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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39ABC9 it is the complementary color #C65436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39ABC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39ABC9 shade: #3EABC4, #4FBDD7, #60CFEA, #71E1FD and #82F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39ABC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39ABC9 shade: #39ABC9, #2899B6, #1787A3, #067590 and #00637D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39ABC9 shade: #3BACC9, #3B85C9, #3B5FC9, #3D3BC9 and #643BC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39ABC9 shade: #3BACC9, #3B85C9, #3B5FC9 and #3B3BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39ABC9 shade matches the following richer shades: #3BACC9, #27B7DD and #12C3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39ABC9 shade: #3BACC9, #4FA0B5, #6394A1, #77888D and #8C7C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39ABC9 shade: #3BC99A, #3BC9C0, #3BADC9, #3B87C9 and #3B61C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39ABC9 shade: #26768B, #2F92AC, #3BACC9, #5BB9D2 and #7CC7DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39ABC9 shade: #39ABC9, #743BC9 and #C9AD3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39ABC9 shade: #39ABC9, #C93BAD and #ADC93B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39ABC9 shade: #39ABC9, #743BC9, #C9573B and #90C93B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39ABC9 shade: #39ABC9, #9F3BC9, #C9573B and #66C93B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

Complementary color

CMYK 0 / 58 / 73 / 22

HEX #C65436

RGB 198 84 54

HSL 12.5, 0.57%, 0.49%

LAB 50.23, 43.71, 39.58

 

CMYK 68 / 13 / 0 / 23

HEX #3EABC4

RGB 62 171 196

HSL 191.19, 0.53%, 0.51%

LAB 65.07, -22.74, -21.8

 

CMYK 63 / 12 / 0 / 16

HEX #4FBDD7

RGB 79 189 215

HSL 191.47, 0.63%, 0.58%

LAB 71.53, -23.44, -22.36

 

CMYK 59 / 12 / 0 / 8

HEX #60CFEA

RGB 96 207 234

HSL 191.74, 0.77%, 0.65%

LAB 77.91, -23.97, -22.87

 

CMYK 55 / 11 / 0 / 1

HEX #71E1FD

RGB 113 225 253

HSL 192, 0.97%, 0.72%

LAB 84.2, -24.37, -23.35

 

CMYK 49 / 5 / 0 / 0

HEX #82F3FF

RGB 130 243 255

HSL 185.76, 1%, 0.75%

LAB 89.89, -29.17, -15.75

 

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

CMYK 78 / 16 / 0 / 29

HEX #2899B6

RGB 40 153 182

HSL 192.25, 0.64%, 0.44%

LAB 58.61, -20.73, -23.89

 

CMYK 86 / 17 / 0 / 36

HEX #1787A3

RGB 23 135 163

HSL 192, 0.75%, 0.36%

LAB 52.01, -19.23, -23.2

 

CMYK 96 / 19 / 0 / 44

HEX #067590

RGB 6 117 144

HSL 191.74, 0.92%, 0.29%

LAB 45.32, -17.24, -22.4

 

CMYK 100 / 21 / 0 / 51

HEX #00637D

RGB 0 99 125

HSL 192.48, 1%, 0.25%

LAB 38.56, -14.56, -21.45

 

CMYK 71 / 14 / 0 / 21

HEX #3BACC9

RGB 59 172 201

HSL 192.25, 0.57%, 0.51%

LAB 65.48, -22.11, -23.96

 

CMYK 71 / 34 / 0 / 21

HEX #3B85C9

RGB 59 133 201

HSL 208.73, 0.57%, 0.51%

LAB 53.94, -0.49, -41.9

 

CMYK 71 / 53 / 0 / 21

HEX #3B5FC9

RGB 59 95 201

HSL 224.79, 0.57%, 0.51%

LAB 43.26, 23.15, -58.99

 

CMYK 70 / 71 / 0 / 21

HEX #3D3BC9

RGB 61 59 201

HSL 240.85, 0.57%, 0.51%

LAB 34.68, 45.83, -72.99

 

CMYK 50 / 71 / 0 / 21

HEX #643BC9

RGB 100 59 201

HSL 257.32, 0.57%, 0.51%

LAB 37.94, 51.2, -67.51

 

CMYK 71 / 14 / 0 / 21

HEX #3BACC9

RGB 59 172 201

HSL 192.25, 0.57%, 0.51%

LAB 65.48, -22.11, -23.96

 

CMYK 71 / 34 / 0 / 21

HEX #3B85C9

RGB 59 133 201

HSL 208.73, 0.57%, 0.51%

LAB 53.94, -0.49, -41.9

 

CMYK 71 / 53 / 0 / 21

HEX #3B5FC9

RGB 59 95 201

HSL 224.79, 0.57%, 0.51%

LAB 43.26, 23.15, -58.99

 

CMYK 71 / 71 / 0 / 21

HEX #3B3BC9

RGB 59 59 201

HSL 240, 0.57%, 0.51%

LAB 34.55, 45.61, -73.2

 

CMYK 71 / 14 / 0 / 21

HEX #3BACC9

RGB 59 172 201

HSL 192.25, 0.57%, 0.51%

LAB 65.48, -22.11, -23.96

 

CMYK 82 / 17 / 0 / 13

HEX #27B7DD

RGB 39 183 221

HSL 192.53, 0.73%, 0.51%

LAB 69.13, -23.41, -29.4

 

