%, 0.31%

LAB 42.37, -13.13, 27.69

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 57 / 66 / 54

HEX #763328

RGB 118 51 40

HSL 8.46, 0.49%, 0.31%

LAB 30.33, 28.51, 21.13

 

CMYK 0 / 69 / 79 / 49

HEX #83291B

RGB 131 41 27

HSL 8.08, 0.66%, 0.31%

LAB 30.62, 37.84, 29.96

 

CMYK 0 / 78 / 90 / 44

HEX #90200F

RGB 144 32 15

HSL 7.91, 0.81%, 0.31%

LAB 31.8, 45.52, 38.35

 

CMYK 0 / 85 / 99 / 39

HEX #9C1702

RGB 156 23 2

HSL 8.18, 0.97%, 0.31%

LAB 33.32, 51.65, 45.98

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 25 / 28 / 64

HEX #5C4542

RGB 92 69 66

HSL 6.92, 0.16%, 0.31%

LAB 31.64, 9.37, 5.63

 

CMYK 0 / 1 / 1 / 69

HEX #504F4F

RGB 80 79 79

HSL 0, 0.01%, 0.31%

LAB 33.69, 0.41, 0.14

 

CMYK 26 / 3 / 0 / 64

HEX #43585B

RGB 67 88 91

HSL 187.5, 0.15%, 0.31%

LAB 35.85, -7.19, -4.36

 

CMYK 48 / 7 / 0 / 59

HEX #366168

RGB 54 97 104

HSL 188.4, 0.32%, 0.31%

LAB 38.43, -12.85, -8.64

 

CMYK 0 / 50 / 30 / 59

HEX #69354A

RGB 105 53 74

HSL 335.77, 0.33%, 0.31%

LAB 29.52, 25.92, -2.41

 

CMYK 0 / 50 / 43 / 59

HEX #69353C

RGB 105 53 60

HSL 351.92, 0.33%, 0.31%

LAB 29.1, 23.96, 6.17

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 30 / 50 / 59

HEX #694A35

RGB 105 74 53

HSL 24.23, 0.33%, 0.31%

LAB 34.31, 10.34, 17.73

 

CMYK 0 / 16 / 50 / 59

HEX #695835

RGB 105 88 53

HSL 40.38, 0.33%, 0.31%

LAB 38.27, 1.79, 22.82

 

CMYK 0 / 42 / 50 / 80

HEX #321D19

RGB 50 29 25

HSL 9.6, 0.33%, 0.15%

LAB 13.39, 9.72, 7.03

 

CMYK 0 / 44 / 50 / 69

HEX #4E2C27

RGB 78 44 39

HSL 7.69, 0.33%, 0.23%

LAB 22.19, 15.05, 9.95

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 0 / 43 / 50 / 48

HEX #854C43

RGB 133 76 67

HSL 8.18, 0.33%, 0.39%

LAB 38.83, 23.05, 15.78

 

CMYK 0 / 43 / 49 / 37

HEX #A05B51

RGB 160 91 81

HSL 7.59, 0.33%, 0.47%

LAB 46.38, 27.15, 18.08

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 16 / 0 / 50 / 59

HEX #586935

RGB 88 105 53

HSL 79.62, 0.33%, 0.31%

LAB 41.9, -15.76, 27

 

CMYK 50 / 36 / 0 / 59

HEX #354369

RGB 53 67 105

HSL 223.85, 0.33%, 0.31%

LAB 28.88, 5.92, -23.96

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 50 / 0 / 43 / 59

HEX #35693C

RGB 53 105 60

HSL 128.08, 0.33%, 0.31%

LAB 39.89, -28.04, 20.06

 

CMYK 43 / 50 / 0 / 59

HEX #3C3569

RGB 60 53 105

HSL 248.08, 0.33%, 0.31%

LAB 25.34, 17.36, -29.52

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 16 / 0 / 50 / 59

HEX #586935

RGB 88 105 53

HSL 79.62, 0.33%, 0.31%

LAB 41.9, -15.76, 27

 

CMYK 50 / 7 / 0 / 59

HEX #356269

RGB 53 98 105

HSL 188.08, 0.33%, 0.31%

LAB 38.75, -13.39, -8.79

 

CMYK 33 / 50 / 0 / 59

HEX #463569

RGB 70 53 105

HSL 259.62, 0.33%, 0.31%

LAB 26.36, 20.3, -27.84

 

CMYK 0 / 43 / 50 / 59

HEX #693C35

RGB 105 60 53

HSL 8.08, 0.33%, 0.31%

LAB 30.62, 18.93, 12.83

 

CMYK 31 / 0 / 50 / 59

HEX #486935

RGB 72 105 53

HSL 98.08, 0.33%, 0.31%

LAB 40.8, -22.39, 25.4

 

CMYK 50 / 7 / 0 / 59

HEX #356269

RGB 53 98 105

HSL 188.08, 0.33%, 0.31%

LAB 38.75, -13.39, -8.79

 

CMYK 18 / 50 / 0 / 59

HEX #563569

RGB 86 53 105

HSL 278.08, 0.33%, 0.31%

LAB 28.23, 25.32, -24.76

 

Description

Color code: HEX #693C35 | qconv.com Color code: HEX #693C35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 60 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 60 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 50 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 50% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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