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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B6FD8 it is the complementary color #C49027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B6FD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B6FD8 shade: #406FD3, #5181E6, #6293F9, #73A5FF and #84B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B6FD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B6FD8 shade: #3B6FD8, #2A5DC5, #194BB2, #08399F and #00278C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B6FD8 shade: #3B6FD8, #3B44D8, #5B3BD8, #863BD8 and #B03BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B6FD8 shade: #3B6FD8, #3B44D8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B6FD8 shade matches the following richer shades: #3B6FD8, #2868EB and #1562FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B6FD8 shade: #3B6FD8, #4E75C5, #617BB2, #74829F and #87888C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B6FD8 shade: #3BC3D8, #3B99D8, #3B6FD8, #3B45D8 and #5A3BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B6FD8 shade: #1F4AA1, #265AC3, #3B6FD8, #5D88DF and #80A1E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B6FD8 shade: #3B6FD8, #C33BD8 and #AED83B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B6FD8 shade: #3B6FD8, #D83B6F and #6FD83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B6FD8 shade: #3B6FD8, #C33BD8, #D8A33B and #50D83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B6FD8 shade: #3B6FD8, #D83BBE, #D8A33B and #3BD855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

Complementary color

CMYK 0 / 27 / 80 / 23

HEX #C49027

RGB 196 144 39

HSL 40.13, 0.67%, 0.46%

LAB 63.2, 10.41, 59.12

 

CMYK 70 / 47 / 0 / 17

HEX #406FD3

RGB 64 111 211

HSL 220.82, 0.63%, 0.54%

LAB 48.46, 17.32, -56.31

 

CMYK 65 / 44 / 0 / 10

HEX #5181E6

RGB 81 129 230

HSL 220.67, 0.75%, 0.61%

LAB 55.24, 15.52, -56.12

 

CMYK 61 / 41 / 0 / 2

HEX #6293F9

RGB 98 147 249

HSL 220.53, 0.93%, 0.68%

LAB 61.92, 14.05, -55.94

 

CMYK 55 / 35 / 0 / 0

HEX #73A5FF

RGB 115 165 255

HSL 218.57, 1%, 0.73%

LAB 67.85, 8.75, -49.74

 

CMYK 48 / 28 / 0 / 0

HEX #84B7FF

RGB 132 183 255

HSL 215.12, 1%, 0.76%

LAB 73.54, 2.3, -40.76

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 79 / 53 / 0 / 23

HEX #2A5DC5

RGB 42 93 197

HSL 220.26, 0.65%, 0.47%

LAB 41.77, 20.87, -59.11

 

CMYK 86 / 58 / 0 / 30

HEX #194BB2

RGB 25 75 178

HSL 220.39, 0.75%, 0.4%

LAB 34.91, 23.88, -59.16

 

CMYK 95 / 64 / 0 / 38

HEX #08399F

RGB 8 57 159

HSL 220.53, 0.9%, 0.33%

LAB 28.06, 27.55, -58.97

 

CMYK 100 / 72 / 0 / 45

HEX #00278C

RGB 0 39 140

HSL 223.29, 1%, 0.27%

LAB 21.37, 31.82, -58.31

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 73 / 69 / 0 / 15

HEX #3B44D8

RGB 59 68 216

HSL 236.56, 0.67%, 0.54%

LAB 37.88, 45.35, -76.4

 

CMYK 58 / 73 / 0 / 15

HEX #5B3BD8

RGB 91 59 216

HSL 252.23, 0.67%, 0.54%

LAB 38.39, 54.12, -75.47

 

CMYK 38 / 73 / 0 / 15

HEX #863BD8

RGB 134 59 216

HSL 268.66, 0.67%, 0.54%

LAB 42.99, 60.82, -67.76

 

CMYK 19 / 73 / 0 / 15

HEX #B03BD8

RGB 176 59 216

HSL 284.71, 0.67%, 0.54%

LAB 48.66, 68.65, -58.32

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 73 / 69 / 0 / 15

HEX #3B44D8

RGB 59 68 216

HSL 236.56, 0.67%, 0.54%

LAB 37.88, 45.35, -76.4

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 83 / 56 / 0 / 8

HEX #2868EB

RGB 40 104 235

HSL 220.31, 0.83%, 0.54%

LAB 47.43, 28, -71.6

 

