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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB683 it is the complementary color #C5497C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3AB683: #3FB67E, #50C891, #61DAA4, #72ECB7 and #83FECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3AB683: #3AB683, #29A470, #18925D, #07804A and #006E37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

Complementary color

CMYK 0 / 63 / 37 / 23

HEX #C5497C

RGB 197 73 124

HSL 335.32, 0.52%, 0.53%

LAB 49.61, 54, -2.49

 

CMYK 65 / 0 / 31 / 29

HEX #3FB67E

RGB 63 182 126

HSL 151.76, 0.49%, 0.48%

LAB 66.53, -46.25, 19.02

 

CMYK 60 / 0 / 28 / 22

HEX #50C891

RGB 80 200 145

HSL 152.5, 0.52%, 0.55%

LAB 72.93, -46.43, 17.7

 

CMYK 56 / 0 / 25 / 15

HEX #61DAA4

RGB 97 218 164

HSL 153.22, 0.62%, 0.62%

LAB 79.25, -46.46, 16.5

 

CMYK 52 / 0 / 22 / 7

HEX #72ECB7

RGB 114 236 183

HSL 153.93, 0.76%, 0.69%

LAB 85.5, -46.4, 15.39

 

CMYK 48 / 0 / 20 / 0

HEX #83FECA

RGB 131 254 202

HSL 154.63, 0.98%, 0.75%

LAB 91.67, -46.29, 14.36

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 75 / 0 / 32 / 36

HEX #29A470

RGB 41 164 112

HSL 154.63, 0.6%, 0.4%

LAB 60.06, -45.51, 17.7

 

CMYK 84 / 0 / 36 / 43

HEX #18925D

RGB 24 146 93

HSL 153.93, 0.72%, 0.33%

LAB 53.54, -44.58, 19.31

 

CMYK 95 / 0 / 42 / 50

HEX #07804A

RGB 7 128 74

HSL 153.22, 0.9%, 0.26%

LAB 46.95, -43.06, 21.13

 

CMYK 100 / 0 / 50 / 57

HEX #006E37

RGB 0 110 55

HSL 150, 1%, 0.22%

LAB 40.29, -40.66, 23.17

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 69 / 0 / 17 / 29

HEX #39B697

RGB 57 182 151

HSL 165.12, 0.52%, 0.47%

LAB 66.95, -41.49, 5.91

 

CMYK 69 / 0 / 6 / 29

HEX #39B6AB

RGB 57 182 171

HSL 174.72, 0.52%, 0.47%

LAB 67.48, -36.21, -4.34

 

CMYK 69 / 6 / 0 / 29

HEX #39ABB6

RGB 57 171 182

HSL 185.28, 0.52%, 0.47%

LAB 64.46, -27.77, -14.95

 

CMYK 69 / 17 / 0 / 29

HEX #3997B6

RGB 57 151 182

HSL 194.88, 0.52%, 0.47%

LAB 58.4, -17.46, -24.19

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 68 / 0 / 28 / 9

HEX #4AE9A8

RGB 74 233 168

HSL 155.47, 0.78%, 0.6%

LAB 83.21, -55.99, 19.83

 

CMYK 69 / 0 / 28 / 89

HEX #091D15

RGB 9 29 21

HSL 156, 0.53%, 0.07%

LAB 8.92, -10.27, 3.01

 

CMYK 69 / 0 / 28 / 69

HEX #19503A

RGB 25 80 58

HSL 156, 0.52%, 0.21%

LAB 30.03, -24.02, 7.76

 

CMYK 68 / 0 / 28 / 49

HEX #2A835E

RGB 42 131 94

HSL 155.06, 0.51%, 0.34%

LAB 48.92, -35.51, 12.48

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 69 / 54 / 0 / 29

HEX #3954B6

RGB 57 84 182

HSL 227.04, 0.52%, 0.47%

LAB 38.88, 23.05, -55.02

 

CMYK 0 / 56 / 69 / 29

HEX #B65039

RGB 182 80 57

HSL 11.04, 0.52%, 0.47%

LAB 46.95, 39.8, 33.5

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 29 / 69 / 0 / 29

HEX #8239B6

RGB 130 57 182

HSL 275.04, 0.52%, 0.47%

LAB 39.66, 53, -53.42

 

CMYK 0 / 29 / 69 / 29

HEX #B68239

RGB 182 130 57

HSL 35.04, 0.52%, 0.47%

LAB 58.23, 12.78, 46.17

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 69 / 54 / 0 / 29

HEX #3954B6

RGB 57 84 182

HSL 227.04, 0.52%, 0.47%

LAB 38.88, 23.05, -55.02

 

CMYK 0 / 69 / 40 / 29

HEX #B6396D

RGB 182 57 109

HSL 335.04, 0.52%, 0.47%

LAB 44.2, 54.41, -1.59

 

CMYK 0 / 15 / 69 / 29

HEX #B69B39

RGB 182 155 57

HSL 47.04, 0.52%, 0.47%

LAB 64.71, -0.96, 53.02

 

CMYK 68 / 0 / 28 / 29

HEX #3AB683

RGB 58 182 131

HSL 155.32, 0.52%, 0.47%

LAB 66.52, -46.05, 16.26

 

CMYK 63 / 69 / 0 / 29

HEX #4339B6

RGB 67 57 182

HSL 244.8, 0.52%, 0.47%

LAB 32.91, 41.54, -64.71

 

CMYK 0 / 69 / 40 / 29

HEX #B6396D

RGB 182 57 109

HSL 335.04, 0.52%, 0.47%

LAB 44.2, 54.41, -1.59

 

CMYK 6 / 0 / 69 / 29

HEX #ABB639

RGB 171 182 57

HSL 65.28, 0.52%, 0.47%

LAB 71.15, -19.81, 59.28

 

Description

Color code: HEX #3AB683 | qconv.com Color code: HEX #3AB683 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 182 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 182 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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