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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38EFFE it is the complementary color #C71001. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38EFFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #38EFFE: #3DEFF9, #4EFFFF, #5FFFFF, #70FFFF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38EFFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #38EFFE: #38EFFE, #27DDEB, #16CBD8, #05B9C5 and #00A7B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

Complementary color

CMYK 0 / 92 / 99 / 22

HEX #C71001

RGB 199 16 1

HSL 4.55, 0.99%, 0.39%

LAB 42.02, 64.8, 55.62

 

CMYK 76 / 4 / 0 / 2

HEX #3DEFF9

RGB 61 239 249

HSL 183.19, 0.94%, 0.61%

LAB 86.78, -39.7, -17.47

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 83 / 6 / 0 / 8

HEX #27DDEB

RGB 39 221 235

HSL 184.29, 0.83%, 0.54%

LAB 80.82, -37.42, -19.1

 

CMYK 90 / 6 / 0 / 15

HEX #16CBD8

RGB 22 203 216

HSL 184.02, 0.82%, 0.47%

LAB 74.72, -35.83, -18.15

 

CMYK 97 / 6 / 0 / 23

HEX #05B9C5

RGB 5 185 197

HSL 183.75, 0.95%, 0.4%

LAB 68.58, -33.9, -17.1

 

CMYK 100 / 6 / 0 / 30

HEX #00A7B2

RGB 0 167 178

HSL 183.71, 1%, 0.35%

LAB 62.38, -31.54, -15.93

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 78 / 18 / 0 / 0

HEX #39D0FE

RGB 57 208 254

HSL 194.01, 0.99%, 0.61%

LAB 77.96, -23.74, -33.57

 

CMYK 78 / 31 / 0 / 0

HEX #39AFFE

RGB 57 175 254

HSL 204.06, 0.99%, 0.61%

LAB 68.52, -6.26, -48.28

 

CMYK 78 / 44 / 0 / 0

HEX #398EFE

RGB 57 142 254

HSL 214.11, 0.99%, 0.61%

LAB 59.32, 12.93, -62.92

 

CMYK 78 / 57 / 0 / 0

HEX #396DFE

RGB 57 109 254

HSL 224.16, 0.99%, 0.61%

LAB 50.64, 33.3, -76.95

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 78 / 6 / 0 / 80

HEX #0B2F32

RGB 11 47 50

HSL 184.62, 0.64%, 0.12%

LAB 17.15, -11.37, -5.68

 

CMYK 78 / 6 / 0 / 60

HEX #165F65

RGB 22 95 101

HSL 184.56, 0.64%, 0.24%

LAB 36.55, -19.21, -9.74

 

CMYK 78 / 6 / 0 / 40

HEX #228F98

RGB 34 143 152

HSL 184.58, 0.63%, 0.36%

LAB 54.29, -26.05, -13.35

 

CMYK 78 / 6 / 0 / 20

HEX #2DBFCB

RGB 45 191 203

HSL 184.56, 0.64%, 0.49%

LAB 70.96, -32.55, -16.75

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 57 / 78 / 0 / 0

HEX #6D39FE

RGB 109 57 254

HSL 255.84, 0.99%, 0.61%

LAB 43.26, 67.71, -88.93

 

CMYK 0 / 26 / 78 / 0

HEX #FEBC39

RGB 254 188 57

HSL 39.9, 0.99%, 0.61%

LAB 80.37, 12.58, 70.81

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 0 / 78 / 6 / 0

HEX #FE39F0

RGB 254 57 240

HSL 304.26, 0.99%, 0.61%

LAB 61.9, 88.47, -50

 

CMYK 6 / 0 / 78 / 0

HEX #F0FE39

RGB 240 254 57

HSL 64.26, 0.99%, 0.61%

LAB 95.87, -26.18, 84.39

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 57 / 78 / 0 / 0

HEX #6D39FE

RGB 109 57 254

HSL 255.84, 0.99%, 0.61%

LAB 43.26, 67.71, -88.93

 

CMYK 0 / 72 / 78 / 0

HEX #FE4639

RGB 254 70 57

HSL 3.96, 0.99%, 0.61%

LAB 57.8, 68.12, 48.94

 

CMYK 21 / 0 / 78 / 0

HEX #C9FE39

RGB 201 254 57

HSL 76.14, 0.99%, 0.61%

LAB 93.27, -41.46, 81.07

 

CMYK 78 / 6 / 0 / 0

HEX #38EFFE

RGB 56 239 254

HSL 184.55, 0.99%, 0.61%

LAB 86.86, -38.71, -19.97

 

CMYK 34 / 78 / 0 / 0

HEX #A839FE

RGB 168 57 254

HSL 273.81, 0.99%, 0.61%

LAB 49.99, 75.66, -77.64

 

CMYK 0 / 72 / 78 / 0

HEX #FE4639

RGB 254 70 57

HSL 3.96, 0.99%, 0.61%

LAB 57.8, 68.12, 48.94

 

CMYK 44 / 0 / 78 / 0

HEX #8EFE39

RGB 142 254 57

HSL 94.11, 0.99%, 0.61%

LAB 90.29, -61.82, 77.23

 

Description

Color code: HEX #38EFFE | qconv.com Color code: HEX #38EFFE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 239 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 239 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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