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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A99D8 it is the complementary color #C56627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A99D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A99D8 shade: #3F99D3, #50ABE6, #61BDF9, #72CFFF and #83E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A99D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A99D8 shade: #3A99D8, #2987C5, #1875B2, #07639F and #00518C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A99D8 shade: #3B99D8, #3B6FD8, #3B44D8, #5B3BD8 and #863BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A99D8 shade: #3B99D8, #3B6FD8, #3B44D8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A99D8 shade matches the following richer shades: #3B99D8, #289DEB and #15A1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A99D8 shade: #3B99D8, #4E95C5, #6191B2, #748E9F and #878A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A99D8 shade: #3BD8C0, #3BC5D8, #3B9CD8, #3B72D8 and #3B48D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A99D8 shade: #1F6DA1, #2684C3, #3B99D8, #5DABDF and #80BDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A99D8 shade: #3A99D8, #963BD8 and #D8D53B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A99D8 shade: #3A99D8, #D83B9C and #9CD83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A99D8 shade: #3A99D8, #963BD8, #D8773B and #7CD83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A99D8 shade: #3A99D8, #C53BD8, #D8773B and #4DD83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

Complementary color

CMYK 0 / 48 / 80 / 23

HEX #C56627

RGB 197 102 39

HSL 23.92, 0.67%, 0.46%

LAB 53.51, 33.63, 50.25

 

CMYK 70 / 27 / 0 / 17

HEX #3F99D3

RGB 63 153 211

HSL 203.51, 0.63%, 0.54%

LAB 60.38, -8, -37.42

 

CMYK 65 / 26 / 0 / 10

HEX #50ABE6

RGB 80 171 230

HSL 203.6, 0.75%, 0.61%

LAB 66.93, -9.08, -37.65

 

CMYK 61 / 24 / 0 / 2

HEX #61BDF9

RGB 97 189 249

HSL 203.68, 0.93%, 0.68%

LAB 73.4, -9.95, -37.87

 

CMYK 55 / 19 / 0 / 0

HEX #72CFFF

RGB 114 207 255

HSL 200.43, 1%, 0.72%

LAB 79.28, -14.47, -31.93

 

CMYK 49 / 12 / 0 / 0

HEX #83E1FF

RGB 131 225 255

HSL 194.52, 1%, 0.76%

LAB 84.94, -20.13, -23.22

 

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

CMYK 79 / 31 / 0 / 23

HEX #2987C5

RGB 41 135 197

HSL 203.85, 0.66%, 0.47%

LAB 53.85, -5.38, -39.82

 

CMYK 87 / 34 / 0 / 30

HEX #1875B2

RGB 24 117 178

HSL 203.77, 0.76%, 0.4%

LAB 47.15, -3.34, -39.5

 

CMYK 96 / 38 / 0 / 38

HEX #07639F

RGB 7 99 159

HSL 203.68, 0.92%, 0.33%

LAB 40.36, -0.72, -39.1

 

CMYK 100 / 42 / 0 / 45

HEX #00518C

RGB 0 81 140

HSL 205.29, 1%, 0.27%

LAB 33.52, 2.69, -38.56

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 73 / 69 / 0 / 15

HEX #3B44D8

RGB 59 68 216

HSL 236.56, 0.67%, 0.54%

LAB 37.88, 45.35, -76.4

 

CMYK 58 / 73 / 0 / 15

HEX #5B3BD8

RGB 91 59 216

HSL 252.23, 0.67%, 0.54%

LAB 38.39, 54.12, -75.47

 

CMYK 38 / 73 / 0 / 15

HEX #863BD8

RGB 134 59 216

HSL 268.66, 0.67%, 0.54%

LAB 42.99, 60.82, -67.76

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 73 / 69 / 0 / 15

HEX #3B44D8

RGB 59 68 216

HSL 236.56, 0.67%, 0.54%

LAB 37.88, 45.35, -76.4

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 83 / 33 / 0 / 8

HEX #289DEB

RGB 40 157 235

HSL 204, 0.83%, 0.54%

LAB 62.14, -4.39, -48

 

CMYK 92 / 37 / 0 / 0

HEX #15A1FE

RGB 21 161 254

HSL 203.95, 0.99%, 0.54%

LAB 64, -0.87, -55.47

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 60 / 24 / 0 / 23

HEX #4E95C5

RGB 78 149 197

HSL 204.2, 0.51%, 0.54%

LAB 59.11, -7.86, -31.5

 

CMYK 46 / 19 / 0 / 30

HEX #6191B2

RGB 97 145 178

HSL 204.44, 0.34%, 0.54%

LAB 58.04, -7.16, -22.33

 

