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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A9618 it is the complementary color #C569E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A9618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A9618 shade: #3F9613, #50A826, #61BA39, #72CC4C and #83DE5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A9618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A9618 shade: #3A9618, #298405, #187200, #076000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A9618 shade: #3A9518, #5C9518, #7D9518, #958B18 and #956A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A9618 shade: #3A9518, #189518, #18953A, #18955C and #18957D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A9618 shade matches the following richer shades: #3A9518 and #34A30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A9618 shade: #3A9518, #408726, #477934, #4D6B42 and #545D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A9618 shade: #7E9518, #5D9518, #3C9518, #1A9518 and #189537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A9618 shade: #1E4E0D, #2C7212, #3A9518, #48B91E and #56DB24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A9618 shade: #3A9618, #18958B and #95186E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A9618 shade: #3A9618, #183C95 and #95183C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A9618 shade: #3A9618, #18958B, #721895 and #951823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A9618 shade: #3A9618, #187A95, #721895 and #953318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

Complementary color

CMYK 15 / 55 / 0 / 9

HEX #C569E7

RGB 197 105 231

HSL 283.81, 0.72%, 0.66%

LAB 59.66, 56.24, -49.06

 

CMYK 58 / 0 / 87 / 41

HEX #3F9613

RGB 63 150 19

HSL 99.85, 0.78%, 0.33%

LAB 54.99, -47.87, 54.02

 

CMYK 52 / 0 / 77 / 34

HEX #50A826

RGB 80 168 38

HSL 100.62, 0.63%, 0.4%

LAB 61.53, -48.84, 54.84

 

CMYK 48 / 0 / 69 / 27

HEX #61BA39

RGB 97 186 57

HSL 101.4, 0.53%, 0.48%

LAB 67.99, -49.41, 54.65

 

CMYK 44 / 0 / 63 / 20

HEX #72CC4C

RGB 114 204 76

HSL 102.19, 0.56%, 0.55%

LAB 74.37, -49.72, 53.93

 

CMYK 41 / 0 / 57 / 13

HEX #83DE5F

RGB 131 222 95

HSL 102.99, 0.66%, 0.62%

LAB 80.68, -49.85, 52.96

 

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 79 / 0 / 100 / 55

HEX #187200

RGB 24 114 0

HSL 107.37, 1%, 0.22%

LAB 41.58, -44.83, 46.3

 

CMYK 93 / 0 / 100 / 62

HEX #076000

RGB 7 96 0

HSL 115.63, 1%, 0.19%

LAB 34.82, -41.32, 40.79

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 61 / 0 / 84 / 42

HEX #3A9518

RGB 58 149 24

HSL 103.68, 0.72%, 0.34%

LAB 54.51, -48.6, 52.26

 

CMYK 38 / 0 / 84 / 42

HEX #5C9518

RGB 92 149 24

HSL 87.36, 0.72%, 0.34%

LAB 55.92, -37.87, 54.06

 

CMYK 16 / 0 / 84 / 42

HEX #7D9518

RGB 125 149 24

HSL 71.52, 0.72%, 0.34%

LAB 57.96, -24.56, 56.64

 

CMYK 0 / 7 / 84 / 42

HEX #958B18

RGB 149 139 24

HSL 55.2, 0.72%, 0.34%

LAB 57, -8.62, 56.58

 

CMYK 0 / 29 / 84 / 42

HEX #956A18

RGB 149 106 24

HSL 39.36, 0.72%, 0.34%

LAB 47.96, 9.91, 48.77

 

CMYK 61 / 0 / 84 / 42

HEX #3A9518

RGB 58 149 24

HSL 103.68, 0.72%, 0.34%

LAB 54.51, -48.6, 52.26

 

CMYK 84 / 0 / 84 / 42

HEX #189518

RGB 24 149 24

HSL 120, 0.72%, 0.34%

LAB 53.77, -54.94, 51.3

 

CMYK 84 / 0 / 61 / 42

HEX #18953A

RGB 24 149 58

HSL 136.32, 0.72%, 0.34%

LAB 54.02, -51.77, 38.3

 

CMYK 84 / 0 / 38 / 42

HEX #18955C

RGB 24 149 92

HSL 152.64, 0.72%, 0.34%

LAB 54.51, -45.95, 21.18

 

CMYK 84 / 0 / 16 / 42

HEX #18957D

RGB 24 149 125

HSL 168.48, 0.72%, 0.34%

LAB 55.25, -37.95, 3.57

 

CMYK 61 / 0 / 84 / 42

HEX #3A9518

RGB 58 149 24

HSL 103.68, 0.72%, 0.34%

LAB 54.51, -48.6, 52.26

 

CMYK 68 / 0 / 94 / 36

HEX #34A30A

RGB 52 163 10

HSL 103.53, 0.88%, 0.34%

LAB 58.92, -55.37, 58.92

 

CMYK 61 / 0 / 84 / 42

HEX #3A9518

RGB 58 149 24

HSL 103.68, 0.72%, 0.34%

LAB 54.51, -48.6, 52.26

 

