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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38340400 it is the complementary color #C7CBFB00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38340400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #38340400: #3D340000, #4E461200, #5F582500, #706A3800 and #817C4B00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38340400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #38340400: #38340400, #27220000, #16100000, #05000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C7CBFB00

RGBA 199 203 251 0

HSLA 235.38, 0.87%, 0.88%, 0

LABA 82.82, 8.44, -23.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3D340000

RGBA 61 52 0 0

HSLA 51.15, 1%, 0.12%, 0

LABA 21.76, -2.09, 30.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4E461200

RGBA 78 70 18 0

HSLA 52, 0.63%, 0.19%, 0

LABA 29.52, -3.51, 31.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5F582500

RGBA 95 88 37 0

HSLA 52.76, 0.44%, 0.26%, 0

LABA 37.01, -4.54, 30.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #706A3800

RGBA 112 106 56 0

HSLA 53.57, 0.33%, 0.33%, 0

LABA 44.29, -5.25, 28.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #817C4B00

RGBA 129 124 75 0

HSLA 54.44, 0.26%, 0.4%, 0

LABA 51.37, -5.78, 27.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #27220000

RGBA 39 34 0 0

HSLA 52.31, 1%, 0.08%, 0

LABA 13.08, -2.52, 19.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #16100000

RGBA 22 16 0 0

HSLA 43.64, 1%, 0.04%, 0

LABA 4.89, 0.07, 7.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #05000000

RGBA 5 0 0 0

HSLA 0, 1%, 0.01%, 0

LABA 0.29, 1.31, 0.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #34390300

RGBA 52 57 3 0

HSLA 65.56, 0.9%, 0.12%, 0

LABA 22.52, -9.89, 29.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2B390300

RGBA 43 57 3 0

HSLA 75.56, 0.9%, 0.12%, 0

LABA 21.75, -14.5, 28.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #23390300

RGBA 35 57 3 0

HSLA 84.44, 0.9%, 0.12%, 0

LABA 21.17, -18.31, 27.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1A390300

RGBA 26 57 3 0

HSLA 94.44, 0.9%, 0.12%, 0

LABA 20.64, -22.12, 27.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B630800

RGBA 107 99 8 0

HSLA 55.15, 0.86%, 0.23%, 0

LABA 41.32, -6.64, 46.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E930B00

RGBA 158 147 11 0

HSLA 55.51, 0.87%, 0.33%, 0

LABA 60.03, -9.11, 62.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1C20F00

RGBA 209 194 15 0

HSLA 55.36, 0.87%, 0.44%, 0

LABA 77.38, -10.89, 76.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #05050000

RGBA 5 5 0 0

HSLA 60, 1%, 0.01%, 0

LABA 1.27, -0.7, 1.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03390A00

RGBA 3 57 10 0

HSLA 127.78, 0.9%, 0.12%, 0

LABA 19.91, -27.86, 23.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F033900

RGBA 31 3 57 0

HSLA 271.11, 0.9%, 0.12%, 0

LABA 5.89, 26.33, -28.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03393400

RGBA 3 57 52 0

HSLA 174.44, 0.9%, 0.12%, 0

LABA 20.8, -17.88, -1.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #34033900

RGBA 52 3 57 0

HSLA 294.44, 0.9%, 0.12%, 0

LABA 9.72, 31.34, -21.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03390A00

RGBA 3 57 10 0

HSLA 127.78, 0.9%, 0.12%, 0

LABA 19.91, -27.86, 23.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03083900

RGBA 3 8 57 0

HSLA 234.44, 0.9%, 0.12%, 0

LABA 4.41, 16.32, -30.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39033300

RGBA 57 3 51 0

HSLA 306.67, 0.9%, 0.12%, 0

LABA 10.36, 31.35, -16.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38340400

RGBA 56 52 4 0

HSLA 55.38, 0.87%, 0.12%, 0

LABA 21.23, -4.57, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03391A00

RGBA 3 57 26 0

HSLA 145.56, 0.9%, 0.12%, 0

LABA 20.12, -25.28, 14.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #03083900

RGBA 3 8 57 0

HSLA 234.44, 0.9%, 0.12%, 0

LABA 4.41, 16.32, -30.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39032300

RGBA 57 3 35 0

HSLA 324.44, 0.9%, 0.12%, 0

LABA 9.45, 28.86, -5.98, 0

 

Description

Color code: HEX #38340400 | qconv.com Color code: HEX #38340400 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 52 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 52 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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