CMYK 27 / 11 / 0 / 38

HEX #748E9F

RGB 116 142 159

HSL 203.72, 0.18%, 0.54%

LAB 57.62, -5.14, -12.02

 

CMYK 4 / 1 / 0 / 45

HEX #878A8C

RGB 135 138 140

HSL 204, 0.02%, 0.54%

LAB 57.29, -0.7, -1.46

 

CMYK 73 / 0 / 11 / 15

HEX #3BD8C0

RGB 59 216 192

HSL 170.83, 0.67%, 0.54%

LAB 78.37, -45.44, 0.24

 

CMYK 73 / 9 / 0 / 15

HEX #3BC5D8

RGB 59 197 216

HSL 187.26, 0.67%, 0.54%

LAB 73.43, -29.96, -20.06

 

CMYK 73 / 28 / 0 / 15

HEX #3B9CD8

RGB 59 156 216

HSL 202.93, 0.67%, 0.54%

LAB 61.36, -8.53, -38.66

 

CMYK 73 / 47 / 0 / 15

HEX #3B72D8

RGB 59 114 216

HSL 218.98, 0.67%, 0.54%

LAB 49.4, 16.56, -57.65

 

CMYK 73 / 67 / 0 / 15

HEX #3B48D8

RGB 59 72 216

HSL 235.03, 0.67%, 0.54%

LAB 38.76, 42.96, -74.95

 

CMYK 81 / 32 / 0 / 37

HEX #1F6DA1

RGB 31 109 161

HSL 204, 0.68%, 0.38%

LAB 43.95, -4.35, -34.59

 

CMYK 81 / 32 / 0 / 24

HEX #2684C3

RGB 38 132 195

HSL 204.08, 0.67%, 0.46%

LAB 52.79, -4.66, -40.35

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 58 / 23 / 0 / 13

HEX #5DABDF

RGB 93 171 223

HSL 204, 0.67%, 0.62%

LAB 67.11, -8.98, -33.49

 

CMYK 44 / 17 / 0 / 10

HEX #80BDE5

RGB 128 189 229

HSL 203.76, 0.66%, 0.7%

LAB 73.96, -9.22, -26.08

 

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

CMYK 31 / 73 / 0 / 15

HEX #963BD8

RGB 150 59 216

HSL 274.78, 0.67%, 0.54%

LAB 45.04, 63.69, -64.34

 

CMYK 0 / 1 / 73 / 15

HEX #D8D53B

RGB 216 213 59

HSL 58.85, 0.67%, 0.54%

LAB 83.18, -16.21, 71.48

 

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

CMYK 0 / 73 / 28 / 15

HEX #D83B9C

RGB 216 59 156

HSL 322.93, 0.67%, 0.54%

LAB 51.98, 68.35, -17.74

 

CMYK 28 / 0 / 73 / 15

HEX #9CD83B

RGB 156 216 59

HSL 82.93, 0.67%, 0.54%

LAB 79.89, -41.62, 66.89

 

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

CMYK 31 / 73 / 0 / 15

HEX #963BD8

RGB 150 59 216

HSL 274.78, 0.67%, 0.54%

LAB 45.04, 63.69, -64.34

 

CMYK 0 / 45 / 73 / 15

HEX #D8773B

RGB 216 119 59

HSL 22.93, 0.67%, 0.54%

LAB 59.99, 33.25, 48.37

 

CMYK 43 / 0 / 73 / 15

HEX #7CD83B

RGB 124 216 59

HSL 95.16, 0.67%, 0.54%

LAB 78.29, -52.7, 64.78

 

CMYK 73 / 29 / 0 / 15

HEX #3A99D8

RGB 58 153 216

HSL 203.92, 0.67%, 0.54%

LAB 60.46, -6.97, -40.08

 

CMYK 9 / 73 / 0 / 15

HEX #C53BD8

RGB 197 59 216

HSL 292.74, 0.67%, 0.54%

LAB 51.79, 72.84, -53.13

 

CMYK 0 / 45 / 73 / 15

HEX #D8773B

RGB 216 119 59

HSL 22.93, 0.67%, 0.54%

LAB 59.99, 33.25, 48.37

 

CMYK 64 / 0 / 73 / 15

HEX #4DD83B

RGB 77 216 59

HSL 113.12, 0.67%, 0.54%

LAB 76.68, -65.2, 62.63

 

Description

Color code: HEX #3A99D8 | qconv.com Color code: HEX #3A99D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 153 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 153 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 29 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 29% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - UXPin: UX Design &am...
Link: http://www.uxpin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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