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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615F87 it is the complementary color #9EA078. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615F87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615F87 shade: #665F82, #777195, #8883A8, #9995BB and #AAA7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615F87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615F87 shade: #615F87, #504D74, #3F3B61, #2E294E and #1D173B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615F87 shade: #615F86, #6C5F86, #765F86, #815F86 and #865F81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615F87 shade: #615F86 and #5F5F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615F87 shade matches the following richer shades: #615F86, #504D99, #403AAB, #2F28BE and #1E15D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615F87 shade: #615F86, #727274, #838461, #93974F and #A4AA3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615F87 shade: #5F7286, #5F6886, #615F86, #6C5F86 and #765F86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615F87 shade: #3E3D56, #504E6E, #615F86, #75739C and #8D8BAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615F87 shade: #615F87, #865F7D and #6D865F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615F87 shade: #615F87, #86615F and #5F8661

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615F87 shade: #615F87, #865F7D, #84865F and #5F8669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615F87 shade: #615F87, #865F71, #84865F and #5F8675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

Complementary color

CMYK 1 / 0 / 25 / 37

HEX #9EA078

RGB 158 160 120

HSL 63, 0.17%, 0.55%

LAB 64.78, -7.51, 20.68

 

CMYK 22 / 27 / 0 / 49

HEX #665F82

RGB 102 95 130

HSL 252, 0.16%, 0.44%

LAB 42.19, 10.72, -18.51

 

CMYK 20 / 24 / 0 / 42

HEX #777195

RGB 119 113 149

HSL 250, 0.15%, 0.51%

LAB 49.38, 10.24, -18.7

 

CMYK 19 / 22 / 0 / 34

HEX #8883A8

RGB 136 131 168

HSL 248.11, 0.18%, 0.59%

LAB 56.38, 9.81, -18.92

 

CMYK 18 / 20 / 0 / 27

HEX #9995BB

RGB 153 149 187

HSL 246.32, 0.22%, 0.66%

LAB 63.22, 9.42, -19.17

 

CMYK 17 / 19 / 0 / 19

HEX #AAA7CE

RGB 170 167 206

HSL 244.62, 0.28%, 0.73%

LAB 69.92, 9.08, -19.43

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 31 / 34 / 0 / 55

HEX #504D74

RGB 80 77 116

HSL 244.62, 0.2%, 0.38%

LAB 34.55, 10.98, -21.88

 

CMYK 35 / 39 / 0 / 62

HEX #3F3B61

RGB 63 59 97

HSL 246.32, 0.24%, 0.31%

LAB 26.87, 11.74, -21.92

 

CMYK 41 / 47 / 0 / 69

HEX #2E294E

RGB 46 41 78

HSL 248.11, 0.31%, 0.23%

LAB 18.87, 12.72, -22.07

 

CMYK 51 / 61 / 0 / 77

HEX #1D173B

RGB 29 23 59

HSL 250, 0.44%, 0.16%

LAB 10.48, 14.07, -22.36

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 19 / 29 / 0 / 47

HEX #6C5F86

RGB 108 95 134

HSL 260, 0.17%, 0.45%

LAB 42.9, 13.76, -19.78

 

CMYK 12 / 29 / 0 / 47

HEX #765F86

RGB 118 95 134

HSL 275.38, 0.17%, 0.45%

LAB 43.88, 17.19, -18.19

 

CMYK 4 / 29 / 0 / 47

HEX #815F86

RGB 129 95 134

HSL 292.31, 0.17%, 0.45%

LAB 45.04, 21.05, -16.31

 

CMYK 0 / 29 / 4 / 47

HEX #865F81

RGB 134 95 129

HSL 307.69, 0.17%, 0.45%

LAB 45.41, 21.82, -12.69

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 29 / 29 / 0 / 47

HEX #5F5F86

RGB 95 95 134

HSL 240, 0.17%, 0.45%

LAB 41.75, 9.45, -21.65

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 48 / 50 / 0 / 40

HEX #504D99

RGB 80 77 153

HSL 242.37, 0.33%, 0.45%

LAB 36.58, 22.17, -41.36

 

CMYK 63 / 66 / 0 / 33

HEX #403AAB

RGB 64 58 171

HSL 243.19, 0.49%, 0.45%

LAB 31.93, 36.88, -59.77

 

CMYK 75 / 79 / 0 / 25

HEX #2F28BE

RGB 47 40 190

HSL 242.8, 0.65%, 0.45%

LAB 29, 51.33, -75.93

 

