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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298405 it is the complementary color #D67BFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298405. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298405 shade: #2E8400, #3F9613, #50A826, #61BA39 and #72CC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298405. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298405 shade: #298405, #187200, #076000, #004E00 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298405 shade: #298505, #4C8505, #6E8505, #857905 and #855705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298405 shade: #298505, #078505, #058526, #058548 and #05856B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298405 shade matches the following richer shades: #298505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298405 shade: #298505, #2E7A10, #336F1B, #386326 and #3C5831

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298405 shade: #708505, #4D8505, #2B8505, #098505 and #058523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298405 shade: #103502, #1D5D03, #298505, #35AD06 and #42D508

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298405 shade: #298405, #058578 and #85055E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298405 shade: #298405, #052B85 and #85052B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298405 shade: #298405, #058578, #5E0585 and #850512

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298405 shade: #298405, #056B85, #5E0585 and #851E05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

Complementary color

CMYK 14 / 51 / 0 / 2

HEX #D67BFA

RGB 214 123 250

HSL 282.99, 0.93%, 0.73%

LAB 66.03, 55.54, -49.36

 

CMYK 65 / 0 / 100 / 48

HEX #2E8400

RGB 46 132 0

HSL 99.09, 1%, 0.26%

LAB 48.36, -46.39, 51.92

 

CMYK 58 / 0 / 87 / 41

HEX #3F9613

RGB 63 150 19

HSL 99.85, 0.78%, 0.33%

LAB 54.99, -47.87, 54.02

 

CMYK 52 / 0 / 77 / 34

HEX #50A826

RGB 80 168 38

HSL 100.62, 0.63%, 0.4%

LAB 61.53, -48.84, 54.84

 

CMYK 48 / 0 / 69 / 27

HEX #61BA39

RGB 97 186 57

HSL 101.4, 0.53%, 0.48%

LAB 67.99, -49.41, 54.65

 

CMYK 44 / 0 / 63 / 20

HEX #72CC4C

RGB 114 204 76

HSL 102.19, 0.56%, 0.55%

LAB 74.37, -49.72, 53.93

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 79 / 0 / 100 / 55

HEX #187200

RGB 24 114 0

HSL 107.37, 1%, 0.22%

LAB 41.58, -44.83, 46.3

 

CMYK 93 / 0 / 100 / 62

HEX #076000

RGB 7 96 0

HSL 115.63, 1%, 0.19%

LAB 34.82, -41.32, 40.79

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 43 / 0 / 96 / 48

HEX #4C8505

RGB 76 133 5

HSL 86.72, 0.93%, 0.27%

LAB 49.88, -37.44, 52.66

 

CMYK 17 / 0 / 96 / 48

HEX #6E8505

RGB 110 133 5

HSL 70.78, 0.93%, 0.27%

LAB 51.95, -23.62, 55.17

 

CMYK 0 / 9 / 96 / 48

HEX #857905

RGB 133 121 5

HSL 54.38, 0.93%, 0.27%

LAB 50.3, -6.65, 54.75

 

CMYK 0 / 35 / 96 / 48

HEX #855705

RGB 133 87 5

HSL 38.44, 0.93%, 0.27%

LAB 40.92, 12.99, 47.83

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 95 / 0 / 96 / 48

HEX #078505

RGB 7 133 5

HSL 119.06, 0.93%, 0.27%

LAB 48.05, -52.44, 50.4

 

CMYK 96 / 0 / 71 / 48

HEX #058526

RGB 5 133 38

HSL 135.47, 0.93%, 0.27%

LAB 48.19, -50.5, 40.82

 

CMYK 96 / 0 / 46 / 48

HEX #058548

RGB 5 133 72

HSL 151.41, 0.93%, 0.27%

LAB 48.6, -45.46, 24.4

 

CMYK 96 / 0 / 20 / 48

HEX #05856B

RGB 5 133 107

HSL 167.81, 0.93%, 0.27%

LAB 49.34, -37.2, 5.44

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 62 / 0 / 87 / 52

HEX #2E7A10

RGB 46 122 16

HSL 103.02, 0.77%, 0.27%

LAB 44.99, -42.15, 45.67

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 43 / 0 / 62 / 61

HEX #386326

RGB 56 99 38

HSL 102.3, 0.45%, 0.27%

LAB 37.67, -27.47, 29.52

 

