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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AFACA it is the complementary color #C50535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AFACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AFACA shade: #3FFAC5, #50FFD8, #61FFEB, #72FFFE and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AFACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AFACA shade: #3AFACA, #29E8B7, #18D6A4, #07C491 and #00B27E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AFACA shade: #38FAC9, #38FA95, #38FA61, #44FA38 and #78FA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AFACA shade: #38FAC9, #38F6FA, #38C2FA, #388EFA and #3859FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AFACA shade matches the following richer shades: #38FAC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AFACA shade: #38FAC9, #49E9C1, #59D9B9, #6AC8B1 and #7AB8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AFACA shade: #38FA62, #38FA96, #38FAC9, #38F7FA and #38C3FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AFACA shade: #06DAA5, #10F9BF, #38FAC9, #60FBD4 and #89FCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AFACA shade: #3AFACA, #3842FA and #FA7C38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AFACA shade: #3AFACA, #C938FA and #FAC938

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AFACA shade: #3AFACA, #3842FA, #FA3869 and #FAF038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AFACA shade: #3AFACA, #6938FA, #FA3869 and #C9FA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

Complementary color

CMYK 0 / 97 / 73 / 23

HEX #C50535

RGB 197 5 53

HSL 345, 0.95%, 0.4%

LAB 41.59, 66.58, 30.25

 

CMYK 75 / 0 / 21 / 2

HEX #3FFAC5

RGB 63 250 197

HSL 162.99, 0.95%, 0.61%

LAB 88.67, -57.69, 12.44

 

CMYK 69 / 0 / 15 / 0

HEX #50FFD8

RGB 80 255 216

HSL 166.63, 1%, 0.66%

LAB 90.86, -53.09, 5.8

 

CMYK 62 / 0 / 8 / 0

HEX #61FFEB

RGB 97 255 235

HSL 172.41, 1%, 0.69%

LAB 91.71, -45.89, -2.76

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFE

RGB 114 255 254

HSL 179.57, 1%, 0.72%

LAB 92.69, -38.16, -11.11

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

CMYK 82 / 0 / 21 / 9

HEX #29E8B7

RGB 41 232 183

HSL 164.61, 0.81%, 0.54%

LAB 82.7, -56.07, 11.21

 

CMYK 89 / 0 / 23 / 16

HEX #18D6A4

RGB 24 214 164

HSL 164.21, 0.8%, 0.47%

LAB 76.66, -54.76, 12.66

 

CMYK 96 / 0 / 26 / 23

HEX #07C491

RGB 7 196 145

HSL 163.81, 0.93%, 0.4%

LAB 70.57, -53.06, 14.25

 

CMYK 100 / 0 / 29 / 30

HEX #00B27E

RGB 0 178 126

HSL 162.47, 1%, 0.35%

LAB 64.44, -50.9, 16

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 78 / 0 / 40 / 2

HEX #38FA95

RGB 56 250 149

HSL 148.76, 0.95%, 0.6%

LAB 87.67, -68.32, 35.46

 

CMYK 78 / 0 / 61 / 2

HEX #38FA61

RGB 56 250 97

HSL 132.68, 0.95%, 0.6%

LAB 87.03, -75.85, 58.82

 

CMYK 73 / 0 / 78 / 2

HEX #44FA38

RGB 68 250 56

HSL 116.29, 0.95%, 0.6%

LAB 86.94, -77.7, 73.58

 

CMYK 52 / 0 / 78 / 2

HEX #78FA38

RGB 120 250 56

HSL 100.21, 0.95%, 0.6%

LAB 88.28, -66.71, 75.33

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 78 / 2 / 0 / 2

HEX #38F6FA

RGB 56 246 250

HSL 181.24, 0.95%, 0.6%

LAB 88.76, -43.02, -15.03

 

CMYK 78 / 22 / 0 / 2

HEX #38C2FA

RGB 56 194 250

HSL 197.32, 0.95%, 0.6%

LAB 73.76, -17.97, -37.93

 

CMYK 78 / 43 / 0 / 2

HEX #388EFA

RGB 56 142 250

HSL 213.4, 0.95%, 0.6%

LAB 59.06, 11.37, -61.14

 

CMYK 78 / 64 / 0 / 2

HEX #3859FA

RGB 56 89 250

HSL 229.79, 0.95%, 0.6%

LAB 45.48, 44.11, -83.17

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 69 / 0 / 17 / 9

HEX #49E9C1

RGB 73 233 193

HSL 165, 0.78%, 0.6%

LAB 83.73, -50.5, 7.5

 