CMYK 53 / 0 / 72 / 47

HEX #408726

RGB 64 135 38

HSL 103.92, 0.56%, 0.34%

LAB 50.17, -40.59, 43.28

 

CMYK 41 / 0 / 57 / 53

HEX #477934

RGB 71 121 52

HSL 103.48, 0.4%, 0.34%

LAB 45.99, -30.72, 32.22

 

CMYK 28 / 0 / 38 / 58

HEX #4D6B42

RGB 77 107 66

HSL 103.9, 0.24%, 0.34%

LAB 41.98, -19.5, 19.56

 

CMYK 10 / 0 / 14 / 64

HEX #545D50

RGB 84 93 80

HSL 101.54, 0.08%, 0.34%

LAB 38.36, -6.27, 6.28

 

CMYK 15 / 0 / 84 / 42

HEX #7E9518

RGB 126 149 24

HSL 71.04, 0.72%, 0.34%

LAB 58.03, -24.13, 56.73

 

CMYK 38 / 0 / 84 / 42

HEX #5D9518

RGB 93 149 24

HSL 86.88, 0.72%, 0.34%

LAB 55.98, -37.5, 54.13

 

CMYK 60 / 0 / 84 / 42

HEX #3C9518

RGB 60 149 24

HSL 102.72, 0.72%, 0.34%

LAB 54.58, -48.08, 52.34

 

CMYK 83 / 0 / 84 / 42

HEX #1A9518

RGB 26 149 24

HSL 119.04, 0.72%, 0.34%

LAB 53.79, -54.7, 51.34

 

CMYK 84 / 0 / 63 / 42

HEX #189537

RGB 24 149 55

HSL 134.88, 0.72%, 0.34%

LAB 53.99, -52.15, 39.68

 

CMYK 62 / 0 / 83 / 69

HEX #1E4E0D

RGB 30 78 13

HSL 104.31, 0.71%, 0.18%

LAB 28.78, -29.38, 31.32

 

CMYK 61 / 0 / 84 / 55

HEX #2C7212

RGB 44 114 18

HSL 103.75, 0.73%, 0.26%

LAB 42.18, -39.54, 42.49

 

CMYK 61 / 0 / 84 / 42

HEX #3A9518

RGB 58 149 24

HSL 103.68, 0.72%, 0.34%

LAB 54.51, -48.6, 52.26

 

CMYK 61 / 0 / 84 / 27

HEX #48B91E

RGB 72 185 30

HSL 103.74, 0.72%, 0.42%

LAB 66.65, -57.59, 61.84

 

CMYK 61 / 0 / 84 / 14

HEX #56DB24

RGB 86 219 36

HSL 103.61, 0.72%, 0.5%

LAB 77.74, -65.56, 70.49

 

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

CMYK 84 / 0 / 7 / 42

HEX #18958B

RGB 24 149 139

HSL 175.2, 0.72%, 0.34%

LAB 55.64, -33.95, -3.88

 

CMYK 0 / 84 / 26 / 42

HEX #95186E

RGB 149 24 110

HSL 318.72, 0.72%, 0.34%

LAB 34.33, 56.43, -17.67

 

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

CMYK 84 / 60 / 0 / 42

HEX #183C95

RGB 24 60 149

HSL 222.72, 0.72%, 0.34%

LAB 28.37, 22.42, -52.36

 

CMYK 0 / 84 / 60 / 42

HEX #95183C

RGB 149 24 60

HSL 342.72, 0.72%, 0.34%

LAB 32.63, 51.49, 12.31

 

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

CMYK 84 / 0 / 7 / 42

HEX #18958B

RGB 24 149 139

HSL 175.2, 0.72%, 0.34%

LAB 55.64, -33.95, -3.88

 

CMYK 23 / 84 / 0 / 42

HEX #721895

RGB 114 24 149

HSL 283.2, 0.72%, 0.34%

LAB 30.4, 55.55, -48.68

 

CMYK 0 / 84 / 77 / 42

HEX #951823

RGB 149 24 35

HSL 354.72, 0.72%, 0.34%

LAB 32.18, 50.11, 27.89

 

CMYK 61 / 0 / 84 / 41

HEX #3A9618

RGB 58 150 24

HSL 103.81, 0.72%, 0.34%

LAB 54.84, -48.96, 52.56

 

CMYK 84 / 18 / 0 / 42

HEX #187A95

RGB 24 122 149

HSL 192.96, 0.72%, 0.34%

LAB 47.34, -17.01, -22.22

 

CMYK 23 / 84 / 0 / 42

HEX #721895

RGB 114 24 149

HSL 283.2, 0.72%, 0.34%

LAB 30.4, 55.55, -48.68

 

CMYK 0 / 66 / 84 / 42

HEX #953318

RGB 149 51 24

HSL 12.96, 0.72%, 0.34%

LAB 35.64, 39.84, 37.69

 

Description

Color code: HEX #3A9618 | qconv.com Color code: HEX #3A9618 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 150 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 150 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 84 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 84% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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