CMYK 86 / 90 / 0 / 18

HEX #1E15D1

RGB 30 21 209

HSL 242.87, 0.82%, 0.45%

LAB 27.89, 63.82, -88.95

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 2 / 2 / 0 / 55

HEX #727274

RGB 114 114 116

HSL 240, 0.01%, 0.45%

LAB 48.1, 0.41, -1.11

 

CMYK 1 / 0 / 27 / 48

HEX #838461

RGB 131 132 97

HSL 61.71, 0.15%, 0.45%

LAB 54.23, -6.47, 18.83

 

CMYK 3 / 0 / 48 / 41

HEX #93974F

RGB 147 151 79

HSL 63.33, 0.31%, 0.45%

LAB 60.69, -12.32, 37.19

 

CMYK 4 / 0 / 65 / 33

HEX #A4AA3C

RGB 164 170 60

HSL 63.27, 0.48%, 0.45%

LAB 67.25, -16.54, 53.9

 

CMYK 29 / 15 / 0 / 47

HEX #5F7286

RGB 95 114 134

HSL 210.77, 0.17%, 0.45%

LAB 47.22, -2.07, -13.28

 

CMYK 29 / 22 / 0 / 47

HEX #5F6886

RGB 95 104 134

HSL 226.15, 0.17%, 0.45%

LAB 44.31, 3.92, -17.71

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 19 / 29 / 0 / 47

HEX #6C5F86

RGB 108 95 134

HSL 260, 0.17%, 0.45%

LAB 42.9, 13.76, -19.78

 

CMYK 12 / 29 / 0 / 47

HEX #765F86

RGB 118 95 134

HSL 275.38, 0.17%, 0.45%

LAB 43.88, 17.19, -18.19

 

CMYK 28 / 29 / 0 / 66

HEX #3E3D56

RGB 62 61 86

HSL 242.4, 0.17%, 0.29%

LAB 26.83, 6.83, -14.84

 

CMYK 27 / 29 / 0 / 57

HEX #504E6E

RGB 80 78 110

HSL 243.75, 0.17%, 0.37%

LAB 34.56, 8.67, -18.11

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 25 / 26 / 0 / 39

HEX #75739C

RGB 117 115 156

HSL 242.93, 0.17%, 0.53%

LAB 50.03, 10.12, -21.82

 

CMYK 18 / 20 / 0 / 32

HEX #8D8BAD

RGB 141 139 173

HSL 243.53, 0.17%, 0.61%

LAB 59.11, 8, -17.59

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 0 / 29 / 7 / 47

HEX #865F7D

RGB 134 95 125

HSL 313.85, 0.17%, 0.45%

LAB 45.27, 21.04, -10.5

 

CMYK 19 / 0 / 29 / 47

HEX #6D865F

RGB 109 134 95

HSL 98.46, 0.17%, 0.45%

LAB 53.09, -16.65, 18.14

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 0 / 28 / 29 / 47

HEX #86615F

RGB 134 97 95

HSL 3.08, 0.17%, 0.45%

LAB 44.86, 14.72, 7.06

 

CMYK 29 / 0 / 28 / 47

HEX #5F8661

RGB 95 134 97

HSL 123.08, 0.17%, 0.45%

LAB 52.23, -21.48, 15.68

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 0 / 29 / 7 / 47

HEX #865F7D

RGB 134 95 125

HSL 313.85, 0.17%, 0.45%

LAB 45.27, 21.04, -10.5

 

CMYK 1 / 0 / 29 / 47

HEX #84865F

RGB 132 134 95

HSL 63.08, 0.17%, 0.45%

LAB 54.85, -7.45, 20.81

 

CMYK 29 / 0 / 22 / 47

HEX #5F8669

RGB 95 134 105

HSL 135.38, 0.17%, 0.45%

LAB 52.4, -19.94, 11.33

 

CMYK 28 / 30 / 0 / 47

HEX #615F87

RGB 97 95 135

HSL 243, 0.17%, 0.45%

LAB 41.96, 10.37, -21.92

 

CMYK 0 / 29 / 16 / 47

HEX #865F71

RGB 134 95 113

HSL 332.31, 0.17%, 0.45%

LAB 44.86, 18.84, -3.84

 

CMYK 1 / 0 / 29 / 47

HEX #84865F

RGB 132 134 95

HSL 63.08, 0.17%, 0.45%

LAB 54.85, -7.45, 20.81

 

CMYK 29 / 0 / 13 / 47

HEX #5F8675

RGB 95 134 117

HSL 153.85, 0.17%, 0.45%

LAB 52.69, -17.42, 4.8

 

Description

Color code: HEX #615F87 | qconv.com Color code: HEX #615F87 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 95 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 95 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 30 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 30% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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