CMYK 93 / 19 / 0 / 5

HEX #12C3F2

RGB 18 195 242

HSL 192.59, 0.9%, 0.51%

LAB 73.27, -23.7, -34.42

 

CMYK 71 / 14 / 0 / 21

HEX #3BACC9

RGB 59 172 201

HSL 192.25, 0.57%, 0.51%

LAB 65.48, -22.11, -23.96

 

CMYK 56 / 12 / 0 / 29

HEX #4FA0B5

RGB 79 160 181

HSL 192.35, 0.41%, 0.51%

LAB 61.77, -18.61, -18.4

 

CMYK 39 / 8 / 0 / 37

HEX #6394A1

RGB 99 148 161

HSL 192.58, 0.25%, 0.51%

LAB 58.42, -13, -12.06

 

CMYK 16 / 4 / 0 / 45

HEX #77888D

RGB 119 136 141

HSL 193.64, 0.09%, 0.51%

LAB 55.54, -5.02, -4.76

 

CMYK 0 / 11 / 14 / 45

HEX #8C7C78

RGB 140 124 120

HSL 12, 0.08%, 0.51%

LAB 53.33, 5.42, 4.42

 

CMYK 71 / 0 / 23 / 21

HEX #3BC99A

RGB 59 201 154

HSL 160.14, 0.57%, 0.51%

LAB 72.92, -48.51, 12.79

 

CMYK 71 / 0 / 4 / 21

HEX #3BC9C0

RGB 59 201 192

HSL 176.2, 0.57%, 0.51%

LAB 73.87, -38.81, -6.37

 

CMYK 71 / 14 / 0 / 21

HEX #3BADC9

RGB 59 173 201

HSL 191.83, 0.57%, 0.51%

LAB 65.78, -22.62, -23.51

 

CMYK 71 / 33 / 0 / 21

HEX #3B87C9

RGB 59 135 201

HSL 207.89, 0.57%, 0.51%

LAB 54.53, -1.68, -40.98

 

CMYK 71 / 52 / 0 / 21

HEX #3B61C9

RGB 59 97 201

HSL 223.94, 0.57%, 0.51%

LAB 43.79, 21.87, -58.12

 

CMYK 73 / 15 / 0 / 45

HEX #26768B

RGB 38 118 139

HSL 192.48, 0.57%, 0.35%

LAB 45.95, -16.63, -18.43

 

CMYK 73 / 15 / 0 / 33

HEX #2F92AC

RGB 47 146 172

HSL 192.48, 0.57%, 0.43%

LAB 56.23, -19.5, -21.85

 

CMYK 71 / 14 / 0 / 21

HEX #3BACC9

RGB 59 172 201

HSL 192.25, 0.57%, 0.51%

LAB 65.48, -22.11, -23.96

 

CMYK 57 / 12 / 0 / 18

HEX #5BB9D2

RGB 91 185 210

HSL 192.61, 0.57%, 0.59%

LAB 70.58, -20.71, -21.05

 

CMYK 43 / 9 / 0 / 14

HEX #7CC7DB

RGB 124 199 219

HSL 192.63, 0.57%, 0.67%

LAB 76.22, -18.11, -17.26

 

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

CMYK 42 / 71 / 0 / 21

HEX #743BC9

RGB 116 59 201

HSL 264.08, 0.57%, 0.51%

LAB 39.68, 53.94, -64.6

 

CMYK 0 / 14 / 71 / 21

HEX #C9AD3B

RGB 201 173 59

HSL 48.17, 0.57%, 0.51%

LAB 71.3, -2.15, 59.48

 

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

CMYK 0 / 71 / 14 / 21

HEX #C93BAD

RGB 201 59 173

HSL 311.83, 0.57%, 0.51%

LAB 50.17, 66.89, -30.77

 

CMYK 14 / 0 / 71 / 21

HEX #ADC93B

RGB 173 201 59

HSL 71.83, 0.57%, 0.51%

LAB 76.66, -28.15, 64.07

 

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

CMYK 42 / 71 / 0 / 21

HEX #743BC9

RGB 116 59 201

HSL 264.08, 0.57%, 0.51%

LAB 39.68, 53.94, -64.6

 

CMYK 0 / 57 / 71 / 21

HEX #C9573B

RGB 201 87 59

HSL 11.83, 0.57%, 0.51%

LAB 51.32, 43.63, 38.23

 

CMYK 28 / 0 / 71 / 21

HEX #90C93B

RGB 144 201 59

HSL 84.08, 0.57%, 0.51%

LAB 74.84, -39.49, 61.65

 

CMYK 72 / 15 / 0 / 21

HEX #39ABC9

RGB 57 171 201

HSL 192.5, 0.57%, 0.51%

LAB 65.13, -21.86, -24.5

 

CMYK 21 / 71 / 0 / 21

HEX #9F3BC9

RGB 159 59 201

HSL 282.25, 0.57%, 0.51%

LAB 45.24, 62.27, -55.32

 

CMYK 0 / 57 / 71 / 21

HEX #C9573B

RGB 201 87 59

HSL 11.83, 0.57%, 0.51%

LAB 51.32, 43.63, 38.23

 

CMYK 49 / 0 / 71 / 21

HEX #66C93B

RGB 102 201 59

HSL 101.83, 0.57%, 0.51%

LAB 72.84, -53.6, 58.97

 

Description

Color code: HEX #39ABC9 | qconv.com Color code: HEX #39ABC9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 171 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 171 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 15 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 15% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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