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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ABE1F it is the complementary color #C541E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ABE1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3ABE1F: #3FBE1A, #50D02D, #61E240, #72F453 and #83FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ABE1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3ABE1F: #3ABE1F, #29AC0C, #189A00, #078800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

Complementary color

CMYK 12 / 71 / 0 / 12

HEX #C541E0

RGB 197 65 224

HSL 289.81, 0.72%, 0.57%

LAB 52.99, 72.19, -55.75

 

CMYK 67 / 0 / 86 / 25

HEX #3FBE1A

RGB 63 190 26

HSL 106.46, 0.76%, 0.42%

LAB 67.99, -61.44, 63.88

 

CMYK 62 / 0 / 78 / 18

HEX #50D02D

RGB 80 208 45

HSL 107.12, 0.64%, 0.5%

LAB 74.19, -62.79, 64.77

 

CMYK 57 / 0 / 72 / 11

HEX #61E240

RGB 97 226 64

HSL 107.78, 0.74%, 0.57%

LAB 80.35, -63.7, 64.77

 

CMYK 53 / 0 / 66 / 4

HEX #72F453

RGB 114 244 83

HSL 108.45, 0.88%, 0.64%

LAB 86.46, -64.29, 64.24

 

CMYK 49 / 0 / 60 / 0

HEX #83FF66

RGB 131 255 102

HSL 108.63, 1%, 0.7%

LAB 90.46, -62.05, 61.11

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 76 / 0 / 93 / 33

HEX #29AC0C

RGB 41 172 12

HSL 109.13, 0.87%, 0.36%

LAB 61.66, -60.19, 60.82

 

CMYK 84 / 0 / 100 / 40

HEX #189A00

RGB 24 154 0

HSL 110.65, 1%, 0.3%

LAB 55.39, -57.34, 57.32

 

CMYK 95 / 0 / 100 / 47

HEX #078800

RGB 7 136 0

HSL 116.91, 1%, 0.27%

LAB 49.07, -53.51, 52.2

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 82 / 0 / 84 / 26

HEX #21BC1E

RGB 33 188 30

HSL 118.86, 0.72%, 0.43%

LAB 66.81, -65.39, 61.69

 

CMYK 84 / 0 / 71 / 26

HEX #1EBC36

RGB 30 188 54

HSL 129.11, 0.72%, 0.43%

LAB 66.91, -64.06, 54.16

 

CMYK 84 / 0 / 57 / 26

HEX #1EBC50

RGB 30 188 80

HSL 138.99, 0.72%, 0.43%

LAB 67.14, -61.15, 43.27

 

CMYK 84 / 0 / 43 / 26

HEX #1EBC6B

RGB 30 188 107

HSL 149.24, 0.72%, 0.43%

LAB 67.5, -56.84, 30.29

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 69 / 0 / 84 / 5

HEX #4AF127

RGB 74 241 39

HSL 109.6, 0.88%, 0.55%

LAB 84.23, -74.87, 75.49

 

CMYK 70 / 0 / 84 / 85

HEX #0B2506

RGB 11 37 6

HSL 110.32, 0.72%, 0.08%

LAB 12.01, -17.65, 14.98

 

CMYK 69 / 0 / 84 / 65

HEX #1B580E

RGB 27 88 14

HSL 109.46, 0.73%, 0.2%

LAB 32.36, -34.21, 34.37

 

CMYK 70 / 0 / 83 / 45

HEX #2A8B17

RGB 42 139 23

HSL 110.17, 0.72%, 0.32%

LAB 50.71, -48.84, 48.88

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 84 / 2 / 0 / 26

HEX #1EB9BC

RGB 30 185 188

HSL 181.14, 0.72%, 0.43%

LAB 68.46, -35.54, -12.3

 

CMYK 0 / 84 / 35 / 26

HEX #BC1E7A

RGB 188 30 122

HSL 325.06, 0.72%, 0.43%

LAB 42.8, 65.69, -11.59

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 84 / 69 / 0 / 26

HEX #1E3BBC

RGB 30 59 188

HSL 228.99, 0.72%, 0.43%

LAB 31.89, 38.55, -70.02

 

CMYK 0 / 84 / 69 / 26

HEX #BC1E3B

RGB 188 30 59

HSL 348.99, 0.72%, 0.43%

LAB 41.11, 60.78, 25.53

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 84 / 2 / 0 / 26

HEX #1EB9BC

RGB 30 185 188

HSL 181.14, 0.72%, 0.43%

LAB 68.46, -35.54, -12.3

 

CMYK 15 / 84 / 0 / 26

HEX #9F1EBC

RGB 159 30 188

HSL 288.99, 0.72%, 0.43%

LAB 41.11, 69.18, -54.41

 

CMYK 0 / 82 / 84 / 26

HEX #BC211E

RGB 188 33 30

HSL 1.14, 0.72%, 0.43%

LAB 41.01, 58.99, 42.33

 

CMYK 69 / 0 / 84 / 25

HEX #3ABE1F

RGB 58 190 31

HSL 109.81, 0.72%, 0.43%

LAB 67.89, -62.21, 62.58

 

CMYK 84 / 27 / 0 / 26

HEX #1E8ABC

RGB 30 138 188

HSL 198.99, 0.72%, 0.43%

LAB 54.12, -11.41, -34.28

 

CMYK 15 / 84 / 0 / 26

HEX #9F1EBC

RGB 159 30 188

HSL 288.99, 0.72%, 0.43%

LAB 41.11, 69.18, -54.41

 

CMYK 0 / 57 / 84 / 26

HEX #BC501E

RGB 188 80 30

HSL 18.99, 0.72%, 0.43%

LAB 47.65, 40.97, 48.28

 

Description

Color code: HEX #3ABE1F | qconv.com Color code: HEX #3ABE1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 190 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 190 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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