CMYK 92 / 61 / 0 / 0

HEX #1562FE

RGB 21 98 254

HSL 220.17, 0.99%, 0.54%

LAB 47.04, 37.88, -82.87

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 60 / 41 / 0 / 23

HEX #4E75C5

RGB 78 117 197

HSL 220.34, 0.51%, 0.54%

LAB 49.95, 11.05, -45.91

 

CMYK 46 / 31 / 0 / 30

HEX #617BB2

RGB 97 123 178

HSL 220.74, 0.34%, 0.54%

LAB 51.75, 5.62, -32.07

 

CMYK 27 / 18 / 0 / 38

HEX #74829F

RGB 116 130 159

HSL 220.47, 0.18%, 0.54%

LAB 54.22, 1.71, -17.17

 

CMYK 4 / 3 / 0 / 45

HEX #87888C

RGB 135 136 140

HSL 228, 0.02%, 0.54%

LAB 56.74, 0.44, -2.27

 

CMYK 73 / 10 / 0 / 15

HEX #3BC3D8

RGB 59 195 216

HSL 188.03, 0.67%, 0.54%

LAB 72.84, -28.99, -20.96

 

CMYK 73 / 29 / 0 / 15

HEX #3B99D8

RGB 59 153 216

HSL 204.08, 0.67%, 0.54%

LAB 60.49, -6.84, -40.03

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 73 / 68 / 0 / 15

HEX #3B45D8

RGB 59 69 216

HSL 236.18, 0.67%, 0.54%

LAB 38.1, 44.75, -76.04

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 81 / 54 / 0 / 37

HEX #1F4AA1

RGB 31 74 161

HSL 220.15, 0.68%, 0.38%

LAB 33.48, 18.32, -51.32

 

CMYK 81 / 54 / 0 / 24

HEX #265AC3

RGB 38 90 195

HSL 220.13, 0.67%, 0.46%

LAB 40.68, 21.67, -59.73

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 58 / 39 / 0 / 13

HEX #5D88DF

RGB 93 136 223

HSL 220.15, 0.67%, 0.62%

LAB 57.33, 11.13, -48.84

 

CMYK 44 / 30 / 0 / 10

HEX #80A1E5

RGB 128 161 229

HSL 220.4, 0.66%, 0.7%

LAB 66.32, 6.24, -37.89

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 10 / 73 / 0 / 15

HEX #C33BD8

RGB 195 59 216

HSL 291.97, 0.67%, 0.54%

LAB 51.48, 72.44, -53.63

 

CMYK 19 / 0 / 73 / 15

HEX #AED83B

RGB 174 216 59

HSL 76.05, 0.67%, 0.54%

LAB 80.98, -34.75, 68.32

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 0 / 73 / 49 / 15

HEX #D83B6F

RGB 216 59 111

HSL 340.13, 0.67%, 0.54%

LAB 50.54, 63.73, 7.12

 

CMYK 49 / 0 / 73 / 15

HEX #6FD83B

RGB 111 216 59

HSL 100.13, 0.67%, 0.54%

LAB 77.76, -56.67, 64.07

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 10 / 73 / 0 / 15

HEX #C33BD8

RGB 195 59 216

HSL 291.97, 0.67%, 0.54%

LAB 51.48, 72.44, -53.63

 

CMYK 0 / 25 / 73 / 15

HEX #D8A33B

RGB 216 163 59

HSL 39.75, 0.67%, 0.54%

LAB 70.25, 9.68, 58.93

 

CMYK 63 / 0 / 73 / 15

HEX #50D83B

RGB 80 216 59

HSL 111.97, 0.67%, 0.54%

LAB 76.76, -64.56, 62.73

 

CMYK 73 / 49 / 0 / 15

HEX #3B6FD8

RGB 59 111 216

HSL 220.13, 0.67%, 0.54%

LAB 48.58, 18.44, -58.97

 

CMYK 0 / 73 / 12 / 15

HEX #D83BBE

RGB 216 59 190

HSL 309.94, 0.67%, 0.54%

LAB 53.43, 72.83, -35.4

 

CMYK 0 / 25 / 73 / 15

HEX #D8A33B

RGB 216 163 59

HSL 39.75, 0.67%, 0.54%

LAB 70.25, 9.68, 58.93

 

CMYK 73 / 0 / 61 / 15

HEX #3BD855

RGB 59 216 85

HSL 129.94, 0.67%, 0.54%

LAB 76.5, -66, 51.98

 

Description

Color code: HEX #3B6FD8 | qconv.com Color code: HEX #3B6FD8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 111 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 111 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 49 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 49% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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