CMYK 59 / 0 / 15 / 15

HEX #59D9B9

RGB 89 217 185

HSL 165, 0.63%, 0.6%

LAB 79.19, -42.95, 5.24

 

CMYK 47 / 0 / 12 / 22

HEX #6AC8B1

RGB 106 200 177

HSL 165.32, 0.46%, 0.6%

LAB 74.54, -33.47, 2.89

 

CMYK 34 / 0 / 9 / 28

HEX #7AB8A8

RGB 122 184 168

HSL 164.52, 0.3%, 0.6%

LAB 70.35, -23.51, 1.79

 

CMYK 78 / 0 / 61 / 2

HEX #38FA62

RGB 56 250 98

HSL 132.99, 0.95%, 0.6%

LAB 87.04, -75.74, 58.41

 

CMYK 78 / 0 / 40 / 2

HEX #38FA96

RGB 56 250 150

HSL 149.07, 0.95%, 0.6%

LAB 87.69, -68.15, 34.98

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 78 / 1 / 0 / 2

HEX #38F7FA

RGB 56 247 250

HSL 180.93, 0.95%, 0.6%

LAB 89.05, -43.47, -14.6

 

CMYK 78 / 22 / 0 / 2

HEX #38C3FA

RGB 56 195 250

HSL 197.01, 0.95%, 0.6%

LAB 74.04, -18.49, -37.49

 

CMYK 97 / 0 / 24 / 15

HEX #06DAA5

RGB 6 218 165

HSL 165, 0.95%, 0.44%

LAB 77.81, -56.76, 13.75

 

CMYK 94 / 0 / 23 / 2

HEX #10F9BF

RGB 16 249 191

HSL 165.06, 0.95%, 0.52%

LAB 87.79, -62.06, 14.23

 

CMYK 78 / 0 / 20 / 2

HEX #38FAC9

RGB 56 250 201

HSL 164.85, 0.95%, 0.6%

LAB 88.65, -57.5, 10.33

 

CMYK 62 / 0 / 16 / 2

HEX #60FBD4

RGB 96 251 212

HSL 164.9, 0.95%, 0.68%

LAB 89.97, -49.92, 6.62

 

CMYK 46 / 0 / 12 / 1

HEX #89FCDF

RGB 137 252 223

HSL 164.87, 0.95%, 0.76%

LAB 91.8, -39.49, 3.74

 

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

CMYK 78 / 74 / 0 / 2

HEX #3842FA

RGB 56 66 250

HSL 236.91, 0.95%, 0.6%

LAB 40.64, 57.35, -91.15

 

CMYK 0 / 50 / 78 / 2

HEX #FA7C38

RGB 250 124 56

HSL 21.03, 0.95%, 0.6%

LAB 65.77, 43.91, 57.19

 

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

CMYK 20 / 78 / 0 / 2

HEX #C938FA

RGB 201 56 250

HSL 284.85, 0.95%, 0.6%

LAB 54.18, 80.6, -68.39

 

CMYK 0 / 20 / 78 / 2

HEX #FAC938

RGB 250 201 56

HSL 44.85, 0.95%, 0.6%

LAB 83.12, 4.12, 73.52

 

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

CMYK 78 / 74 / 0 / 2

HEX #3842FA

RGB 56 66 250

HSL 236.91, 0.95%, 0.6%

LAB 40.64, 57.35, -91.15

 

CMYK 0 / 78 / 58 / 2

HEX #FA3869

RGB 250 56 105

HSL 344.85, 0.95%, 0.6%

LAB 56.26, 73.52, 19.61

 

CMYK 0 / 4 / 78 / 2

HEX #FAF038

RGB 250 240 56

HSL 56.91, 0.95%, 0.6%

LAB 92.98, -15.45, 82.38

 

CMYK 77 / 0 / 19 / 2

HEX #3AFACA

RGB 58 250 202

HSL 165, 0.95%, 0.6%

LAB 88.7, -57.06, 9.89

 

CMYK 58 / 78 / 0 / 2

HEX #6938FA

RGB 105 56 250

HSL 255.15, 0.95%, 0.6%

LAB 42.36, 66.64, -88.19

 

CMYK 0 / 78 / 58 / 2

HEX #FA3869

RGB 250 56 105

HSL 344.85, 0.95%, 0.6%

LAB 56.26, 73.52, 19.61

 

CMYK 20 / 0 / 78 / 2

HEX #C9FA38

RGB 201 250 56

HSL 75.15, 0.95%, 0.6%

LAB 92.16, -39.74, 80.34

 

Description

Color code: HEX #3AFACA | qconv.com Color code: HEX #3AFACA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 250 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 250 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 19% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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