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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3B66 it is the complementary color #C5C499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3B66 shade: #3F3B61, #504D74, #615F87, #72719A and #8383AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3B66 shade: #3A3B66, #292953, #181740, #07052D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3B66 shade: #393A65, #443965, #503965, #5C3965 and #653963

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3B66 shade: #393A65 and #393965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3B66 shade matches the following richer shades: #393A65, #2C2E72, #1F217F, #13158C and #060998

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3B66 shade: #393A65, #464658, #52524C, #5F5F3F and #6C6B32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3B66 shade: #395265, #394665, #393A65, #433965 and #4F3965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3B66 shade: #1B1C30, #2A2B4B, #393A65, #484980 and #57589A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3B66 shade: #3A3B66, #65395E and #4C6539

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3B66 shade: #3A3B66, #65393A and #3A6539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3B66 shade: #3A3B66, #65395E, #656439 and #396540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3B66 shade: #3A3B66, #653951, #656439 and #39654E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

Complementary color

CMYK 0 / 1 / 22 / 23

HEX #C5C499

RGB 197 196 153

HSL 58.64, 0.28%, 0.69%

LAB 78.26, -6.69, 21.78

 

CMYK 35 / 39 / 0 / 62

HEX #3F3B61

RGB 63 59 97

HSL 246.32, 0.24%, 0.31%

LAB 26.87, 11.74, -21.92

 

CMYK 31 / 34 / 0 / 55

HEX #504D74

RGB 80 77 116

HSL 244.62, 0.2%, 0.38%

LAB 34.55, 10.98, -21.88

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 26 / 27 / 0 / 40

HEX #72719A

RGB 114 113 154

HSL 241.46, 0.17%, 0.52%

LAB 49.16, 9.85, -22.02

 

CMYK 24 / 24 / 0 / 32

HEX #8383AD

RGB 131 131 173

HSL 240, 0.2%, 0.6%

LAB 56.16, 9.39, -22.16

 

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

CMYK 51 / 51 / 0 / 67

HEX #292953

RGB 41 41 83

HSL 240, 0.34%, 0.24%

LAB 18.72, 12.94, -25.71

 

CMYK 63 / 64 / 0 / 75

HEX #181740

RGB 24 23 64

HSL 241.46, 0.47%, 0.17%

LAB 10.39, 14.63, -26.09

 

CMYK 84 / 89 / 0 / 82

HEX #07052D

RGB 7 5 45

HSL 243, 0.8%, 0.1%

LAB 3.1, 11.85, -24.04

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 33 / 44 / 0 / 60

HEX #443965

RGB 68 57 101

HSL 255, 0.28%, 0.31%

LAB 27, 15.87, -24.26

 

CMYK 21 / 44 / 0 / 60

HEX #503965

RGB 80 57 101

HSL 271.36, 0.28%, 0.31%

LAB 28.3, 19.81, -22.13

 

CMYK 9 / 44 / 0 / 60

HEX #5C3965

RGB 92 57 101

HSL 287.73, 0.28%, 0.31%

LAB 29.77, 23.9, -19.74

 

CMYK 0 / 44 / 2 / 60

HEX #653963

RGB 101 57 99

HSL 302.73, 0.28%, 0.31%

LAB 30.86, 26.59, -16.66

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 44 / 44 / 0 / 60

HEX #393965

RGB 57 57 101

HSL 240, 0.28%, 0.31%

LAB 25.97, 12.49, -25.96

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 61 / 60 / 0 / 55

HEX #2C2E72

RGB 44 46 114

HSL 238.29, 0.44%, 0.31%

LAB 22.67, 21.33, -39.67

 

CMYK 76 / 74 / 0 / 50

HEX #1F217F

RGB 31 33 127

HSL 238.75, 0.61%, 0.31%

LAB 19.69, 32.78, -52.88

 

CMYK 86 / 85 / 0 / 45

HEX #13158C

RGB 19 21 140

HSL 239.01, 0.76%, 0.31%

LAB 18.22, 43.15, -63.51

 

CMYK 96 / 94 / 0 / 40

HEX #060998

RGB 6 9 152

HSL 238.77, 0.92%, 0.31%

LAB 17.92, 51.08, -71.48

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 20 / 20 / 0 / 65

HEX #464658

RGB 70 70 88

HSL 240, 0.11%, 0.31%

LAB 30.37, 4.37, -10.66

 

CMYK 0 / 0 / 7 / 68

HEX #52524C

RGB 82 82 76

HSL 60, 0.04%, 0.31%

LAB 34.7, -1.25, 3.52

 