CMYK 32 / 0 / 44 / 65

HEX #3C5831

RGB 60 88 49

HSL 103.08, 0.28%, 0.27%

LAB 34.32, -18.83, 19.34

 

CMYK 16 / 0 / 96 / 48

HEX #708505

RGB 112 133 5

HSL 69.84, 0.93%, 0.27%

LAB 52.1, -22.74, 55.35

 

CMYK 42 / 0 / 96 / 48

HEX #4D8505

RGB 77 133 5

HSL 86.25, 0.93%, 0.27%

LAB 49.93, -37.08, 52.72

 

CMYK 68 / 0 / 96 / 48

HEX #2B8505

RGB 43 133 5

HSL 102.19, 0.93%, 0.27%

LAB 48.64, -47.28, 51.12

 

CMYK 93 / 0 / 96 / 48

HEX #098505

RGB 9 133 5

HSL 118.13, 0.93%, 0.27%

LAB 48.06, -52.3, 50.42

 

CMYK 96 / 0 / 74 / 48

HEX #058523

RGB 5 133 35

HSL 134.06, 0.93%, 0.27%

LAB 48.17, -50.8, 42.03

 

CMYK 70 / 0 / 96 / 79

HEX #103502

RGB 16 53 2

HSL 103.53, 0.93%, 0.11%

LAB 18.63, -23.92, 25.08

 

CMYK 69 / 0 / 97 / 64

HEX #1D5D03

RGB 29 93 3

HSL 102.67, 0.94%, 0.19%

LAB 34.18, -36.27, 39.5

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 69 / 0 / 97 / 32

HEX #35AD06

RGB 53 173 6

HSL 103.11, 0.93%, 0.35%

LAB 62.22, -58.53, 62.19

 

CMYK 69 / 0 / 96 / 16

HEX #42D508

RGB 66 213 8

HSL 103.02, 0.93%, 0.43%

LAB 75.3, -68.63, 72.73

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 96 / 0 / 10 / 48

HEX #058578

RGB 5 133 120

HSL 173.91, 0.93%, 0.27%

LAB 49.69, -33.45, -1.65

 

CMYK 0 / 96 / 29 / 48

HEX #85055E

RGB 133 5 94

HSL 318.28, 0.93%, 0.27%

LAB 29.17, 54.38, -15.58

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 96 / 68 / 0 / 48

HEX #052B85

RGB 5 43 133

HSL 222.19, 0.93%, 0.27%

LAB 21.78, 26.5, -53.26

 

CMYK 0 / 96 / 68 / 48

HEX #85052B

RGB 133 5 43

HSL 342.19, 0.93%, 0.27%

LAB 27.49, 49.87, 16.18

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 96 / 0 / 10 / 48

HEX #058578

RGB 5 133 120

HSL 173.91, 0.93%, 0.27%

LAB 49.69, -33.45, -1.65

 

CMYK 29 / 96 / 0 / 48

HEX #5E0585

RGB 94 5 133

HSL 281.72, 0.93%, 0.27%

LAB 24.26, 53.54, -48.87

 

CMYK 0 / 96 / 86 / 48

HEX #850512

RGB 133 5 18

HSL 353.91, 0.93%, 0.27%

LAB 27.13, 48.86, 31.84

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 96 / 20 / 0 / 48

HEX #056B85

RGB 5 107 133

HSL 192.19, 0.93%, 0.27%

LAB 41.6, -15.78, -21.59

 

CMYK 29 / 96 / 0 / 48

HEX #5E0585

RGB 94 5 133

HSL 281.72, 0.93%, 0.27%

LAB 24.26, 53.54, -48.87

 

CMYK 0 / 77 / 96 / 48

HEX #851E05

RGB 133 30 5

HSL 11.72, 0.93%, 0.27%

LAB 29.23, 42.39, 39.64

 

Description

Color code: HEX #298405 | qconv.com Color code: HEX #298405 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 132 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 132 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 96 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 96% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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