CMYK 0 / 0 / 34 / 63

HEX #5F5F3F

RGB 95 95 63

HSL 60, 0.2%, 0.31%

LAB 39.54, -5.67, 18.36

 

CMYK 0 / 1 / 54 / 58

HEX #6C6B32

RGB 108 107 50

HSL 58.97, 0.37%, 0.31%

LAB 44.14, -8.26, 31.72

 

CMYK 44 / 19 / 0 / 60

HEX #395265

RGB 57 82 101

HSL 205.91, 0.28%, 0.31%

LAB 33.66, -3.92, -14

 

CMYK 44 / 31 / 0 / 60

HEX #394665

RGB 57 70 101

HSL 222.27, 0.28%, 0.31%

LAB 29.89, 3.77, -19.82

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 34 / 44 / 0 / 60

HEX #433965

RGB 67 57 101

HSL 253.64, 0.28%, 0.31%

LAB 26.9, 15.55, -24.43

 

CMYK 22 / 44 / 0 / 60

HEX #4F3965

RGB 79 57 101

HSL 270, 0.28%, 0.31%

LAB 28.19, 19.48, -22.31

 

CMYK 44 / 42 / 0 / 81

HEX #1B1C30

RGB 27 28 48

HSL 237.14, 0.28%, 0.15%

LAB 11.11, 5.72, -13.45

 

CMYK 44 / 43 / 0 / 71

HEX #2A2B4B

RGB 42 43 75

HSL 238.18, 0.28%, 0.23%

LAB 18.92, 9.04, -19.99

 

CMYK 44 / 43 / 0 / 60

HEX #393A65

RGB 57 58 101

HSL 238.64, 0.28%, 0.31%

LAB 26.26, 11.81, -25.5

 

CMYK 44 / 43 / 0 / 50

HEX #484980

RGB 72 73 128

HSL 238.93, 0.28%, 0.39%

LAB 33.35, 14.76, -31.26

 

CMYK 44 / 43 / 0 / 40

HEX #57589A

RGB 87 88 154

HSL 239.1, 0.28%, 0.47%

LAB 40.15, 17.27, -36.26

 

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

CMYK 0 / 44 / 7 / 60

HEX #65395E

RGB 101 57 94

HSL 309.55, 0.28%, 0.31%

LAB 30.64, 25.58, -13.78

 

CMYK 25 / 0 / 44 / 60

HEX #4C6539

RGB 76 101 57

HSL 94.09, 0.28%, 0.31%

LAB 39.81, -18.1, 21.94

 

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

CMYK 0 / 44 / 43 / 60

HEX #65393A

RGB 101 57 58

HSL 358.64, 0.28%, 0.31%

LAB 29.41, 19.62, 7.83

 

CMYK 43 / 0 / 44 / 60

HEX #3A6539

RGB 58 101 57

HSL 118.64, 0.28%, 0.31%

LAB 38.73, -24.96, 20.33

 

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

CMYK 0 / 44 / 7 / 60

HEX #65395E

RGB 101 57 94

HSL 309.55, 0.28%, 0.31%

LAB 30.64, 25.58, -13.78

 

CMYK 0 / 1 / 44 / 60

HEX #656439

RGB 101 100 57

HSL 58.64, 0.28%, 0.31%

LAB 41.5, -6.68, 24.49

 

CMYK 44 / 0 / 37 / 60

HEX #396540

RGB 57 101 64

HSL 129.55, 0.28%, 0.31%

LAB 38.81, -24.03, 16.32

 

CMYK 43 / 42 / 0 / 60

HEX #3A3B66

RGB 58 59 102

HSL 238.64, 0.28%, 0.31%

LAB 26.7, 11.75, -25.45

 

CMYK 0 / 44 / 20 / 60

HEX #653951

RGB 101 57 81

HSL 327.27, 0.28%, 0.31%

LAB 30.13, 23.15, -6.15

 

CMYK 0 / 1 / 44 / 60

HEX #656439

RGB 101 100 57

HSL 58.64, 0.28%, 0.31%

LAB 41.5, -6.68, 24.49

 

CMYK 44 / 0 / 23 / 60

HEX #39654E

RGB 57 101 78

HSL 148.64, 0.28%, 0.31%

LAB 39.12, -21.07, 8.32

 

Description

Color code: HEX #3A3B66 | qconv.com Color code: HEX #3A3B66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 59 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 59 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 42 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 42% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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